Life and work
Grimm studied painting and sculpture at the Kunstakademie Düsseldorf under Karl Bobek and Joseph Beuys, among others. [1] [2] He created a new kind of multiples which he called "variation objects". [3] Several of his sculptures serve as commemorative monuments in public space. [4] [5]
A characteristic of Grimm's art is that he repeatedly created series [6] of objects, [7] drawings [8] or paintings [9] with similar motifs. In the object cycle "A Beautiful Piece of Germany" ("Ein schönes Stück Deutschland") [10] [11] Grimm presents on plates artificial pieces of cake of a special kind, which show the viewer bitingly ironic realities from Germany. [12] He also presents miniature landscapes and environments in buckets, bottles, mason jars, tins, books, as well as on chess boards and stones. [13] In his crucifix cycle, [14] [15] [16] [17] [18] real crucifixes are redesigned and provided with additional motifs resulting in critical and sometimes sarcastic statements about the pious religiosity of our day. [19] [20] For his TV series [21] [22] [23] he uses dismantled old television sets, in whose housing he creates miniature landscapes on various themes.
According to Anna-Louise Mathieu, the instant recognition of Grimm's work "serves as the bait for his insidious trap: no sooner does the esthete, the admirer of the ingenious form flounder in it, than the artist begins to frighten us ... with unsavory details, he sprinkles his cynical observations in between, as if they were chocolate shavings." He illustrates his world view in "miniature environments thinking about the triangular deals regarding the monopoly of power and capital, about ecological murder, military and technological overkill. He breaks down the object of his pangs of conscience into bite-proof pieces, and adds a little joke of the bite-sized kind, so that we don't lose our appetite when we are frustrated." We "recognize ourselves: pushed onto the television set, pulled onto bottles, ... nailed to a chessboard, flushed down the toilet. ... Our register of sins, our common failure gawks at us as an aphorism." [24]
From time to time Grimm's works cause heated discussions. His "Mother Earth Chair" (1995), which shows a landscape with nature, factory chimneys and a tunnel on a gynecologist's chair and draws attention to the destructive human intervention in nature, has been rejected several times at exhibitions because of this object the dignity of the female sex could be sensitively affected and disturbed. [25] [26]
In 1981, Grimm was a co-founder of the Kulturkreis Dinslaken (KKD). [27] [28] He has taken part in 90 solo exhibitions and 203 group exhibitions in Germany, France, Luxembourg, Switzerland and the USA. So far 11 individual catalogs and 50 joint catalogs as well as over 1200 press articles in Germany and abroad have been published. [29] As of 2019, his work had been reported in nine radio and eighteen TV programs. [30]
On the occasion of Grimm's eightieth birthday, an extensive exhibition of his complete oeuvre was held at the Museum Voswinckelshof in Dinslaken from 20 August to 15 October 2023. [31] [32] Even the museum warned about the provocative works of art shown in this exhibition. [33]
Private life
Alfred Grimm lives in Hünxe. He was married to the art teacher and artist Barbara Grimm, who died in 2024. [34] [35] They have two sons and five grandsons. [36]
From 1972 until his retirement in early 2005, Grimm taught art at a German secondary school in Dinslaken. [37] [38] The German-American character animator Andreas Deja was one of Grimm's students. [39] To this day Grimm continues to work as a freelance artist, chiefly creating new object series. [40] [41]
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Monument to the old Jewish cemetery on the Doelen (2021) by Grimm at the Dinslaken city park
This memorial work is reminiscent of Elly Eichelgrün, a hat and milliner. In 1941 she fled to the United States via the Netherlands.
"Memorial in memory of the expulsion of the Jews from Dinslaken" by Grimm in the city park.
