Epitaph Records is an American independent record label owned by Bad Religion guitarist Brett Gurewitz. Throughout the 1980s and 1990s, most acts signed to the label were punk and pop punk acts, while there are many post-hardcore and emo bands signed to the label as well. A large portion of the record label, known as Hellcat Records, is owned by Tim Armstrong, frontman of the punk rock band Rancid. Several sister labels also exist, such as ANTI-, Burning Heart Records, Fat Possum Records, Hellcat Records, and Heart & Skull Records that have signed other types of bands.
Against the Grain may refer to:
Against the Grain is the fifth album by punk rock band Bad Religion released on November 23, 1990. This was the last album recorded with drummer Pete Finestone who left in 1991 to concentrate with his new project The Fishermen. Following his departure, the band's music would take a different direction on their next album, 1992's Generator. Against the Grain was also the first Bad Religion album not to feature a lineup change from after two consecutive studio albums.
YoungBloodZ is an American, Southern hip hop duo from Atlanta, Georgia, composed of J-Bo and Sean P. The duo was signed to LaFace Records. They are one of many commercially successful Atlanta hip hop artists.
John Lewis Schumann is an Australian singer, songwriter and guitarist from Adelaide. He is best known as the lead singer for the folk group Redgum, with their chart-topping hit "I Was Only 19 ", a song exploring the psychological and medical side-effects of serving in the Australian forces during the Vietnam War. The song's sales assisted Vietnam Veterans during the 1983 Royal Commission into the effects of Agent Orange and other chemical defoliants employed during the war. Schumann was an Australian Democrats candidate in the 1998 federal election, narrowly failing to unseat Australian Foreign Minister Alexander Downer for the Division of Mayo.
"Only 19", "I Was Only 19" or "A Walk in the Light Green" is the most widely recognised song by Australian folk group Redgum. The song was released in March 1983 as a single, which hit number one on the national Kent Music Report Singles Chart for two weeks. It was also recorded for Redgum's live album Caught in the Act released in June, which stayed in the top 40 of the Kent Music Report Albums Chart for four months. Royalties for the song go to the Vietnam Veterans Association of Australia. It is in the Australasian Performing Right Association's Top 30 Australian Songs of all time.
Behind the Lines is the second album by John Schumann and the Vagabond Crew. Released in 2008, it was re-released in 2011.
Legong is a form of Balinese dance. It is a refined dance form characterized by intricate finger movements, complicated footwork, and expressive gestures and facial expressions.
True Believers is the second solo album by John Schumann, previously the frontman of Redgum. Released in 1993, it was reissued in 2009.
Hugh McDonald was an Australian musician. Active from the 1970s to 2016, he performed and recorded with the Bushwackers, the Sundowners, Banshee, Redgum, Des "Animal" McKenna, Moving Cloud and the Colonials.
If You Don't Fight You Lose is the first album by Redgum. The title is taken from a line in the song "Killing Floor".
Virgin Ground is the second album by Redgum. The title is taken from the first track.
Portrait: The Very Best of John Schumann is a "best of" album by John Schumann, previously the frontman of Redgum. It includes songs from his previous two solo albums, Etched in Blue and True Believers, I was only 19 from his Redgum days, and a previously unreleased track, "One True Game", about Australian rules football.
Brown Rice and Kerosine is the third album by Australian folk-rock group Redgum. The title is taken from the first track, and the album was released around the time Redgum changed from a part-time band to a full-time job for its members.
Cut to the Quick is an EP by Redgum.
Frontline is the fifth album by the Australian folk-rock group Redgum.
Time to Break the Spell is the debut album from Canadian rock band The Veer Union. The album was first self-released by the band, in 2006, when the band was still under their original name, "Veer". The album was reissued under their current name, The Veer Union, on August 9, 2011.
