Alissandru Francesco "Alex" Caldiero (born 1949) is a poet,polyartist, sonosopher, and scholar of humanities[ clarify ] and intermedia.
Caldiero was born in the ancient town of Licodia Eubea, near Catania, Sicily, in 1949. He immigrated to the United States at age nine and was raised in Manhattan and Brooklyn, New York. He attended Queens College in Flushing, New York, and was apprenticed to the sculptor Michael Lekakis and the poet-bard Ignazio Buttitta. Caldiero has traveled through Sicily, Sardinia, Turkey, and Greece collecting proverbs, tales, and folk instruments. He is co-founder of Arba Sicula, the society for the preservation of the Sicilian language and traditions, and is the recipient of grants from the National Endowment for the Arts, Utah Performing Arts Tour, and the Best Poetry Award from the Association for Mormon Letters.
Caldiero has lived in Utah since 1980 with his wife and children - including Isaac Caldiero and Sara Caldiero - shortly after converting to Mormonism, [1] and is poet/artist-in-residence at Utah Valley University. [2] His work has been reviewed by The Village Voice and The New York Times and he is included in A Dictionary of the Avant-Gardes. [3]
Anthologies
Exhibitions
Caldiero has performed at the Utah Arts Festival, several times on National Public Radio [7] [8] on the Poetry Bus Tour in 2006, at The New School for Social Research, the Pritchard Art Gallery, the Salt Lake Art Center, Utah Valley University, the Kiva Koffeehouse in the Grand Staircase–Escalante National Monument, and on Brazilian TV.
His notable performance of Allen Ginsberg's "Howl" on the 50th anniversary its first reading drew a record poetry crowd at a local book store.
Recently, Caldiero has performed together with various members of Theta Naught, [9] an ensemble that describes their music as "psychodelicious music". Caldiero intones his poetry while the band plays.
In the arts and literature, the term avant-garde identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an advance guard identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus, the artists who created the anti-novel and Surrealism were ahead of their times.
Performance poetry is poetry that is specifically composed for or during a performance before an audience. It covers a variety of styles and genres.
Peter Finch is a Welsh author, psychogeographer and poet living in Cardiff, Wales.
Sound poetry is an artistic form bridging literary and musical composition, in which the phonetic aspects of human speech are foregrounded instead of more conventional semantic and syntactic values; "verse without words". By definition, sound poetry is intended primarily for performance.
Jackson Mac Low was an American poet, performance artist, composer and playwright, known to most readers of poetry as a practitioner of systematic chance operations and other non-intentional compositional methods in his work, which Mac Low first experienced in the musical work of John Cage, Earle Brown, and Christian Wolff. He was married to the artist Iris Lezak from 1962 to 1978, and to the poet Anne Tardos from 1990 until his death.
Zaum are the linguistic experiments in sound symbolism and language creation of Russian Cubo-Futurist poets such as Velimir Khlebnikov and Aleksei Kruchenykh. Zaum is a non-referential phonetic entity with its own ontology. The language consists of neologisms that mean nothing. Zaum is a language organized through phonetic analogy and rhythm. Zaum literature cannot contain any onomatopoeia or psychopathological states.
John Giorno was an American poet and performance artist. He founded the not-for-profit production company Giorno Poetry Systems and organized a number of early multimedia poetry experiments and events. Giorno's creative journey was marked by collaborations, groundbreaking initiatives, and a deep exploration of diverse art forms. He gained prominence through his association with pop art luminary Andy Warhol, sparking a creative partnership that propelled his career to new heights.
David Abram Antin was an American poet, art critic, performance artist, and university professor.
Hedwig Irene Gorski is an American performance poet and an avant-garde artist who labels her aesthetic as "American futurism." The term "performance poetry," a precursor to slam poetry, is attributed to her. It originated in press releases for experimental spoken word and conceptual theater Gorski created during 1979. She is a first-generation Polish American academic scholar and accomplished creative writer. The innovative poetry, prose, drama, and audio works are published and produced in a variety of media using standard and experimental forms.
Richard Cory Kostelanetz is an American artist, author, and critic.
Lee Scrivner is an American novelist and cultural theorist known for his books Casinolabs (2024) and Becoming Insomniac (2014), and for his satirical avant-garde art manifestos. He writes on the literature, history, and culture of the Victorian and Modernist periods, as well as on contemporary issues.
Flarf poetry was an avant-garde poetry movement of the early 21st century. The term flarf was coined by the poet Gary Sullivan, who also wrote and published the earliest Flarf poems. Its first practitioners, working in loose collaboration on an email mailing list, used an approach that rejected conventional standards of quality and explored subject matter and tonality not typically considered appropriate for poetry. One of their central methods, invented by Drew Gardner, was to mine the Internet with odd search terms then distill the results into humorous or disturbing poems, plays and other texts.
Scott Richard Johnson was an American composer known for his pioneering use of recorded speech as musical melody, and his distinctive crossing of American vernacular and art music traditions, making extensive use of electric guitar in concert works, and adapting popular music structures for art music genres such as the string quartet. He was the recipient of a 2006 Guggenheim fellowship, and a 2015 American Academy of Arts and Letters Award.
John M. Bennett is an American experimental text, sound, and visual poet.
Tracie Morris is an American poet. She is also a performance artist, vocalist, voice consultant, creative non-fiction writer, critic, scholar, bandleader, actor and non-profit consultant. Morris is from Brooklyn, New York. Morris's experimental sound poetry is progressive and improvisational. She is a tenured professor at the Iowa Writers' Workshop.
William James Austin was a New York City poet, writer, musician, visual artist, and academic. Austin received his PhD on fellowship from Tulane University in New Orleans, and was an associate professor of English and philosophy, and artistic director of the Visiting Writers Program at SUNY, Farmingdale. He is the author of five collections of poetry, essays, and "photopo", plus a book length study of T.S. Eliot and Jacques Derrida. His visual art has been exhibited in the USA, Germany, and Mexico.
Alex Boyé is a British-American singer, dancer, and actor. He was named the "2017 Rising Artist of the Year" in a contest sponsored by Pepsi and Hard Rock Cafe.
The SoundEye Festival of the Arts of the Word is an annual festival of poetry and other related art forms. It is held annually in Cork City over several days in either late-June to mid-July, with over 20 poets reading at the 2017 event. Events take place in venues such as the Guesthouse and Firkin Crane within the city.
Williams Mix (1951–1953) is a 4'16" electroacoustic composition by John Cage for eight simultaneously played independent quarter-inch magnetic tapes. The first piece of octophonic music, the piece was created by Cage with the assistance of Earle Brown, Morton Feldman, David Tudor, and Bebe and Louis Barron using many recorded sound sources on tape and a graphic score by the composer. "Presignifying the development of algorithmic composition, granular synthesis, and sound diffusion," it was the third of five pieces completed in the Project for Music for Magnetic Tape (1951–1954), funded by dedicatee architect Paul F Williams Jr. Richard Kostelanetz of Stereo Review described Williams Mix as a "tape collage composed ... by chance procedures" which, similar to Cage's earlier works, was "offered to the world in a permanent form."
One Voice Children's Choir is an American children's choir in Utah.