Allison Schulnik | |
---|---|
Born | 1978 (age 45–46) San Diego, California, U.S. |
Nationality | American |
Alma mater | California Institute of the Arts |
Known for | Painting, sculpture, film and video animations |
Spouse | Eric Yahnker |
Children | 1 |
Website | allisonschulnik |
Allison Schulnik (born 1978) is an American painter, sculptor and animated filmmaker. She is known for her heavily textured, impasto oil paintings and her animated short videos.
Schulnik was born in San Diego in 1978. [1] In 2000, she earned a Bachelor of Fine Arts in Experimental Animation from California Institute of the Arts. [2] [3]
A multidisciplinary artist, Schulnik is known both for her paintings and her animated video and film works.
As a painter, her signature style is to use thick layers of oil paint to create heavily textured works that are almost sculptural in terms of their depth. [4] [5] These paintings often begin by creating preliminary drawings, followed by the creation of the painting, where she relies on spontaneity and gesture to create texture with her hands. [6] [7] Thematically, her paintings often depict phantom-like creatures and boneless animals that appear to be melting off of the canvas. [8] [9]
Schulnik's animated works begin with the creation of small sculptures of figures and objects made from clay, paint and other materials. [2] [9] She has also used traditional hand-drawn animation techniques in some works. [10] [11]
Her freestanding sculptural works, usually made of ceramic, are often exhibited alongside her paintings and animated works. [12] [13]
Schulnik's collaborations with musicians include the 2009 stop-motion/claymation video Forest for the song Ready, Able by Grizzly Bear. [14] [15] [16] In 2015, Deafheaven selected a painting by Schulnik to use for the cover art of their album New Bermuda . [17]
Schulnik is married to fellow artist Eric Yahnker. They live and work in Sky Valley, California and have one daughter. [18] [19]
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Pixilation is a stop motion technique in which live actors are used as a frame-by-frame subject in an animated film, by repeatedly posing while one or more frame is taken and changing pose slightly before the next frame or frames. This technique is often used as a way to blend live actors with animated ones in a movie.
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It was the artist's first presentation since giving birth to her daughter and moving out to the desert of Sky Valley, CA.