The Savoy Ballroom was a large ballroom for music and public dancing located at 596 Lenox Avenue, between 140th and 141st Streets in the Harlem neighborhood of Manhattan, New York City. Lenox Avenue was the main thoroughfare through upper Harlem. Poet Langston Hughes calls it the "Heartbeat of Harlem" in Juke Box Love Song, and he set his work "Lenox Avenue: Midnight" on the legendary street. The Savoy was one of many Harlem hot spots along Lenox, but it was the one to be called the "World's Finest Ballroom". It was in operation from March 12, 1926, to July 10, 1958, and as Barbara Englebrecht writes in her article "Swinging at the Savoy", it was "a building, a geographic place, a ballroom, and the 'soul' of a neighborhood". It was opened and owned by white entrepreneur Jay Faggen and Jewish businessman Moe Gale. It was managed by African-American businessman and civic leader Charles Buchanan. Buchanan, who was born in the British West Indies, sought to run a "luxury ballroom to accommodate the many thousands who wished to dance in an atmosphere of tasteful refinement, rather than in the small stuffy halls and the foul smelling, smoke laden cellar nightclubs ..."
An Aerial is a dance move in Lindy Hop or Boogie Woogie where one's feet leave the floor. As opposed to a lift, aerial is a step where a partner needs to be thrown into the air and then landed in time with the music. Each aerial consists of a preparation ('prep'), jump or trick itself and the landing.
Swing dance is a group of social dances that developed with the swing style of jazz music in the 1920s–1940s, with the origins of each dance predating the popular "swing era". Hundreds of styles of swing dancing were developed; those that have survived beyond that era include Charleston, Balboa, Lindy Hop, and Collegiate Shag. Today, the best-known of these dances is the Lindy Hop, which originated in Harlem in the early 1930s. While the majority of swing dances began in African-American communities as vernacular African-American dances, some influenced swing-era dances, like Balboa, developed outside of these communities.
Jitterbug is a generalized term used to describe swing dancing. It is often synonymous with the lindy hop dance but might include elements of the jive, east coast swing, collegiate shag, charleston, balboa and other swing dances.
Frank Manning was an American dancer, instructor, and choreographer. Manning is considered one of the founders of Lindy Hop, an energetic form of the jazz dance style known as swing.
Blues dancing is a family of historical dances that developed alongside and were danced to blues music, or the contemporary dances that are danced in that aesthetic. It has its roots in African-American dance, which itself is rooted in sub-Saharan African music traditions and the historical dances brought to the United States by European immigrants.
Jack and Jill is a format of competition in partner dancing, where the competing couples are the result of random matching of leaders and followers. Rules of matching vary.
The Hot Shots is a collective name for two closely related Swedish dance companies based in Stockholm, Sweden: The Rhythm Hot Shots and the Harlem Hot Shots. The Hot Shots specialize in faithful reproductions of African-American dance scenes in American films from the 1920s, 30s, and 40s. Dances that they perform include Lindy Hop, Tap dance, Cakewalk, Charleston, and Black Bottom. The members of the Hot Shots are also respected dance instructors and accomplished social dancers. The goals of The Rhythm Hot Shots and the Harlem Hot Shots are the same.
The swing revival, also called retro swing and neo-swing, was a renewed interest in swing music and Lindy Hop dance, beginning around 1989 and reaching a peak in the 1990s. The music was generally rooted in the big bands of the swing era of the 1930s and 1940s, but it was also greatly influenced by rockabilly, boogie-woogie, the jump blues of artists such as Louis Prima and Louis Jordan, and the theatrics of Cab Calloway. Many neo-swing bands practiced contemporary fusions of swing, jazz, and jump blues with rock, punk rock, ska, and ska punk music or had roots in punk, ska, ska punk, and alternative rock music.
Dean Collins was an American dancer, instructor, choreographer, and swing dance innovator. He is widely credited with bringing the Lindy Hop from New York to Southern California and significantly influencing the development of West Coast Swing. Collins appeared in over thirty films and performed both live and on television.
Whitey's Lindy Hoppers was a professional performing group of exceptional swing dancers that was first organized in the late 1920s by Herbert "Whitey" White in the Savoy Ballroom and disbanded in 1942 after its male members were drafted into World War II. The group, taking on many different forms and sub-groups, including Whitey's Hopping Maniacs, Harlem Congeroo Dancers, and The Hot Chocolates, were inspired by the choreography of Frankie Manning.In addition to touring nationally and internationally, the group appeared in several films and Broadway theatre productions. Dorothy Dandridge and Sammy Davis Jr. were among the group's celebrity regulars.
Al Minns, was a prominent American Lindy Hop and jazz dancer. Most famous for his film and stage performances in the 1930s and 1940s with the Harlem-based Whitey's Lindy Hoppers, Minns worked throughout his life to promote the dances that he and his cohorts helped to pioneer at New York's Savoy Ballroom. In 1938, Al Minns and Sandra Gibson won the Harvest Moon Ball.
Sylvia Sykes is an American swing dancer, instructor, judge, and choreographer. She is known for reviving the swing dance style balboa.
The history of Lindy Hop begins in the African American communities of Harlem, New York during the late 1920s in conjunction with swing jazz. Lindy Hop is closely related to earlier African American vernacular dances but quickly gained its own fame through dancers in films, performances, competitions, and professional dance troupes. It became especially popular in the 1930s with the upsurge of aerials. The popularity of Lindy Hop declined after World War II, and it converted to other forms of dancing, but it never disappeared during the decades between the 1940s and the 1980s until European and American dancers revived it starting from the beginning of the 1980s.
Norma Adele Miller was an American Lindy hop dancer, choreographer, actress, author, and comedian known as the "Queen of Swing".
The Spirit Moves: A History of Black Social Dance on Film, 1900–1986 is a documentary film by Mura Dehn chronicling the evolution of African-American social dance throughout most of the 20th century. In its original form it consists of nearly six hours of rare archival footage shot over the course of thirty years. Since 1987 this complete version has only been available for viewing at a select few institutions. In 2008 the first three parts of Dehn's work, totaling two hours, were remastered and released on DVD by Dancetime Publications.
The Lindy Hop is an American dance which was born in the African-American communities of Harlem, New York City, in 1928 and has evolved since then. It was very popular during the swing era of the late 1930s and early 1940s. Lindy is a fusion of many dances that preceded it or were popular during its development but is mainly based on jazz, tap, breakaway, and Charleston. It is frequently described as a jazz dance and is a member of the swing dance family.
Ryan Francois is a swing dancer, choreographer and actor, who played a central part of the revival of the Lindy Hop . Specialising in dances related to the Jazz & Swing era - including the Lindy Hop, Charleston, Tap and Authentic Vernacular Jazz, Ryan has over 30 years dance experience.
Willa Mae Ricker was a prominent American Lindy Hop and jazz dancer and performer during the 1930s and 1940s with the Harlem-based Whitey's Lindy Hoppers. She was known for her physical strength, fashion sense, dependability, business acumen, and passion to dance. According to Norma Miller, Ricker was the first dancer to stand up to Herbert "Whitey" White, demanding fair pay.
LaTasha Barnes is an American dancer, educator, and choreographer. She is the creator and director of The Jazz Continuum, an African roots-based production encompassing Lindy Hop, house dance, locking, breaking, voguing, and jazz dance that connects dance of the swing era to dance today. The show debuted at the Guggenheim Museum in New York City in 2021, and continues to tour in the U.S.
