The British School at Rome (BSR) is a British interdisciplinary research centre supporting the arts, humanities and architecture established in Rome. Historical and archaeological study are at the core of its activities.
Sheila Hicks is an American artist. She is known for her innovative and experimental weavings and sculptural textile art that incorporate distinctive colors, natural materials, and personal narratives.
Alison Saar is a Los Angeles-based sculptor, mixed-media, and installation artist. Her artwork focuses on the African diaspora and black female identity and is influenced by African, Caribbean, and Latin American folk art and spirituality. Saar is well known for "transforming found objects to reflect themes of cultural and social identity, history, and religion." Saar credits her parents, collagist and assemblage artist Betye Saar and painter and art conservator Richard Saar, for her early exposure to are and to these metaphysical and spiritual practices. Saar followed in her parents footsteps along with her sisters, Lezley Saar and Tracye Saar-Cavanaugh who are also artists. Saar has been a practicing artist for many years, exhibiting in galleries around the world as well as installing public art works in New York City. She has received achievement awards from institutions including the New York City Art Commission as well as the Institute of Contemporary Art in Boston.
Ruth Ellen Kinna is a professor of political philosophy at Loughborough University, working in the Department of Politics, History and International Relations. Since 2007 she has been the editor of the journal Anarchist Studies.
Elizabeth Francesca Prettejohn is an art historian and author of several books about art history. Her books have included Rossetti and his Circle (1997), The Art of the Pre-Raphaelites (2000) and Art for Art's Sake (2007). She has also co-edited and co-authored several publications. She has written exhibition catalogues and papers for journals such as The Burlington Magazine, Journal of Victorian Culture and Art Bulletin.
Alison Mary Wilding OBE, RA is an English artist noted for her multimedia abstract sculptures. Wilding's work has been displayed in galleries internationally.
Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951 is an online database of sculptors and their works. It is the result of a three-year research programme, funded by the Arts and Humanities Research Council and the British Academy. The project was a partnership between University of Glasgow, the Victoria and Albert Museum and the Henry Moore Institute, with systems development being carried out by the Humanities Advanced Technology and Information Institute.
Alison Caroline Bashford, is a historian specialising in global history and the history of science. She is Laureate Professor of History at the University of New South Wales and Director of the Laureate Centre for History & Population. Alison Bashford was previously Vere Harmsworth Professor of Imperial and Naval History at the University of Cambridge (2013–2017).
Alison Donnell is an academic, originally from the United Kingdom. She is Professor of Modern Literatures and Head of the School of Literature, Drama and Creative Writing at the University of East Anglia. She was previously Head of School of Literature and Languages at the University of Reading, where she also founded the research theme "Minority Identities: Rights and Representations". Her primary research field is anglophone postcolonial literature, and she has been published widely on Caribbean and Black British literature. Much of her academic work also focuses questions relating to gender and sexual identities and the intersections between feminism and postcolonialism.
Catriona Helen Moncrieff Kelly, FBA is a British academic specialising in Russian culture. From 1996 to 2021, she was Professor of Russian at the University of Oxford and a Fellow of New College. In 2021, she was elected senior research fellow of Trinity College, Cambridge and honorary professor of the University of Cambridge.
Michael Hatt is professor of art history at the University of Warwick. He has served there since 2007, before which he was head of research at the Yale Center for British Art. He is the author with Charlotte Klonk of Art History: A Critical Introduction to Its Methods (2006), and editor with Morna O'Neill of The Edwardian Sense: Art, Design, and Performance in Britain, 1901–1910 (2010). In 2014, he co-curated Sculpture Victorious: Art in an Age of Invention, 1837–1901, an exhibition at the Yale Center for British Art that transferred to Tate Britain in 2015.
Mary Ann Steggles is a Canadian art historian, curator, and artist. She is the author of books, essays and articles on British colonial monuments as well as twentieth and twenty-first century Canadian ceramics. Steggles is an honorary member of the German Potters Association, Kalkspatz, a Commonwealth Fellow and a Shastri-Indo Canadian Institute Scholar.
Hilary Robinson is a British academic and art theorist. She was granted the 2024 annual Award for Distinction in Femininst Art History by the College Art Association. She is Professor of Feminism, Art, and Theory at Loughborough University's School of Social Sciences and Humanities. She was Dean of the School of Art and Design and a professor at Middlesex University, and previously served as Dean of the College of Fine Arts at Carnegie Mellon University. Her research focuses on the history, theory, and practice of feminist art.
Virginia Cox, is a British scholar of Italian literature, culture and history. She is best known for her research on Renaissance and Counter-Reformation Italian literature, the reception of classical rhetorical theory in Italy between the 13th and 16th centuries and Italian early modern women's writing.
Joan Anim-Addo is a Grenadian-born academic, poet, playwright and publisher, who is Emeritus Professor of Caribbean Literature and Culture in the English and Creative Writing Department at Goldsmiths, University of London, where she co-founded with Deirdre Osborne the MA Black British Literature, the world's first postgraduate degree in this field.
The Watchers is a 1960 bronze sculpture by the British sculptor Lynn Chadwick depicting three abstracted figures whose form is inspired by the Moai.
Olga Palagia is Professor of Classical Archaeology at the National and Kapodistrian University of Athens and is a leading expert on ancient Greek sculpture. She is known in particular for her work on sculpture in ancient Athens and has edited a number of key handbooks on Greek sculpture.
Elena Isayev is Professor of Ancient History and Place in the Classics and Ancient History Department at the University of Exeter. She is an expert on migration, hospitality and displacement, particularly in ancient Mediterranean contexts. She works with Campus in Camps in Palestine and she is a Trustee of the charity Refugee Support Devon.
Lucia Guerrini (1921–1990) was an Italian classical scholar, archaeologist and professor. After participating in the Phaistos excavations in Crete in 1957, she became an enthusiastic editor of the Enciclopedia dell'arte antica, classica e orientale under the auspices of Ranuccio Bianchi Bandinelli. From the 1950s, she taught Greek and Roman Art at the Sapienza University of Rome, succeeding Bandinelli as Professor of Archaeology and Greek and Roman Art in 1973. Guerrini participated in projects relating to Greek and Roman iconography, Coptic art and the Antinoöpolis excavations in Egypt.
