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Yankee Doodle in Berlin is a 1919 American silent comedy and World War I film from producer Mack Sennett. A five-reel feature, it was Sennett's most expensive production up to that time. Hiram Abrams was the original State's Rights marketer before the film's release, but producer Sol Lesser bought the rights in March 1919.
The Ice Flood is a 1926 American silent northwoods drama film produced and distributed by Universal Pictures. It was directed by George Seitz and starred Kenneth Harlan and Viola Dana. A complete, though poor quality copy, exists and has been distributed by the Grapevine company in Arizona.
Yankee Speed is a 1924 American silent Western film directed by Robert N. Bradbury and starring Kenneth MacDonald.
The Breaking Point is a 1924 American silent mystery film directed by Herbert Brenon and written by Edfrid A. Bingham and Julie Herne. The film, based on the 1922 novel of the same name by Mary Roberts Rinehart, stars Nita Naldi, Patsy Ruth Miller, George Fawcett, Matt Moore, John Merkyl, Theodore von Eltz, and Edythe Chapman. The film was released on May 4, 1924, by Paramount Pictures.
The Climber is a 1917 silent film drama film directed by Henry King and starring himself. The film is listed as a four-reeler, which makes it fall somewhere between a 'short' film and a 'feature' film.
Range Law is a 1931 American pre-Code Western film directed by Phil Rosen and starring Ken Maynard. It was produced and distributed by Tiffany Pictures. A print is preserved in the Library of Congress collection.
The Little Giant is a 1933 American pre-Code crime comedy romance. It follows the attempts of an ex-gangster to make his way into high society.
The Gambling Fool is a 1925 silent Western film directed by J. P. McGowan starring Franklyn Farnum.
His Mystery Girl is a 1923 American silent comedy film directed by Robert F. Hill and starring Herbert Rawlinson, Ruth Dwyer, and Margaret Campbell.
Stepping Along is a 1926 American silent comedy film directed by Charles Hines and starring Johnny Hines, Mary Brian, and William Gaxton.
The Brown Derby is a 1926 American silent comedy film directed by Charles Hines and starring Johnny Hines, Ruth Dwyer, and Edmund Breese. A young plumber inherits a brown Derby hat from his uncle, which is said to bring good luck to its owner. While wearing it fortune does seem to smile on him, although it is in fact a case of mistaken identity.
A Man of Quality is a 1926 American silent crime film directed by Wesley Ruggles and starring George Walsh, Ruth Dwyer and Brian Donlevy. The survival status of the film is unknown.
After Business Hours is a 1925 American silent drama film directed by Malcolm St. Clair and starring Elaine Hammerstein, Lou Tellegen, and Phyllis Haver.
The Fear Fighter is a 1925 American silent comedy film directed by Albert S. Rogell and starring Billy Sullivan, Ruth Dwyer and J.P. McGowan.
Jack O'Clubs is a 1924 American silent crime drama film directed by Robert F. Hill and starring Herbert Rawlinson, Esther Ralston, and Eddie Gribbon.
Ruth Mildred Dwyer was an American film actress. She had a number of starring roles in the silent era, most famously as Buster Keaton's leading lady in Seven Chances (1925). Dwyer mostly retired in 1928 and played a number of uncredited roles in sound films, but retired from the film business completely in the 1940s.
Dark Stairways is a 1924 American silent mystery film directed by Robert F. Hill and starring Herbert Rawlinson, Ruth Dwyer, and Hayden Stevenson.
The Racing Fool is a 1927 American silent action film directed by Harry Joe Brown and starring Reed Howes, Ruth Dwyer and Ernest Hilliard.
Alex the Great is a lost 1928 American silent comedy film directed by Dudley Murphy and starring Richard 'Skeets' Gallagher, Albert Conti and Patricia Avery.
The Covered Trail is a 1924 American silent Western film directed by Jack Nelson and starring J.B. Warner, Robert McKenzie and Ruth Dwyer.
References
- ↑ The AFI Catalog of Feature Films:After a Million
- ↑ After a Million at silentera.com
- ↑ Catalog of Holdings The American Film Institute Collection and The United Artists Collection at The Library of Congress, page 2 c.1978 by The American Film Institute
