Related Research Articles
Dato' Mohammad Nor bin Mohammad Khalid, more commonly known as Lat, is a Malaysian cartoonist. Winner of the Fukuoka Asian Culture Prize in 2002, Lat has published more than 20 volumes of cartoons since he was 13 years old. His works mostly illustrate Malaysia's social and political scenes, portraying them in a comedic light without bias. Lat's best known work is The Kampung Boy (1979), which has been published in several countries across the world. In 1994, the Sultan of Perak bestowed him the honorific title of datuk, in recognition of the cartoonist's work in helping to promote social harmony and understanding through his cartoons. Lat also works for the government to improve the city's social security.
Syed Thajudeen Shaik Abu Talib is a Malaysian painter. He is known for his large scale mural paintings of epic proportions set in period landscapes. A distinctive stylisation, romantic treatment of subject matter and the rich colours as in the Ajanta cave paintings of Maharashtra and of the Mughal are apparent in his works. This, together with the traditional visual arts' integral connection with literature, music, dance, sculpture and philosophy, helped shape Syed's early works. His works, as individualistic as they are, attempt to evoke a state of rasa, or heightened mood that belongs to a larger tapestry and sensibility of Asian artistic traditions. In many instances where his favourite subject matters deal with women and love, they share the same archetypal symbols and metaphors.
Yasmin binti Ahmad was a Malaysian film director, writer and scriptwriter. She was the executive creative director at Leo Burnett Kuala Lumpur. Her television commercials and films are well known in Malaysia for being humorous and touching. Her work crossed cross-cultural barriers, particularly her ads for Petronas, the national oil and gas company. Her works have won multiple awards both within Malaysia and internationally. In Malaysia, her films were highly controversial due to their depiction of events and relationships, which have been considered 'forbidden' by social conservatives, especially hard-line interpretations of Islam. She was a central figure of the "first" New Wave of Malaysian cinema.
C. N. Liew is a Malaysian Chinese painter and calligrapher based in Hong Kong. His artwork was also the first Chinese calligraphy collected by the Malaysian Royal Palace. He is also an alumnus of Chong Hwa Independent High School, Kuala Lumpur. In celebration of Chong Hwa's Schools 100th anniversary, he has contributed his calligraphic inscriptions on its cover for the school's commemorative stamps.
Abdul Muid bin Abdul Latif was a Malaysian-based web designer, graphic designer and digital artist, who is known for promoting the cultural elements of the Southeast Asia from Batik and Songket into his commercial works and artworks.
Ahmad Zakii Anwar is a Malaysian artist known for his photo-realist still-life paintings.
Stéphane Delaprée is a well-known international artist resident in Cambodia and is known for his "Happy Painting", naive paintings combining humour, poetic, and realism.
Yusof Ghani is a Malaysian painter, sculptor, writer, professor and curator. His career spans over three decades which resulted into diverse series that deals with Southeast Asian motifs with an Abstract Expressionist approach. His works blend painting and drawing into a visual entity with controlled play of sculptural and collage elements.
The NUS Museum is the oldest university museum in Singapore. It is located within the main campus of the National University of Singapore in southwest Singapore at Kent Ridge. The collections include Chinese, Indian and Southeast Asian materials, consisting of traditional sculptures and paintings, bronzes, jades, ceramics, textiles, and modern and contemporary art. Since 2006, Ahmad Mashadi has been the head of the museum.
Winner Jumalon is a Manila-based Filipino modern visual artist. His works with oil and encaustic on canvas have been described as "late capitalist masterpieces marred by illogical marks, haze, and aggregations of reality that not only displaces portraiture as the totemic symbols of power and status but questions the formation of identity itself as the trap where a man cannot go forward".
Geraldine Javier is a contemporary Filipina Visual Artist whose work is best known for her work which blends of painting with various media, and is "recognized as one of the most celebrated Southeast Asian artists both in the academic world and in the art market."
Cui Xiuwen was a Chinese artist who made oil paintings, as well as video and photo works. Cui was a well-known contemporary artist in China. Her works have been collected by museums such as Tate Modern and the Brooklyn Museum.
Cheng Haw-Chien was born in 1948 in Penang, Malaysia. He studied the Lingnan style of painting, which fuses elements of Western and Japanese realism with Chinese ink painting on rice paper. He learned Chinese brush painting and western art forms enthusiastically when he was an adolescent. His interest was furthered when he continued his academic studies in Taiwan and Hong Kong after he graduated from secondary school. Thereon, he sought to refine his artistic skills under the guidance of many eminent masters. Former Principal of the Central Academy of Art and President of Central Research Academy of Art, Malaysia. He is currently a visiting professor of Renmin University of China, Ningbo University, Changshu University of Technology, and Handan College, and a life-long consultant of Ningbo Art Museum.
Wilfredo Beltran Alicdan is a Filipino figurative artist. His works are distinguished by their quaint and geometric folk representations, populated by rounded stylized figures usually engaged in traditional and rural activities.
Tang Tuck Kan is a Malaysian artist. Tang was known in the late 60's and 70's for his abstract expressionism, "Hard Edge" space identity in Malaysian Art World. His iconic masterpiece, "49 Squares" is the permanent collection at the National Art Gallery of Malaysia in Kuala Lumpur. Towards his later year, he fused his "Hard Edge" concept with the Chinese I-Ching philosophy, created a modern art masterpieces inspired by his own cultural root.
Dato' Chuah Thean Teng, also known as Cai Tianding, was a Malaysian artist who is credited with the development of batik as a painting technique.
Thiagarajan Kanaga Sabapathy, better known as T.K. Sabapathy, is a Singaporean art historian, curator, and critic. Sabapathy has written, researched, documented, and supported contemporary visual art in Singapore and Malaysia for four decades. He has held positions at the National University of Singapore, Nanyang Technological Institution, and National Institute of Education as a lecturer of art history. Sabapathy further established and headed pioneering art research facilities in Singapore, such as the Contemporary Asian Art Centre (2001–2004) and subsequently, Asia Contemporary (2015–).
The visual art of Singapore, or Singaporean art, refers to all forms of visual art in or associated with Singapore throughout its history and towards the present-day. The history of Singaporean art includes the indigenous artistic traditions of the Malay Archipelago and the diverse visual practices of itinerant artists and migrants from China, the Indian subcontinent, and Europe.
Kumari Nahappan is a Malaysian-born Singaporean contemporary artist best known for her large-scale public sculptures that often depict natural subjects such as fruit, seeds, and spices. Aside from sculpture and public art, Nahappan's interdisciplinary practice also spans installation and abstract painting.
Yee I-Lann is a Malaysian contemporary artist known for her works using photography, collage, film, collaborative weaving, and everyday objects. Her practice examines power, colonialism, and neocolonialism in Southeast Asia to explore the impact of historic memory on social experience. Since 2018, Yee has been working collaboratively with sea-based and land-based indigenous communities in Sabah, Malaysia. Yee currently lives and works in Kota Kinabalu, Sabah, Malaysia.
References
- ↑ "ArtAsiaPacific: At The End Of The Day Even Art Is Not Important19902019 Ahmad Fuad Osman". artasiapacific.com. Archived from the original on 2021-10-26. Retrieved 2021-10-26.
- ↑ Abdullah, Sarena (2015). "Looking Ahead, Looking Back: A Review of Works by 15 Artists Organised by Fergana Art Space". Journal of Art Discourse. 15: 199–210.
- ↑ "Matahati". universes.art. Retrieved 2022-12-07.
- ↑ Ting, Selina (2 August 2019). "Ahmad Fuad Osman – The Importance of Being Free". InitiArt Magazine. Retrieved 31 July 2021.
- ↑ Yee, Chen May (2016-10-07). "A Malaysian Art Scene, Under the Radar". The New York Times. ISSN 0362-4331 . Retrieved 2022-12-07.
- ↑ "ArtAsiaPacific: National Art Gallery Censors Artworks At Ahmad Fuad Osman Exhibition". artasiapacific.com. Archived from the original on 2021-10-26. Retrieved 2021-10-26.
- ↑ "National Art Gallery removes four artworks from Ahmad Fuad Osman's exhibition". The Star. Retrieved 2021-10-26.
- ↑ Dafoe, Taylor (2020-02-11). "Malaysian Artists Cry Foul as the National Gallery in Kuala Lumpur Censors Four Artworks for Their Political Content". Artnet News. Retrieved 2022-12-07.
- ↑ "Artists in Residence: Ahmad Fuad B.Osman, Malaysia". National Museum of Modern and Contemporary Art, Korea.
- ↑ "Awards And Residencies" . Retrieved 31 July 2021.
- ↑ Yap, June (2016). Retrospective : a historiographical aesthetic in contemporary Singapore and Malaysia. Lanham, Maryland. ISBN 978-1-4985-5582-1. OCLC 1007842868.
{{cite book}}: CS1 maint: location missing publisher (link)
  | This article about a Malaysian artist is a stub. You can help Wikipedia by expanding it. |