Alafranga and alaturca are musical and cultural concepts specific to the Ottoman Empire and its people. The terms describe a distinction between Western culture and Eastern culture in the Balkans. The labels are now considered outdated, but are useful in understanding Ottoman and Turkish cultural history. [1]
Historically, alafranga and alaturca were adjectives to differentiate between Western culture and Eastern culture in the context of things such as clothing, food and decor. During this time food fusion had some of its most pivotal years because of alafranga and alaturca being so intertwined. [2]
Alaturca and alafranga were also competing music genres in the Turkish Republic in the 1920s and 1930s, after the Ottoman Empire was dissolved. Alaturka was associated with the classical music of the Ottoman Empire, while alafranga was associated with European classical music, along with other western music forms penetrating the country. [1] [3]
The contrast is also found in toilets: alaturka tuvalet is a squat toilet, alafranga tuvalet is a flush toilet. [6]
The roots of traditional music in Turkey span across centuries to a time when the Seljuk Turks migrated to Anatolia and Persia in the 11th century and contains elements of both Turkic and pre-Turkic influences. Much of its modern popular music can trace its roots to the emergence in the early 1930s drive for Westernization.
A squat toilet is a toilet used by squatting, rather than sitting. This means that the posture for defecation and for female urination is to place one foot on each side of the toilet drain or hole and to squat over it. There are several types of squat toilets, but they all consist essentially of a toilet pan or bowl at floor level. Such a toilet pan is also called a "squatting pan". A squat toilet may use a water seal and therefore be a flush toilet, or it can be without a water seal and therefore be a dry toilet. The term "squat" refers only to the expected defecation posture and not any other aspects of toilet technology, such as whether it is water flushed or not.
Ottoman music or Turkish classical music is the tradition of classical music originating in the Ottoman Empire. Developed in the palace, major Ottoman cities, and Sufi lodges, it traditionally features a solo singer with a small to medium-sized instrumental ensemble.
Munir Ertegun was a Turkish legal counsel in international law to the "Sublime Porte" of the late Ottoman Empire and a diplomat of the Republic of Turkey during its early years. Ertegun married Emine Hayrünnisa Rüstem in 1917 and the couple had three children, two of whom were Nesuhi and Ahmet Ertegun, the brothers who founded Atlantic Records and became iconic figures in the American music industry.
The Cretan Muslims or Cretan Turks were the Muslim inhabitants of the island of Crete. Their descendants settled principally in Turkey, the Dodecanese Islands under Italian administration, Syria, Lebanon, Palestine, Libya, and Egypt, as well as in the larger Turkish diaspora.
A yalı is a house or mansion built right on the waterside and usually built with an architectural concept that takes into account the characteristics of the coastal location. A family who owned a waterside residence would spend some time in this usually secondary residence located at the sea shore, as opposed to the konak or the köşk. Thus, going to the "yalı" acquired the sense of both going to the seaside and to the house situated there. In its contemporary sense, the term "yalı" is used primarily to denote those 620 waterside residences constructed during the 18th, 19th, and 20th centuries and sprinkled along the Bosphorus in Istanbul. As such, they are one of the area's landmarks.
The State Opera and Ballet is the national directorate of opera and ballet companies of Turkey, with venues in Ankara, Istanbul, İzmir, Mersin, Antalya and Samsun. The directorate is bound to the Ministry of Culture and Tourism. As of January 2018, Murat Karahan is the General Director.
The Turks in Hungary, also referred to as Turkish Hungarians and Hungarian Turks, refers to ethnic Turks living in Hungary. The Turkish people first began to migrate predominantly from Anatolia during the Ottoman rule of Hungary (1541-1699). A second wave of Ottoman-Turkish migration occurred in the late 19th century when relations between the Ottoman Empire and the Austro-Hungarian Empire improved; most of these immigrants settled in Budapest. Moreover, there has also been a recent migration of Turks from the Republic of Turkey, as well as other post-Ottoman states.
Fatma Aliye Topuz, often known simply as Fatma Aliye or Fatma Aliye Hanım, was a Turkish novelist, columnist, essayist, women's rights activist and humanitarian. Although there was an earlier published novel by the Turkish female author Zafer Hanım in 1877, since that one remained her only novel, Fatma Aliye Hanım with her five novels is credited by literary circles as the first female novelist in Turkish literature and the Islamic world.
The following outline is provided as an overview of and topical guide to the Ottoman Empire:
Mustafa Râkim (1757–1826), was an Ottoman calligrapher. He extended and reformed Hâfiz Osman's style, placing greater emphasis on technical perfection, which broadened the calligraphic art to encompass the Sülüs script as well as the Nesih script.
The Pera Ensemble is a Turkish early music group specializing in music of the Ottoman Empire. The group was founded by oud player Mehmet Cemal Yeşilçay and psaltery player Mehmet İhsan Özer. The name "Pera" comes from the old Greek name of the cosmopolitan Beyoğlu district on the European side of Istanbul, Turkey. The instrumental ensemble includes oud, qanun, kemençe, and European medieval and baroque instruments: viola d'amore, viola da gamba, theorbo, shawm, and percussion.
Ahmet Mithat was an Ottoman journalist, author, translator and publisher during the Tanzimat period. In his works, he was known as Ahmet Mithat Efendi, to distinguish him from the contemporary politician Midhat Pasha. Ahmet Mithat Efendi took his name from Ahmed Şefik Midhat Pasha, as he worked for a time as an official and newspaper editor in Midhat Pasha's Vilayet of the Danube.
Bîmen Şen was a composer and lyricist of Armenian descent.
The TGC Press Media Museum, aka Istanbul Press Media Museum, is a history and technology museum dedicated to mass communication in Turkey featuring exhibitions about journalism. It is located in the Çemberlitaş neighborhood of Fatih district in Istanbul, Turkey. Established in 1988, it is owned and operated by the Journalists Association of Turkey.
Muallim Naci, literally "Naci The Teacher", was an Ottoman writer, poet, educator and literary critic.
The Circassian Union and Charity Society or Çerkes İttihat ve Teavün Cemiyeti was a Circassian nationalist charitable organization in the Ottoman Empire. It was based on several principles, mainly intellectualism, Circassian nationalism, and belief in Islam.
Basiret was an Ottoman daily newspaper which was published in Constantinople in the period 1869–1879. It was one of the most read newspapers of that period and had a pan-Islamist approach.