"After Hours" is a blues piano composition composed by pianist Avery Parrish. It is usually played in G.
Blues is a music genre and musical form which was originated in the Deep South of the United States around the 1870s by African Americans from roots in African musical traditions, African-American work songs, and spirituals. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads. The blues form, ubiquitous in jazz, rhythm and blues and rock and roll, is characterized by the call-and-response pattern, the blues scale and specific chord progressions, of which the twelve-bar blues is the most common. Blue notes, usually thirds, fifths or sevenths flattened in pitch are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove.
James Avery Parrish was an American jazz pianist, composer and arranger. He wrote and recorded "After Hours". Injuries from a bar fight in 1943 ended his career as a pianist.
The first recording of the song was by Parrish with the Erskine Hawkins Orchestra, on June 10, 1940, [1] and was released on the Bluebird record label. It was an instant hit, and subsequently became a jazz standard. The song has been recorded many times by such diverse artists as Benny Goodman, Dizzy Gillespie with Sonny Rollins and Sonny Stitt, Woody Herman, Hazel Scott, Phineas Newborn, Hank Crawford, Buck Clayton, Ellis Marsalis, Roy Buchanan, Ryo Fukui, Muddy Waters and numerous others.
Erskine Ramsay Hawkins was an American trumpeter and big band leader from Birmingham, Alabama, dubbed "The 20th Century Gabriel". He is most remembered for composing the jazz standard "Tuxedo Junction" (1939) with saxophonist and arranger Bill Johnson. The song became a popular hit during World War II, rising to No. 7 nationally and to No. 1 nationally. Vocalists who were featured with Erskine's orchestra include Ida James, Delores Brown, and Della Reese. Hawkins was named after Alabama industrialist Erskine Ramsay.
Bluebird Records was a record label known for its low-cost releases, primarily of blues and jazz in the 1930s and 1940s. It was founded in 1932 as a lower-priced RCA Victor subsidiary label. Bluebird concentrated on producing and selling music inexpensively. It created what came to be known as the "Bluebird sound", which influenced rhythm and blues and early rock and roll.
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications and jazz reference works offer a rough guide to which songs are considered standards.
The version used since 1984 as the theme song for the Jazz After Hours program on Public Radio International is a solo piano performance by Ray Bryant, recorded at the 1972 Montreux Jazz Festival. [2]
Public Radio International (PRI) is an American public radio organization. Headquartered in Minneapolis, Minnesota, PRI provides programming to over 850 public radio stations in the United States.
Raphael Homer "Ray" Bryant was an American jazz pianist, composer, and arranger.
The Montreux Jazz Festival is a music festival in Switzerland, held annually in early July in Montreux on the Lake Geneva shoreline. It is the second largest annual jazz festival in the world after Canada's Montreal International Jazz Festival.
Walter Theodore "Sonny" Rollins is an American jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, he has recorded over sixty albums as a leader. A number of his compositions, including "St. Thomas", "Oleo", "Doxy", "Pent-Up House", and "Airegin", have become jazz standards. Rollins has been called "the greatest living improviser" and the "Saxophone Colossus".
Saxophone Colossus is a studio album by American jazz saxophonist Sonny Rollins. It was recorded on June 22, 1956, with producers Bob Weinstock and Rudy Van Gelder at the latter's studio in Hackensack, New Jersey. Rollins led a quartet on the album that included pianist Tommy Flanagan, bassist Doug Watkins, and drummer Max Roach. Saxophone Colossus was released by Prestige Records to critical success and helped establish Rollins as a prominent jazz artist.
Hey Now Hey is the nineteenth studio album by American singer-songwriter Aretha Franklin. Released on June 25, 1973 by Atlantic Records, It was the first Atlantic album by Aretha to miss the Top 25 of the album chart. This album was originally planned to be a straight jazz album with songs like "Moody's Mood" and "Just Right Tonight", but producers Franklin and Quincy Jones took a detour and produced songs like "Mister Spain" and the title cut.
Coltrane Jazz is the sixth studio album by jazz musician John Coltrane, released in 1961 on Atlantic Records, catalogue SD 1354. The song "Village Blues" is noted as a landmark recording, as it marks the first session date of the early John Coltrane Quartet on record. Featured alongside Coltrane are pianist McCoy Tyner, drummer Elvin Jones, and bassist Steve Davis
Cool Struttin' is a 1958 album by jazz pianist Sonny Clark. Described as an "enduring hard-bop classic" by The New York Times, the album features alto saxophonist Jackie McLean, trumpeter Art Farmer and two members of the Miles Davis Quintet, drummer Philly Joe Jones and bassist Paul Chambers. According to The Stereo Times, the album enjoys "a nearly cult status among hardcore jazz followers", a reputation AllMusic asserts it deserves "for its soul appeal alone".
Muddy "Mississippi" Waters – Live is a live album by Muddy Waters. The recording was awarded the Grammy for Best Ethnic or Traditional Folk Recording in 1979.
UAB SuperJazz, Featuring Ellis Marsalis is a CD, recorded in 2001 by the SuperJazz Big Band of Birmingham, Alabama with guest piano soloist Ellis Marsalis. The recording, produced by University of Alabama at Birmingham (UAB) faculty members Ray Reach and Henry Panion, is a compilation of musical selections recorded in concert at the Alys Stephens Center on the campus of UAB. The album was mixed at the UAB Recording Studio. Recording engineers for the project were Blake English and James Bevelle. Remix engineers were James Bevelle and Ray Reach.
Sonny Side Up is an album by trumpeter Dizzy Gillespie, and the tenor saxophonists Sonny Stitt and Sonny Rollins, recorded in December 1957 in New York City. It was released in 1959 on producer Norman Granz's newly launched Verve label.
Sonny Rollins with the Modern Jazz Quartet is a 1956 compilation album by jazz saxophonist Sonny Rollins, featuring his earliest recordings for the Prestige label under his leadership, including four tracks performed by Rollins with the Modern Jazz Quartet, eight tracks where Kenny Drew and Art Blakey replace Lewis, Jackson, and Clarke, and one track with Miles Davis on piano.
Stephen Large is an English, London-based keyboard player, composer, arranger, and long term member of UK band Squeeze.
Can't See for Lookin' is an album by jazz pianist Red Garland, recorded in 1958 but not released until 1963 on Prestige Records.
The Soul Explosion is an album by jazz saxophonist Illinois Jacquet which was recorded in 1969 and released on the Prestige label.
Child's Dance is an album by drummer Art Blakey and The Jazz Messengers recorded in 1972 and released on the Prestige label.
We Three is an album recorded by American drummer Roy Haynes with Phineas Newborn and Paul Chambers in 1958 for the New Jazz label.
Ryo Fukui was a Japanese jazz pianist based in Sapporo. He played regularly at the "Slowboat" jazz club in Sapporo of which he and his wife Yasuko were the owners. Fukui taught and performed internationally until his death in 2016. His work has seen a spike in popularity during recent years due to its availability for streaming on YouTube as well as the rise of the lo-fi music genre.
Alone at Montreux is a live solo album by American jazz pianist Ray Bryant recorded at the Montreux Jazz Festival in 1972 and released on the Atlantic label.
After Hours is the seventh album led by saxophonist Hank Crawford featuring performances recorded in 1964 and 1965 for the Atlantic label.
After Hours is an album by jazz pianist Jay McShann recorded in 1977 but not released by the Storyville label until 1982.
Up Above the Rock is an album by pianist Ray Bryant recorded and released by Cadet Records in 1968.