Miami Sound Machine was an American band of Latin-influenced music that featured the vocals of Cuban-born recording artist Gloria Estefan. Established in 1975 by Emilio Estefan Jr., the band was originally known as the Miami Latin Boys before becoming the Miami Sound Machine in 1977.
Miami bass is a subgenre of hip hop music that became popular in the 1980s and 1990s. The use of drums from the Roland TR-808, sustained kick drum, heavy bass, raised dance tempos, and frequently sexually explicit lyrical content differentiate it from other hip hop subgenres. Music author Richie Unterberger has characterized Miami bass as using rhythms with a "stop-start flavor" and "hissy" cymbals with lyrics that "reflected the language of the streets, particularly Miami's historically black neighborhoods such as Liberty City, Goulds, and Overtown".
Rubén González Fontanills was a Cuban pianist. Together with Lilí Martínez and Peruchín he is said to have "forged the style of modern Cuban piano playing in the 1940s".
Pedro Knight Caraballo was a Cuban musician, and the husband and manager of singer Celia Cruz.
Son cubano is a genre of music and dance that originated in the highlands of eastern Cuba during the late 19th century. It is a syncretic genre that blends elements of Spanish and African origin. Among its fundamental Hispanic components are the vocal style, lyrical metre and the primacy of the tres, derived from the Spanish guitar. On the other hand, its characteristic clave rhythm, call and response structure and percussion section are all rooted in traditions of Bantu origin.
Ramón "Mongo" Santamaría Rodríguez was a Cuban percussionist and bandleader who spent most of his career in the United States. Primarily a conga drummer, Santamaría was a leading figure in the pachanga and boogaloo dance crazes of the 1960s. His biggest hit was his rendition of Herbie Hancock's "Watermelon Man", which was inducted into the Grammy Hall of Fame in 1998. From the 1970s, he recorded mainly salsa and Latin jazz, before retiring in the late 1990s.
Afro-Cuban jazz is the earliest form of Latin jazz. It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban music has deep roots in African ritual and rhythm. The genre emerged in the early 1940s with the Cuban musicians Mario Bauzá and Frank Grillo "Machito" in the band Machito and his Afro-Cubans in New York City. In 1947, the collaborations of bebop trumpeter Dizzy Gillespie and percussionist Chano Pozo brought Afro-Cuban rhythms and instruments, such as the tumbadora and the bongo, into the East Coast jazz scene. Early combinations of jazz with Cuban music, such as "Manteca" and "Mangó Mangüé", were commonly referred to as "Cubop" for Cuban bebop.
"Nobody Wants to Be Lonely" is a song by Puerto Rican singer Ricky Martin from his sixth studio album, Sound Loaded (2000). Martin re-recorded the song along with American singer Christina Aguilera in December 2000. The album version was written by Desmond Child, Victoria Shaw, and Gary Burr and produced by Child; the duet received additional production from Walter Afanasieff. The duet was released by Columbia Records on January 16, 2001, as the second single from the album. A mid-tempo pop song and power ballad with elements of flamenco and Latin music, it is about heartbreak and longing.
Armando Peraza was a Cuban Latin jazz percussionist and a member of the rock band Santana. Peraza played congas, bongos, and timbales.
One Cure Fits All is the ninth full-length album by rock band Therapy?, and the third and final to be released on Spitfire Records. It was released on 24 April 2006. The album was recorded in January 2006 at Jacobs Studios in Surrey. The album was not released in North America, but charted at number 152 in the UK Albums Chart.
Marco Antonio Rubio is an American politician and lawyer serving as the senior United States senator from Florida, a seat he has held since 2011. A member of the Republican Party, he served as Speaker of the Florida House of Representatives from 2006 to 2008. Rubio unsuccessfully sought the Republican nomination for President of the United States in 2016, winning presidential primaries in Minnesota, the District of Columbia, and Puerto Rico.
Beauty and the Beat! is a 1959 album by Peggy Lee, accompanied by the George Shearing Quintet.
Gore Beyond Necropsy (GBN) is a Japanese band formed in 1989 in Hadano city, Kanagawa prefecture. The group have had a prolific output of releases. They play a hybrid style of chaotic grindcore which they refer to as "Analdrillinggrind Harshit Core!!".
Rita Aurelia Fulcida Montaner y Facenda, known as Rita Montaner, was a Cuban singer, pianist and actress. In Cuban parlance, she was a vedette, and was well known in Mexico City, Paris, Miami and New York, where she performed, filmed and recorded on numerous occasions. She was one of Cuba's most popular artists between the late 1920s and 1950s, renowned as Rita de Cuba. Though classically trained as a soprano for zarzuelas, her mark was made as a singer of Afro-Cuban salon songs including "The Peanut Vendor" and "Siboney".
Descemer Bueno is a Cuban singer, songwriter, and record producer. His first professional gigs were playing bass with Cuban troubadour Santiago Feliú.
Josignacio is a Cuban Contemporary artist and author. He is among the most significant living contemporary Cuban and Latin American artists due to his career auction records, paint medium innovations, and association with notable cultural events, venues, and celebrity figures in the United States and Cuba.
Pedrito Martinez is a Cuban percussionist, drummer, singer, dancer, bandleader, songwriter, composer, and educator. He was born and raised in Havana, Cuba. He is a Cuban Conguero performing classic Cuban Rumbas, Afro-Cuban folkloric and religious music. He is a Santería priest. He came to the United States of America from Havana in 1998. He plays the Batá drum, conga, cajón, timbale, and bongo drums, among other percussion instruments. Pedrito learned his craft from the streets of Havana, Cuba. He has performed with Paquito D'Rivera, Arturo O'Farrill, Brian Lynch, and Bruce Springsteen. He settled in the New York City - New Jersey area in 1998.
Peter Freeman was an American bassist, composer, and record producer. Based in his studio in Los Angeles, he worked on records, live performance, and film and television soundtracks. He was primarily known for his association with avant-garde composer and trumpet-player Jon Hassell. He was also a regular contributor to Electronic Musician during the 80s and 90s.
