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A rug is a piece of cloth, similar to a carpet, but it does not span the width of a room and is not attached to the floor. It is generally used as a floor covering, or as a decorative feature.
A carpet is a textile floor covering typically consisting of an upper layer of pile attached to a backing. The pile was traditionally made from wool, but since the 20th century synthetic fibers such as polypropylene, nylon, or polyester have often been used, as these fibers are less expensive than wool. The pile usually consists of twisted tufts that are typically heat-treated to maintain their structure. The term carpet is often used in a similar context to the term rug, but rugs are typically considered to be smaller than a room and not attached to the floor.
Fiber art refers to fine art whose material consists of natural or synthetic fiber and other components, such as fabric or yarn. It focuses on the materials and on the manual labor on the part of the artist as part of the works' significance, and prioritizes aesthetic value over utility.
Morris, Marshall, Faulkner & Co. (1861–1875) was a furnishings and decorative arts manufacturer and retailer founded by the artist and designer William Morris with friends from the Pre-Raphaelites. With its successor Morris & Co. (1875–1940) the firm's medieval-inspired aesthetic and respect for hand-craftsmanship and traditional textile arts had a profound influence on the decoration of churches and houses into the early 20th century.
Tufting is a type of textile manufacturing in which a thread is inserted on a primary base. It is an ancient technique for making warm garments, especially mittens. After the knitting is done, short U-shaped loops of extra yarn are introduced through the fabric from the outside so that their ends point inwards.
Ryijy is a woven Finnish long-tufted tapestry or knotted-pile carpet hanging.
Azerbaijani carpet is a traditional carpet (rug) made in Azerbaijan. The Azerbaijani carpet is a handmade textile of various sizes, with a dense texture and a pile or pile-less surface, whose patterns are characteristic of Azerbaijan's many carpet-making regions. Traditionally, the carpets were used in Azerbaijan to cover floors, decorate interior walls, sofas, chairs, beds and tables.
Adriana Lestido is an Argentine photographer. Her black-and-white photographs document the often difficult place of women in society.
Scandinavia has a long and proud tradition of rug-making on par with many of the regions of the world that are perhaps more immediately associated with the craft—regions such as China and Persia. Rugs have been handmade by craftspeople in the Scandinavian countries of Denmark, Finland, Norway, and Sweden for centuries, and have often played important cultural roles in each of these countries. Contemporary Scandinavian rugs—most especially Swedish rugs—are among the most sought after rugs in the world today, largely due to the contributions of designers like Marta Maas-Fjetterstrom. The story of Scandinavian rugs is a vital chapter in the cultural study of Scandinavia, as it reveals a great deal about the aesthetic and social conventions of that region.
Carpets and rugs have been handmade in Sweden for centuries, taking on many different forms and functions over the course of time. Rugs woven in the traditional Oriental manner, especially in the Ottoman Empire and points east, were originally brought to Sweden over trade routes as early as the early Middle Ages. In the centuries that followed, Swedish rug-makers often infused their works with themes and motifs traditionally found in Oriental rugs. Eventually, Swedish rug-makers would begin to use Oriental rug-making techniques, but themes and motifs more consistent with the artistic and cultural heritage of Sweden. By the early modern periods, rugs had long been an important avenue of art – especially folk art – in Swedish culture. By the beginning of the twentieth century, the craft was seen as being an important artistic and cultural practice throughout Sweden, and designers began to make rugs that had a broad international appeal. Swedish rugs from the mid-twentieth century remain among the most desirable and sought after in the rug world.
Frida Hansen was a Norwegian textile artist in the Art Nouveau style. She has been described as a bridge between Norwegian and European tapestry, and several of her weaving designs are considered among the best made in recent European textile art. The works of Frida Hansen are owned by a number of museums, including the National Museum - Museum of Applied Art in Oslo, Drammen Museum, Stavanger Art Museum and the Nordic Museum in Stockholm.
Marion Victoria Dorn also known as Marion Dorn Kauffer was a textile designer primarily in the form of wall hangings, carpeting and rugs, however she is also known to have produced wallpaper, graphics, and illustrations. Known for her significant contributions to modern British interiors in particular for her 'sculpted' carpets, she contributed to some of the best-known interiors of the time including the Savoy Hotel, Claridges, the Orion and the Queen Mary. In the late 1930s and early 1940s she created moquette fabric designs for use in London Transport passenger vehicles.
Paulina Singerman Begun was an Argentine actress and businesswoman who primarily worked during the Golden Age of Argentine Cinema, performing on both stage and in films. In the later part of her career, she spent a decade performing for television. She was the younger sister of actress Berta Singerman. In 1981, she was awarded both a Diploma of Merit and a Platinum Konex for her comedy work in film and theatre.
Nora Aslan is an Argentine visual artist and photographer, known for tapestry design and collage. Her work has been compared to that of Max Ernst, Fred Tomaselli, Hieronymus Bosch, and Matthias Grünewald.
Amy Theresa Austin is an Argentine ecologist. She is a principal research scientist at the National Scientific and Technical Research Council in Argentina and a professor at the Faculty of Agronomy, University of Buenos Aires.
William Morris (1834-1898), a founder of the British Arts and Crafts movement, sought to restore the prestige and methods of hand-made crafts, including textiles, in opposition to the 19th century tendency toward factory-produced textiles. With this goal in mind, he created his own workshop and designed dozens of patterns for hand-produced woven and printed cloth, upholstery, and other textiles.
Matilde Marín is a contemporary Argentine artist who works in photography, engraving and video.
Silvia Rivas is an Argentine visual artist known for her multi-channel video installations. In Latin America she is considered a precursor in the area of expanded video. Her work is characterized by the crossing of materialities and technologies in which she uses both electronic devices and ancestral techniques. Her production is organized in thematic series of video installations, drawings, photographs or objects. Interested in revealing the metaphorical power of different materialities, she uses the electronic medium and the moving image to record stillness, the imminent and the subjective perception of time.
Mary Zicafoose is an American textile artist, weaver, and teacher who specializes in ikat, an ancient technique in which threads are wrapped, tied and resist-dyed before weaving. Zicafoose is the author of Ikat: The Essential Handbook to Weaving Resist-Dyed Cloth (2020). Her works are part of private and public collections, including at least 16 embassies around the world as part of the U.S. Art in Embassies Program.
Flora Manteola is an Argentine architect. She is known for her works that focus on the reuse of buildings and educational projects. Manteola also teaches at the University of Buenos Aires.
References
- 1 2 "BIOGRAPHY — Alexandra Kehayoglou". alexandrakehayoglou.com. Retrieved 2021-11-15.
- ↑ "Alexandra Kehayoglou Konex Award". Fundación Konex.
- 1 2 3 Magazine, Wallpaper* (2015-02-02). "Catwalk carpet: Alexandra Kehayoglou weaves together art and fashion for Dries Van Noten's S/S 2015 showscape". Wallpaper*. Retrieved 2021-11-15.
- 1 2 Heyman, Stephen (2015-02-09). "A Dream Weaver". The New York Times. ISSN 0362-4331 . Retrieved 2021-11-15.
- 1 2 "textile terrains: alexandra kehayoglou on weaving memories of forgotten landscapes". designboom | architecture & design magazine. 2021-05-21. Retrieved 2021-11-15.
- ↑ "No Longer Creek — Alexandra Kehayoglou". alexandrakehayoglou.com. Retrieved 2021-11-16.
- ↑ Gipson, Ferren (2022). Women's work: from feminine arts to feminist art. London: Frances Lincoln. ISBN 978-0-7112-6465-6.
- ↑ "Lush Tufted Tapestries Document Ecological Changes in Argentina's Landscapes". Colossal. 2021-03-25. Retrieved 2021-11-15.
