Albertine Randall Wheelan (May 27, 1863 - January 9, 1954) was an American illustrator, cartoonist, and costume designer.
Albertine Randall was born May 27, 1863, in San Francisco, California. [1] A 1921 article in the American Magazine of Art lists San Francisco's Chinatown as a particular influence on her artistic development. [2] In 1887, she married businessman Fairfax Henry Wheelan, with whom she had two children, Edgar Stow Wheelan and Fairfax Randall Wheelan. [3] After her husband's death in 1915, she moved to New York City. [3]
Wheelan signed her work with her married name, Albertine Randall Wheelan. [3] For two decades prior to her move to New York, she was primary costume designer for David Belasco. [3] She designed costumes for Belasco's opera A Grand Army Man in 1904, and for his 1907 production The Rose of the Rancho, as well as for the 1914 operetta Sari by C.S. Cushing, E.P. Heath, and Emmerich Kalman. [4] [5]
Wheelan also illustrated children's books and magazines, including a number of pieces in St. Nicholas Magazine and Kindergarten Review, as well as The Quarterly Illustrator. [2] [6] [7] Her illustrations for the children's book A Chinese Child's Day garnered praise in The New York Times in a 1910 piece on children's literature. [8] She is noted in an article in the Publications of the American Jewish Historical Society as the designer of a bookplate for books "Given by the Ladies of the Temple Emanu-El, San Francisco," in 1904. [9]
In the 1920s, Wheelan produced a newspaper comic called In Rabbitboro, originally published in the George Matthew Adams Service bulletin. [10] A 1922 book on humorists listed her among "the principal newspaper comic artists of this country," listing In Rabbitboro as her primary work of note. [11] In Rabbitboro was later retitled The Dumbunnies, and Wheelan patented it as The Dumbunnies in 1927. [12] [13]
Wheelan died in Litchfield, CT on January 9, 1954. [14] [15]
Wheelan's work was included in the Woman's Building at the 1893 Chicago World's Fair. [16] In an account of women illustrators' work shown at the Fair, Alice C. Morse wrote that Wheelan "shows great originality, a remarkable sense of the humorous, and a daring handling of the pen. We enjoy hugely her Chinamen, cats, and other amusing creations. They are real beyond a shadow of a doubt, and one is positive that they have done, and will do again, all the ludicrous things that Mrs. Wheelan represents them as doing." [16]
In March 1911, some of Wheelan's bookplates were shown in an exhibition at the Society of Arts and Crafts of Detroit, lent by a member of the California Book-Plate Society. [17]
In March 1935, the Carlyle Gallery exhibited some of Wheelan's drawings of "Spanish, Parisian, and Mallorcan subjects". [18] [19] In October 1937, Wheelan's travel sketches were exhibited at the Hudson Park Branch of the New York Public Library. [20]
The High School of Art and Design is a career and technical education high school in Manhattan, New York City, New York State, United States. Founded in 1936 as the School of Industrial Art, the school moved to 1075 Second Avenue in 1960 and more recently, its Midtown Manhattan location on 56th Street, between Second and Third Avenues, in September 2012. High School of Art and Design is operated by the New York City Department of Education.
Russell Patterson was an American cartoonist, illustrator and scenic designer. Patterson's art deco magazine illustrations helped develop and promote the idea of the 1920s and 1930s fashion style known as the flapper.
Jessie Marion King was a Scottish illustrator known for her illustrated children's books. She also designed bookplates, jewellery and fabric, and painted pottery. King was one of the artists known as the Glasgow Girls. She was described in 1927 in the Aberdeen Press and Journal as "the pioneer of batik in Great Britain".
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Ethel Hays was an American syndicated cartoonist specializing in flapper-themed comic strips in the 1920s and 1930s. She drew in Art Deco style. In the later part of her career, during the 1940s and 1950s, she became one of the country's most accomplished children's book illustrators.
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Edgar Stow Wheelan (1888–1966), who signed his work Ed Wheelan, was an American cartoonist best known for his comic strip Minute Movies, satirizing silent films, and his comic book Fat and Slat, published by EC Comics. He was one of the earliest writer-artists to introduce daily narrative continuity and cinematic techniques to comic strips.
Katharine Pyle was an American illustrator and author, primarily of books for young people, an influential member of the Pyle artistic family, active in Philadelphia during the late 19th and early 20th centuries. A native of Wilmington, Delaware, and a social activist, she published several accounts of Delaware's colonial history.
Margaret Ely Webb (1887–1965) was an American illustrator, printmaker, and bookplate artist. She was part of the Arts and Crafts movement of the early 1900s.
The American School of Design was an art school in New York City, whose alumni included children's book illustrators Adrienne Adams and Crosby Bonsall, and comic-book artists including Bill Fraccio and Fred Kida.
Ann Brockman (1895–1943) was an American artist who achieved success as a figurative painter following a successful career as an illustrator. Born in California, she spent her childhood in the American Far West and, upon marrying the artist William C. McNulty, relocated to Manhattan at the age of 18 in 1914. She took classes at the Art Students League where her teachers included two realist artists of the Ashcan School, George Luks and John Sloan. Her career as an illustrator began in 1919 with cover art for four issues of a fiction monthly called Live Stories. She continued providing cover art and illustrations for popular magazines and books until 1930 when she transitioned from illustrator to professional artist. From that year until her death in 1943, she took part regularly in group and solo exhibitions, receiving a growing amount of critical recognition and praise. In 1939 she told an interviewer that making money as an illustrator was so easy that it "almost spoiled [her] chances of ever being an artist." In reviewing a solo exhibition of her work in 1939, the artist and critic A.Z Kruse wrote: "She paints and composes with a thorough understanding of form and without the slightest hesitancy about anatomical structure. Add to this a magnificent sense of proportion, and impeccable feeling for color and an unmistakable knowledge of what it takes to balance the elements of good pictorial composition and you have a typical Ann Brockman canvas."
Fairfax Henry Wheelan was an American businessman, philanthropist, and political reformer. As the chief complaining witness of voter fraud in 1904, he played a primary role in the eventual downfall of San Francisco Mayor Eugene Schmitz and his attorney and political boss Abe Ruef.
Anne Steele Marsh (1901–1995) was an American painter and printmaker whose watercolors, oil paintings, and wood engravings were widely exhibited and drew critical praise. She was also a noted educator and arts administrator.
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in rabbitboro.
albertine randall.
A selection of Wheelan's bookplates on ARTSTOR