American Viola Society

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The American Viola Society (AVS) is an organization headquartered in Dallas, Texas that encourages excellence in performance, pedagogy, research, composition, and lutherie by fostering communication and friendship among violists of all skill levels, ages, nationalities, and backgrounds. [1]

Contents

The American Viola Society offers a variety of services to its members and violists worldwide, including the Primrose International Viola Competition, the Gardner Composition Competition, and the Dalton Research Competition; publications, including the Journal of the American Viola Society, the AVS Studio Blog, Teacher's Toolbox, and score downloads; a Viola Bank offering loans of instruments; and a National Teacher Directory. The society has regularly hosted International Viola Congresses as well as American Viola Society Festivals.

History

In 1971, Myron Rosenblum founded the American Viola Research Society, a subset of the Viola-Forschungsgellschaft, now the International Viola Society (IVS). The organization changed its name in 1978 to the American Viola Society to better reflect the interests of its members. In 1979, David Dalton founded the Primrose International Viola Competition in honor of the great Scottish-American violist William Primrose. That same year, the American Viola Society co-commissioned George Rochberg's Viola Sonata in celebration of Primrose's seventy-fifth birthday.

In 1985, the AVS began publishing the Journal of the American Viola Society (JAVS), an outgrowth of the AVS Newsletter that it had previously produced. The JAVS has been a leading source of viola research; notably publishing several articles on the genesis and revision of Béla Bartók's Viola Concerto. Upon retirement of David Dalton as longtime editor in 1999, JAVS established the David Dalton Viola Research Competition for student members of the society.

Primrose International Viola Competition

The Primrose International Viola Competition (PIVC) is an international music competition for viola players sponsored by the American Viola Society and named for the 20th-century virtuoso William Primrose. The PIVC has been held regularly since 1987, often in conjunction with biennial meetings of the North American Viola Congress. Eligible participants are 29 years and younger of any nationality. The competition involves three rounds during a week-long festival in which entrants perform a required work as well as several choices from a viola repertoire list that includes solo works, sonatas, concertos and transcriptions by Primrose.

Maurice Gardner Composition Competition

The AVS inaugurated the biennial Maurice Gardner Composition Competition in 2009. The first winner was pianist/composer Rachel Matthews, whose work Dreams for Viola and Piano was premiered by violist Scott Slapin and the composer at the 2010 International Viola Congress.

Maurice Gardner Composition Competition laureates

AVS Publications

In 2010 the American Viola Society began digital publication of sheet music under the AVS Publications name. The largest selection of scores to date are works by American composers as part of the "American Viola Project," which aims to "collect, publish, and preserve viola music from the United States." [2] Works by such noted composers as Quincy Porter, Arthur Foote, and Michael Colgrass have been published as well as contributions by less well-known composers. Other publishing priorities include works for multiple violas and movements from the cantatas of J. S. Bach that prominently feature the viola.

AVS Presidents

Related Research Articles

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The viola ( vee-OH-lə, alsovy-OH-lə, Italian: [ˈvjɔːla, viˈɔːla]) is a string instrument that is bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth above) and the cello (which is tuned an octave below). The strings from low to high are typically tuned to C3, G3, D4, and A4.

<span class="mw-page-title-main">William Primrose</span> Scottish violist and teacher

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<span class="mw-page-title-main">Viola Concerto (Bartók)</span>

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<span class="mw-page-title-main">Fyodor Druzhinin</span> Russian composer

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<span class="mw-page-title-main">Johann Andreas Amon</span> German musician (1763–1825)

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<span class="mw-page-title-main">Ernst Wallfisch</span>

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<span class="mw-page-title-main">Lawrence Power</span> Musical artist

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<span class="mw-page-title-main">Dobrinka Tabakova</span> British/Bulgarian composer (born 1980)

Dobrinka Tabakova is a Bulgarian-British composer.

Serge Collot was a French violist and music educator.

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<span class="mw-page-title-main">Scott Slapin</span>

Scott Slapin is an American composer and violist.

<span class="mw-page-title-main">Primrose International Viola Archive</span>

The Primrose International Viola Archive (PIVA) is the official viola archive of both the International Viola Society and American Viola Society. It is located in the Harold B. Lee Library at Brigham Young University. Scottish-American violist William Primrose started the archive with the donation of his many materials on the viola.

<span class="mw-page-title-main">David Dalton (violist)</span> American violist

David Johnson Dalton was an American violist, author, and professor emeritus at Brigham Young University (BYU). He graduated from Eastman School of Music in 1961 and received his doctorate in viola performance in 1970 at Indiana University under William Primrose. As a faculty member at BYU, Dalton's main contribution was the establishment of the Primrose International Viola Archive, one of the largest viola archives in the world. Dalton's other significant positions include editor of the Journal of the American Viola Society, president of the American Viola Society, and president of the International Viola Society.

References

  1. "American Viola Society". Archived from the original on 19 May 2010. Retrieved 2010-05-08.
  2. David M. Bynog, "The Viola in America: Two Centuries of Progress," Notes 68, no. 4 (June 2012): 729.