Allan Mitelman (6 August 1946, Poland) is an Australian painter, printmaker and art teacher who arrived in Australia in 1953.
Allan Mitelman was brought to Australia from Poland as a child in 1953. He and photographer Jacqueline Mitelman (née MacGreggor) were briefly married. [1] [2]
He received his early training from his art teacher, the Austrian-born sculptor Karl Duldig, before studying architecture for a year. He then studied at the Prahran College of Advanced Education 1965–68. He consolidate his interest in printmaking with further studies at the Royal Melbourne Institute of Technology (RMIT) soon after which, in 1972, Mitelman was included with Martin Sharp, Arthur Boyd and Fred Williams in the exhibition Australian Prints at the Victoria & Albert Museum, London [3] and an etching and lithograph by Mitelman was acquired by the Museum of Modern Art in New York. [1] [4]
Mitelman contributed to the arts through his teaching. He lectured at the National Gallery of Victoria School in 1972 and the Victorian College of the Arts, Melbourne where he was head of a separate department of printmaking, but in the merger of Prahran College with the VCA in 1992, he was replaced by John Scurry, Head of Printmaking at Prahran in a new and expanded department. [5] Both had been students at Prahran together and they enjoyed an amicable friendship. [6] He has been the subject of portraits by former students for the Archibald Prize, most notably Lewis Miller whose portrait of the artist won the Prize in 1998.
Mitelman's paintings are non-figurative and minimalist, [7] inspired by children's early mark-making [8] and musical scores, with an interest rhythms and harmonies of hue and texture through layering and manipulation of paint with a palette knife. Alan Krell and Suzanne Davis compare his work to that of the American artist Cy Twombly and the English artist Roger Hilton respectively. McCulloch describes his paintings as like the prints in having "a sensuous refinement of surface enlivened with accents, their quality often being complemented by evocative titles." [9]
Mitelman held annual solo exhibitions from 1969 including in Melbourne at Crossley St, Powell St, Pinacotheca, 312 Lennox St, Deutscher Brunswick St.; in Sydney at Macquarie, Garry Anderson, Ray Hughes; and in Perth at Galerie Düsseldorf. [16] In 2004 the National Gallery of Victoria held a major survey of Mitelman's works on paper, curated by Elizabeth Cross, which also toured to the Art Gallery of New South Wales. [9] [1]
Mitelman's work was included in many print surveys and graphic art exhibitions. [9]
The National Gallery of Victoria Art School, associated with the National Gallery of Victoria, was a private fine arts college founded in 1867 and was Australia's leading art school of 50 years.
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