Ferrara is a city and comune in Emilia-Romagna, northern Italy, capital of the Province of Ferrara. As of 2016 it had 132,009 inhabitants. It is situated 44 kilometres northeast of Bologna, on the Po di Volano, a branch channel of the main stream of the Po River, located 5 km north. The town has broad streets and numerous palaces dating from the Renaissance, when it hosted the court of the House of Este. For its beauty and cultural importance, it has been designated by UNESCO as a World Heritage Site.
The House of Este is an Italian dynasty that has links with several royal families, including the House of Habsburg-Lorraine and the British royal family.
Dosso Dossi was an Italian Renaissance painter who belonged to the School of Ferrara, painting in a style mainly influenced by Venetian painting, in particular Giorgione and early Titian.
Girolamo Da Carpi was an Italian painter and decorator who worked at the Court of the House of Este in Ferrara. He began painting in Ferrara, by report apprenticing to Benvenuto Tisi ; but by age 20, he had moved to Bologna, and is considered a figure of Early Renaissance painting of the local Bolognese School.
Benvenuto Tisi was a Late-Renaissance-Mannerist Italian painter of the School of Ferrara. Garofalo's career began attached to the court of the Duke d'Este. His early works have been described as "idyllic", but they often conform to the elaborate conceits favored by the artistically refined Ferrarese court. His nickname, Garofalo, may derive from his habit of signing some works with a picture of a carnation.
Alfonso d'Este was Duke of Ferrara during the time of the War of the League of Cambrai.
Lorenzo Costa was an Italian painter of the Renaissance.
Cosmê Tura, also known as Il Cosmè or Cosimo Tura, was an Italian early-Renaissance painter and considered one of the founders of the School of Ferrara.
The School of Ferrara was a group of painters which flourished in the Duchy of Ferrara during the Renaissance. Ferrara was ruled by the Este family, well known for its patronage of the arts. Patronage was extended with the ascent of Ercole d'Este I in 1470, and the family continued in power till Alfonso II, Ercole's great-grandson, died without an heir in 1597. The duchy was then occupied in succession by Papal and Austrian forces. The school evolved styles of painting that appeared to blend influences from Mantua, Venice, Lombardy, Bologna, and Florence.
Leonello d'Este was Marquis of Ferrara, Modena, and Reggio Emilia from 1441 to 1450. Despite the presence of legitimate children, Leonello was favoured by his father as his successor. In addition, his virtuous qualities, high level of education, and popularity among the common people as well as his formal papal recognition ultimately made him the most suitable heir.
The Duchy of Ferrara was a state in what is now northern Italy. It consisted of about 1,100 km2 south of the lower Po River, stretching to the valley of the lower Reno River, including the city of Ferrara. The territory that was part of the Duchy was ruled by the House of Este from 1146 to 1597.
Palazzo dei Diamanti is a Renaissance palace located on Corso Ercole I d'Este 21 in Ferrara, region of Emilia Romagna, Italy. The main floor of the Palace houses the Pinacoteca Nazionale di Ferrara.
Lucrezia de' Medici, was a member of the House of Medici and by marriage Duchess consort of Ferrara, Modena and Reggio during 1558–1561.
Lorenzo Leonbruno, also known as Lorenzo de Leombeni, was an Italian painter during the early Renaissance period. He was born in Mantua (Mantova), an Italian commune in Lombardy, Italy. Leonbruno is most well known for being commissioned by the court of Francesco Gonzaga, Marquis of Mantua, and his wife Isabella d'Este. The patronage continued with their eldest son Federico II Gonzaga, who was the fifth Marquis of Mantua. Leonbruno was the court painter for the Gonzaga family from 1506–24.
The Feast of the Gods is an oil painting by the Italian Renaissance master Giovanni Bellini, with substantial additions in stages to the left and center landscape by Dosso Dossi and Titian. It is one of the few mythological pictures by the Venetian artist. Completed in 1514, it was his last major work. It is now in the National Gallery of Art in Washington D.C., which calls it "one of the greatest Renaissance paintings in the United States".
The Camerini d'alabastro are a range of rooms built over the Via Coperta in Ferrara, northern Italy, linking the Castello Estense to the Palazzo Ducale. They may have included the studiolo or little study of Alfonso I d'Este, Duke of Ferrara.
The Battle of Portomaggiore took place near Portomaggiore in the province of Ferrara, Italy on 16 April 1395. It was fought between the Este troops of the Ferrara Regency Council fighting in the name of the young Niccolò III d'Este, Marquis of Ferrara and the rebel forces of his uncle, Azzo X d'Este, pretender to the Lordship of Ferrara.
Leda and the Swan is a lost tempera on canvas painting by Michelangelo, produced in 1530 but now only surviving in copies and variants. The work depicted the Greek myth of Leda and the Swan.
The Pinacotecta Nazionale is an art gallery in Ferrara, Emilia-Romagna, Italy. It is located on the piano nobile of the Palazzo dei Diamanti, a work of Renaissance architecture by Biagio Rossetti, commissioned by Leonello d’Este in 1447. Not to be confused with the Civic Museum on the lower floor, which has hosted temporary exhibitions of contemporary art since 1992, the Pinacoteca houses a collection of paintings by the Ferrarese School dating from the thirteenth to the eighteenth centuries. It was founded in 1836 by the Municipality of Ferrara after Napoleon's widespread dissolution of churches threatened the protection of important public artworks. The gallery is formed as much around notable northern Italian painters as it is around the exquisite interior decoration of the palace itself, together with remnants of frescoes from local churches and later acquisitions from the Sacrati Strozzi collection.
Allegory of Hercules is a c.1535 oil on canvas painting by Dosso Dossi, now in the Uffizi in Florence. Its subject is uncertain and its sometimes almost known as Bambocciata or Stregoneria.
