Comics
Sampson enjoyed comics as a child and cites 2000AD and Carlos Ezquerra’s depiction of Judge Dredd as early influences on her art. After having lost interest for a time, she was once again drawn to comics after reading Watchmen . [3] In about 2010, the artist Rob Davis suggested to Sampson that she should create her own comic. The result (a comic about architecture), was published in Solipsistic Pop 4. This led to an offer of work from Nathan Edmondson, which eventually led to the project that became Genesis. [4]
Sampson says of her study of architecture: [3]
It is the biggest influence on my work. I’ve been doing architecture work for so long, the practices are ingrained in my mind and I cannot help but look at comics and think of them like I would think of architecture. Even the way the art is drawn, with a fine black pen, in quite a utilitarian way is like architecture. I think about how the spaces work, how they relate to each other and how they join, or do not join. I think about the lighting and the composition and the scale, and all sorts of things. Quite a lot of my experience is in large projects as well, and that really helps dealing with controlled chaos on the page. Cities, landscapes and large architectural projects all have to be landscaped, to some extent, and the comic page is no different.
The success of Genesis led to a number of new commissions, including drawing and writing comics, illustrating comics covers, creating T-shirt designs and posters. She has also taught workshops and courses at various institutions. [5]
In 2018 Sampson was commissioned to create a poster and assets for BBC R4's We British for National Poetry Day. [6]
In 2024 she was announced as the first British woman to write for Marvel Comics. [7]
As of 2025, Sampson still works as an architect. [8]
