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Aline Valangin | |
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Born | 1889 Vevey, Switzerland |
Died | 1986 Ascona |
Occupation | writer, pianist, psychoanalyst |
Period | 1900 |
Aline Valangin was a Swiss writer, pianist, and psychoanalyst. She was follower of Carl Jung and became a psychoanalyst.
Together with Vladimir Rosenbaum (1894–1984, her husband from 1917 to 1940) in Comologno, she helped and played host to migrants as Ignazio Silone, Ernst Toller, and Kurt Tucholsky.
In 1931, she loved Silone when she read his masterpiece Fontamara and helped him to publish it. [1]
Conrad Ferdinand Meyer was a Swiss poet and historical novelist, a master of literary realism who is mainly remembered for stirring narrative ballads like "Die Füße im Feuer".
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Joachim Ringelnatz is the pen name of the German author and painter Hans Bötticher (7 August 1883, Wurzen, Saxony – 17 November 1934, Berlin). His pen name Ringelnatz is usually explained as a dialect expression for an animal, possibly a variant of Ringelnatter, German for grass snake or more probably the seahorse for winding ("ringeln") its tail around objects. The seahorse is called Ringelnass by mariners, an occupation to which he felt kinship. He was a sailor in his youth and spent the First World War in the Navy on a minesweeper. In the 1920s and 1930s, he worked as a Kabarettist, i.e., a kind of satirical stand-up comedian. He is best known for his wry poems using word play and sometimes bordering on nonsense poetry. Some of them are similar to Christian Morgenstern's, but more satirical in tone and occasionally subversive. His most popular character is the anarchic sailor Kuddel Daddeldu with his drunken antics and disdain for authority.
Wolfgang Rihm is a German composer and academic teacher. He is musical director of the Institute of New Music and Media at the University of Music Karlsruhe and has been composer in residence at the Lucerne Festival and the Salzburg Festival. He was honoured as Officier of the Ordre des Arts et des Lettres in 2001. His musical work includes more than 500 works. In 2012, The Guardian wrote: "enormous output and bewildering variety of styles and sounds".
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