Allan Mitelman (6 August 1946, Poland) is an Australian painter, printmaker and art teacher who arrived in Australia in 1953.
Allan Mitelman was brought to Australia from Poland as a child in 1953. He and photographer Jacqueline Mitelman (née MacGreggor) were briefly married. [1] [2]
He received his early training from his art teacher, the Austrian-born sculptor Karl Duldig, before studying architecture for a year. He then studied at the Prahran College of Advanced Education 1965–68. He consolidate his interest in printmaking with further studies at the Royal Melbourne Institute of Technology (RMIT) soon after which, in 1972, Mitelman was included with Martin Sharp, Arthur Boyd and Fred Williams in the exhibition Australian Prints at the Victoria & Albert Museum, London [3] and an etching and lithograph by Mitelman was acquired by the Museum of Modern Art in New York. [1] [4]
Mitelman contributed to the arts through his teaching. He lectured at the National Gallery of Victoria School in 1972 and the Victorian College of the Arts, Melbourne where he was head of a separate department of printmaking, but in the merger of Prahran College with the VCA in 1992, he was replaced by John Scurry, Head of Printmaking at Prahran in a new and expanded department. [5] Both had been students at Prahran together and they enjoyed an amicable friendship. [6] He has been the subject of portraits by former students for the Archibald Prize, most notably Lewis Miller whose portrait of the artist won the Prize in 1998.
Mitelman's paintings are non-figurative and minimalist, [7] inspired by children's early mark-making [8] and musical scores, with an interest rhythms and harmonies of hue and texture through layering and manipulation of paint with a palette knife. Alan Krell and Suzanne Davis compare his work to that of the American artist Cy Twombly and the English artist Roger Hilton respectively. McCulloch describes his paintings as like the prints in having "a sensuous refinement of surface enlivened with accents, their quality often being complemented by evocative titles." [9]
Mitelman held annual solo exhibitions from 1969 including in Melbourne at Crossley St, Powell St, Pinacotheca, 312 Lennox St, Deutscher Brunswick St.; in Sydney at Macquarie, Garry Anderson, Ray Hughes; and in Perth at Galerie Düsseldorf. [16] In 2004 the National Gallery of Victoria held a major survey of Mitelman's works on paper, curated by Elizabeth Cross, which also toured to the Art Gallery of New South Wales. [9] [1]
Mitelman's work was included in many print surveys and graphic art exhibitions. [9]
The National Gallery of Victoria Art School, associated with the National Gallery of Victoria, was a private fine arts college founded in 1867 and was Australia's leading art school of 50 years.
Pamela Irving is an Australian visual artist specialising in bronze, ceramic and mosaic sculptures as well as printmaking and copper etchings. In addition to her extensive art work, Irving has lectured in art and ceramics at Monash University, the Melbourne College of Advanced Education, the Royal Melbourne Institute of Technology (RMIT) and the Chisholm Institute of Technology. She also worked as an art critic for the Geelong Advertiser and was a councillor on the Craft Council of Victoria.
Vaughan Murray Griffin was an Australian print maker and painter.
Contemporary Indigenous Australian art is the modern art work produced by Indigenous Australians, that is, Aboriginal Australians and Torres Strait Islander people. It is generally regarded as beginning in 1971 with a painting movement that started at Papunya, northwest of Alice Springs, Northern Territory, involving Aboriginal artists such as Clifford Possum Tjapaltjarri and Kaapa Tjampitjinpa, and facilitated by white Australian teacher and art worker Geoffrey Bardon. The movement spawned widespread interest across rural and remote Aboriginal Australia in creating art, while contemporary Indigenous art of a different nature also emerged in urban centres; together they have become central to Australian art. Indigenous art centres have fostered the emergence of the contemporary art movement, and as of 2010 were estimated to represent over 5000 artists, mostly in Australia's north and west.
John Mather was a Scottish-Australian plein-air painter and etcher.
Basil Hadley was an English Australian printmaker and painter. His works are represented in National and State public galleries around Australia and in various private collections.
Eric Prentice Anchor Thake was an Australian artist, designer, painter, printmaker and war artist.
Udo Sellbach (1927–2006) was a German-Australian visual artist and educator whose work focused primarily around his printmaking practice.
Mornington Peninsula Regional Gallery (MPRG) is a public art gallery on the Mornington Peninsula, south-east of Melbourne, Australia. The gallery opened in 1971, and holds both traditional and contemporary Australian art. The gallery is host to the National Works on Paper (NWOP) acquisitive art competition, established in 1998.
Linde Ivimey is an Australian sculptor.
Pam Hallandal was an Australian artist, best known for her work in drawing and print making.
Mary McCartney Macqueen was an Australian artist who was known for her drawing, printmaking and mixed media works on paper. Her artistic style was expressive, gestural and experimental.
The Prahran College of Advanced Education, formerly Prahran College of Technology, was a late-secondary and tertiary institution with a business school, a trade school, and a multi-disciplinary art school that dated back to the 1860s, populated by instructors and students who were among Australia’s significant artists, designers and performers.
Stephen Wickham is an Australian photographer, painter and printmaker.
Jacqueline Mitelman is an Australian portrait photographer.
Barbie Kjar is an Australian artist and educator, specialising in printmaking and drawing. Her work is included in the permanent collections of the National Gallery of Australia, the National Gallery of Victoria, Tasmanian Museum and Art Gallery, and the Gold Coast City Art Gallery.
Angela Cavalieri is an Australian printmaker, whose work recreates text and narratives in visual form and was included in the Venice Biennale, 2011.
Hertha Kluge-Pott is a German-born Australian printmaker based in Melbourne.
Barbara Nancy Brash was a twentieth-century post-war Australian artist known for her painting and innovative printmaking. In an extensive career she contributed to the Melbourne Modernist art scene, beside other significant women artists including: Mary Macqueen, Dorothy Braund, Anne Marie Graham, Constance Stokes, Anne Montgomery (artist) and Nancy Grant.
Jack Courier (1915–2007), a.k.a. John, was an Australian Modernist printmaker, painter and teacher.