Aleks Danko (born 1950) is an Australian performance artist and sculptor. The son of Ukrainian migrants, he was born in Adelaide, and educated at the South Australian School of Art (University of South Australia) and the Hawthorn Institute of Education. [1]
He started exhibiting in Adelaide in 1970. The first exhibition at Llewellyn Galleries, Adelaide was titled UCK, a collaboration with the poet and artist Richard Tipping. Since then he has held over 45 solo exhibitions and his work has been selected for a number of national and international exhibitions and collections. They include Born to Concrete, the Heide Collection, Heide Museum of Modern Art, Melbourne (2011); The Beauty of Distance: Songs of Survival in a Precarious Age, 17th Biennale of Sydney (2010); Mortality, Australian Centre for Contemporary Art, Melbourne (2010); Contemporary Australia: Optimism, Gallery of Modern Art/Queensland Art, Brisbane (2008-9); and International 04, Liverpool Biennial, (2004). Danko's work is held in many public collections, including the British Museum, the National Gallery of Australia and the major state and regional galleries of Australia, as well as university and private collections. [2]
His work has been exhibited in the National Gallery of Victoria, Danko was the first artist selected by the National Gallery of Victoria for their national fellowship, which provides an income of $100,000 over two years. [3]
Joy St Clair Hester was an Australian artist. She was a member of the Angry Penguins movement and the Heide Circle who played an integral role in the development of Australian Modernism. Hester is best known for her bold and expressive ink drawings. Her work was charged with a heightened awareness of mortality due to the death of her father during her childhood, the threat of war, and her personal experience with Hodgkin's Disease. Hester is most well known for the series Face, Sleep, and Love (1948–49) as well as the later works, The Lovers (1956–58).
Rick Amor is an Australian artist and figurative painter. He was an Official War Artist for Australia.
Richard Larter was an Australian painter, often identified as one of Australia's few highly recognisable pop artists. Larter also frequently painted in a Pointillist style. He took advantage of unusual techniques with painting: using a syringe filled with paint to create his early works, and juxtaposing multiple images on to a canvas. Many of his works are brightly coloured and draw on popular culture for source materials, reproducing news photographs, film stills, and images from pornography. He was married to Pat Larter, an artist who was involved in the Mail art movement, then performance art and finally painting in a brightly coloured style similar to Richard's. The Larters emigrated to Australia in 1962. Richard Larter's pop art was less ironic than his American and English counterparts. In this Larter is similar to other noted Australian pop artists, such as, Mike Brown and Martin Sharp.
Asher Bilu is an Australian artist who creates paintings, sculptures and installations. He has also contributed to several films by Director Paul Cox as production designer. He was born in Israel, and began his career as an artist soon after arriving in Australia in 1956. From the start, his art has been abstract, with particular emphasis on technological experimentation. His technique changes as he investigates the use of new media, but his work always reflects his fascination with light, and his love of music and science, especially cosmology.
Mirka Madeleine Mora was a French-born Australian visual artist and cultural figure who contributed significantly to the development of contemporary art in Australia. Her media included drawing, painting, sculpture and mosaic.
Gil Jamieson was an Australian painter. Jamieson was born in the central Queensland town of Monto in 1934 and died there in 1992.
Del Kathryn Barton is an Australian artist who began drawing at a young age, and studied at UNSW Art & Design at the University of New South Wales. She soon became known for her psychedelic fantasy works which she has shown in solo and group exhibitions across Australia and overseas. In 2008 and 2013 she won the Archibald Prizes for portraiture presented by the Art Gallery of New South Wales. In 2015 her animated film Oscar Wilde’s The Nightingale and the Rose won the Film Victoria Erwin Rado Award for Best Australian Short Film.
Desiderius Orban, was a renowned Hungarian painter, printmaker and teacher, who, after emigrating to Australia in 1939 when in his mid-50s, also made an illustrious career in that country.
Gareth Sansom is an Australian artist, painter, printmaker and collagist and winner of the 2008 John McCaughey Memorial Prize of $100,000.
Kaldor Public Art Projects is an Australian non-profit arts organisation established in 1969 by John Kaldor. The organisation collaborates with international artists to create site-specific art projects in public spaces in Australia.
Robert Rooney (1937–2017) was an artist and art critic from Melbourne, Australia, and a leading figure in Australian Conceptual art.
Richard Kelly Tipping is an Australian poet, artist, word-artist and filmmaker. He was a co-founder of Friendly Street Poets in Adelaide, South Australia, in 1975.
Gunter Christmann was a German-born Australian painter.
Stephen Benwell is a Melbourne-based artist working predominantly in the medium of comprises ceramics. Over the course of his career his body of work has also extended into the mediums of drawing, painting and works on paper. Benwell trained as an artist in Melbourne, Australia. He received a Diploma of Art from the Victorian College of the Arts in 1974. He went onto attain a Diploma of Education from Melbourne State College in 1976 where he studied ceramics under Professor Noel John Flood. In 2005 he completed his formal education with a Masters of Fine Arts from Monash University.
Julian Martin is an Australian artist, known primarily for his pastel drawings and self-portraits. Martin resides in the Melbourne suburb of Doncaster, and has worked from his Northcote-based studio at Arts Project Australia since 1989, where he has also had numerous solo shows. He has exhibited widely, both nationally and internationally [see Exhibitions] and in 1994 he was a finalist in the prestigious Moët & Chandon Travelling Fellowship. In 2014 he was the winner of the Australian State Trustees Connected art prize. His work is held in several public collections, including the Deakin University Art Collection, the City of Melbourne Art and Heritage Collection and Monash University Museum of Art.
Kate Beynon is an Australian contemporary artist based in Melbourne. Her work addresses ideas of transcultural life, feminism, and notions of hybridity in today’s world. She is known for her depictions of the Chinese heroine Li Ji, who is situated in a modern context. Through Li Ji, Beynon explores a hybrid Australian existence and a sense of belonging within a mixed and multi-layered identity. Beynon is currently doing a PhD in Fine Art by Research at Monash University.
Erica McGilchrist was an Australian artist and co-founder of the Women's Art Register. She participated in more than 40 solo exhibitions and many group exhibitions. She is represented in institutional and public galleries as well as private collections in Australia, UK, Israel and USA. Her contributions to women's art were recognised in 1992 when she was awarded the Medal of the Order of Australia.
Emily Floyd is an Australian artist working in public art, sculpture and print making. Her family were toy makers in traditional European styles — carefully crafted of wood. She learned the skills and use of machinery, which are reflected and used in many of her sculptural works. She has been commissioned to produce multiple public art sculptures in Melbourne and Sydney, Australia.
Mikala Dwyer is an Australian artist born in 1959 in Sydney. She is a contemporary sculptor who was shortlisted with fellow artist Justene Williams to represent Australia at the 2019 Venice Biennale.
The Field, held August 21–September 28, 1968, was the inaugural exhibition at the National Gallery of Victoria’s new premises on St Kilda Road, launched by the director of London’s Tate gallery, Norman Reid, before an audience of 1000 invitees. Hailed then, and regarded since as a landmark exhibition in Australian art history, it presented the first comprehensive display of colour field painting and abstract sculpture in the country in a radical presentation, between silver foil–covered walls and under geometric light fittings, of 74 works by 40 artists. All practised hard-edge, geometric, colour and flat abstraction, often in novel media including coloured or transparent plastic, fluorescent acrylic paints, steel and chrome. The art was appropriate to a launch of the new venue itself, designed by architect Roy Grounds, and emphatically rectilinear; cubes nested in a basalt rectangular box amongst the other buildings of the new Arts Centre, each based on a geometric solid. Echoing emerging international stylistic tendencies of the time, The Field sparked immediate controversy and launched the careers of a new generation of Australian artists.
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