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Al Lee [1] (born June 8, 1893) was a Boston-born American actor, producer and manager in vaudeville and silent films.
Lee married actress Lilyan Tashman in 1914, but the couple divorced in 1921. Tashman met Lee while working on a double act with Eddie Cantor. Lee later went on to become a manager for George White's Scandals .
George Gard "Buddy" DeSylva was an American songwriter, film producer and record executive. He wrote or co-wrote many popular songs and, along with Johnny Mercer and Glenn Wallichs, he co-founded Capitol Records.
Lew Brown was a lyricist for popular songs in the United States. During World War I and the Roaring Twenties, he wrote lyrics for several of the top Tin Pan Alley composers, especially Albert Von Tilzer. Brown was one third of a successful songwriting and music publishing team with Buddy DeSylva and Ray Henderson from 1925 until 1931. Brown also wrote or co-wrote many Broadway shows and Hollywood films. Among his most-popular songs are "Button Up Your Overcoat", "Don't Sit Under the Apple Tree", "Life Is Just a Bowl of Cherries", "That Old Feeling", and "The Birth of the Blues".
Jack Selig Yellen was an American lyricist and screenwriter. He is best remembered for writing the lyrics to the songs "Happy Days Are Here Again", which was used by Franklin Roosevelt as the theme song for his successful 1932 presidential campaign, and "Ain't She Sweet", a Tin Pan Alley standard.
Irving Caesar was an American lyricist and theater composer who wrote lyrics for numerous song standards, including "Swanee", "Sometimes I'm Happy", "Crazy Rhythm", and "Tea for Two", one of the most frequently recorded tunes ever written. In 1972, he was inducted into the Songwriters Hall of Fame.
Lilyan Tashman was an American actress. Tashman was best known for her supporting roles as tongue-in-cheek villainesses or playing the vindictive "other woman". She made 66 films over the course of her Hollywood career, and although she never obtained superstar status, her cinematic performances are described as "sharp, clever and have aged little over the decades."
The House That Shadows Built (1931) is a feature compilation film from Paramount Pictures, made to celebrate the 20th anniversary of the studio's founding in 1912. The film was a promotional film for exhibitors and never had a regular theatrical release.
Ziegfeld Girls were the chorus girls and showgirls from Florenz Ziegfeld's theatrical Broadway revue spectaculars known as the Ziegfeld Follies (1907–1931), in New York City, which were based on the Folies Bergère of Paris.
Edmund Dantes Lowe was an American actor. His formative experience began in vaudeville and silent film.
No, No, Nanette is a 1930 American pre-Code musical comedy film with Technicolor sequences that was directed by Clarence G. Badger and released by First National Pictures. It was adapted from the play of the same title by Otto A. Harbach and Frank Mandel. No, No, Nanette was a popular show on Broadway, running for 321 performances, and was produced and directed by Harry Frazee.
Up Pops the Devil is a 1931 American pre-Code film directed by A. Edward Sutherland. The screenplay concerns an advertising man who quits his job to become a novelist, upsetting his wife and straining their marriage. The film was released by Paramount Pictures. The screenplay is based on a 3-act play of the same name written by Albert Hackett and Frances Goodrich; the play ran on Broadway for 148 performances from September 1930 to January 1931 at the Theatre Masque.
Millie (1931) is a pre-Code drama film directed by John Francis Dillon from a screenplay by Charles Kenyon and Ralph Morgan, based on a novel of the same name by Donald Henderson Clarke. The film was an independent production by Charles R. Rogers, distributed by RKO Radio Pictures, after their acquisition of Pathé Exchange. It stars Helen Twelvetrees in one of her best roles, with a supporting cast that includes Lilyan Tashman, James Hall, Joan Blondell, John Halliday and Anita Louise.
Experience is a 1921 American silent morality drama film produced by Famous Players-Lasky and distributed by Paramount Pictures. The allegorical film was directed by George Fitzmaurice and starred Richard Barthelmess. It was based on George V. Hobart's successful 1914 Broadway play of the same name. It was the film debut of Lilyan Tashman.
Mama Loves Papa is a 1933 American pre-Code comedy film directed by Norman Z. McLeod, with a story by Nunnally Johnson and Douglas MacLean, and a screenplay by MacLean, Keene Thompson, and Arthur Kober. The film was produced by Paramount Pictures and stars Charlie Ruggles and Mary Boland.
Joseph Bridger Cawthorn was an American stage and film comic actor.
Those We Love is a 1932 American pre-Code film directed by Robert Florey. It was adapted by F. Hugh Herbert from the play by George Abbott and S.K. Lauren. The film was independently produced and distributed.
George White was an American theatrical and film producer and director who also was an actor, choreographer, composer, dancer, dramatist, lyricist and screenwriter, as well as a Broadway theater owner.
Willie Howard and Eugene Howard, billed as the Howard Brothers, were Silesian-born American vaudeville performers of the first half of the 20th century. They were two of the earliest openly Jewish performers on the American stage.
A Broadway Butterfly is a 1925 American silent comedy film directed by William Beaudine.
Thomas E. Jackson was an American stage and screen actor. His 67-year career spanned eight decades and two centuries, during which time he appeared in over a dozen Broadway plays, produced two others, acted in over a 130 films, as well as numerous television shows. He was most frequently credited as Thomas Jackson and occasionally as Tom Jackson or Tommy Jackson.
Tom Patricola was an American actor, comic and dancer who starred in vaudeville and motion pictures. Born in New Orleans, Patricola established his fame as a hoofer, becoming a leading interpreter of the Black Bottom dance.
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