All Dressed Up | |
---|---|
Directed by | Al Christie |
Written by | Al Christie |
Produced by | Al Christie |
Starring | Betty Compson |
Release date |
|
Running time | 2 reels |
Country | USA |
Language | Silent..English titles |
All Dressed Up is a 1918 silent film short produced and directed by Al Christie. It starred Betty Compson. [1] It is currently considered a lost film.
Betty Compson was an American actress and film producer who got her start during Hollywood's silent era. She is best known for her performances in The Docks of New York and The Barker, the latter of which earned her an Academy Award nomination for Best Actress.
The Miracle Man is a 1919 American silent drama film starring Lon Chaney and based on a 1914 play by George M. Cohan, which in turn is based on the novel of the same title by Frank L. Packard. The film was released by Paramount Pictures, directed, produced, and written by George Loane Tucker, and also stars Thomas Meighan and Betty Compson. The film made overnight successes of the three stars, most notably putting Chaney on the map as a character actor.
The Sheriff is a 1918 American short comedy film directed by and starring Roscoe "Fatty" Arbuckle. The film is considered to be lost.
The Big City is a 1928 American silent crime film directed by Tod Browning and starring Lon Chaney. Waldemar Young wrote the screenplay, based on a story by Tod Browning. The film is now lost.
Kick In is a 1922 American silent crime drama film produced by Famous Players–Lasky, distributed by Paramount Pictures, and starring Betty Compson and Bert Lytell. The picture was directed by George Fitzmaurice, who previously directed a 1917 film version of the story. Both films are based on Willard Mack's 1913 play that was produced on Broadway in 1914 starring John Barrymore. The supporting cast features Charles Ogle, who had played the first screen Frankenstein's monster in the original 1910 version of Frankenstein.
The White Shadow, also known as White Shadows in the United States, is a 1923 British drama film directed by Graham Cutts and starring Betty Compson, Clive Brook, and Henry Victor.
Woman to Woman is an all-talking sound 1929 British drama film with music directed by Victor Saville and starring Betty Compson, George Barraud and Juliette Compton. It is an adaptation of the 1921 play Woman to Woman by Michael Morton which had already been made in 1923 into a now-lost film. The 1929 version survives and unrestored copies are available on unofficial DVDs and streaming services.
For Those We Love is a 1921 American silent romantic drama film produced by and starring Betty Compson, and featuring Lon Chaney and Richard Rosson. Written and directed by Arthur Rosson, the film was based on a story by Perley Poore Sheehan (who later co-wrote the script for Chaney's The Hunchback of Notre Dame. The film was distributed by Goldwyn Pictures. Some sources list the release date as being in March 1921. This is unlikely since the film was only copyrighted in July, but the exact release date has not been confirmed. It is now considered a lost film. A still exists showing Chaney holding the heroine.
Paths to Paradise is a 1925 silent comedy directed by Clarence Badger, produced by Famous Players–Lasky and distributed by Paramount Pictures. The film is based on a 1914 play, The Heart of a Thief, by Paul Armstrong, and stars Raymond Griffith and Betty Compson. The film was lost for many decades until an incomplete print surfaced in the 1970s. Essentially complete, the film is missing its final reel, which is usually filled in with synopsis by historians and film fans.
Those Who Dance is a 1930 American Pre-Code crime film produced and distributed by Warner Bros., directed by William Beaudine, and starring Monte Blue, Lila Lee, William "Stage" Boyd and Betty Compson. It is a remake of the 1924 silent film Those Who Dance starring Bessie Love and Blanche Sweet. The story, written by George Kibbe Turner, was based on events that occurred among gangsters in Chicago.
The Bonded Woman is an extant 1922 American silent drama film produced by Famous Players–Lasky and distributed by Paramount Pictures. It was directed by Phil Rosen and stars Betty Compson, John Bowers, and Richard Dix.
She Got What She Wanted is an 1930 American pre-Code early talking film comedy-drama directed by James Cruze and starring his actress wife Betty Compson. The film was made for Tiffany Pictures with Cruze and Compson having recently completed The Great Gabbo (1929).
Prisoners of Love is a lost 1921 American silent drama film produced by and starring Betty Compson and distributed by Goldwyn Pictures. It was directed by Arthur Rosson and was Compson's first film after a year's hiatus from film making.
Over The Border is a lost American drama film released by Paramount Pictures in 1922. It stars Betty Compson and Tom Moore in a story about "love and thrills beneath the northern lights". It was adapted from Sir Gilbert Parker's "She of the Triple Chevron".
The Stranger is a 1924 American silent drama film directed by Joseph Henabery and starring Betty Compson and Richard Dix. It is based on a 1918 novel, The First and the Last, by John Galsworthy. It was produced by Famous Players–Lasky and distributed through Paramount Pictures.
The Female is a 1924 American silent drama film directed by Sam Wood and starring Betty Compson, Warner Baxter, and Noah Beery. It is based on the novel Dalla, the Lion Cub by Cynthia Stockley.
The Garden of Weeds is a 1924 American silent drama film directed by James Cruze and starring Betty Compson. It is based on the Broadway play Garden of Weeds by Leon Gordon and Doris Marquette. Famous Players–Lasky produced and Paramount Pictures distributed.
New Lives for Old is a 1925 American silent drama film that was produced by Famous Players–Lasky, directed by Clarence G. Badger, and starred Betty Compson.
The Border Raiders is a 1918 American silent Western film directed by Stuart Paton and starring Betty Compson and George Larkin. It was shot on the Hopi Reservation in Arizona.
Life's Mockery is a 1928 American silent drama film directed by Robert F. Hill and starring Betty Compson. It was produced by independent studio Chadwick Pictures who also distributed.