American literary nationalism was a literary movement in the United States in the early-to mid 19th century, which consisted of American authors working towards the development of a distinct American literature. Literary figures such as Henry Wadsworth Longfellow, William Cullen Bryant and William Ellery Channing advocated the creation of a definitively American form of literature with emphasis "on spiritual values and social usefulness." Longfellow wrote that "when we say that the literature of a country is national, we mean that it bears upon it the stamp of national character." Many authors of the time also advocated tying the literature to religion. [1] [2] [3] [4] [5] [6] [7] [8] [9] These demands were also couched in a perceived contrast between the English author as a "well-off amateur writer ... who writes in his spare time for personal amusement" and the American as a "professional author, writing out of economic necessity". [10]
The predominant rhetoric of early post-War of 1812 literary nationalists advocated more expansive treatment of American characters, settings, and events, but expressed with a morality and style that matched British conventions. Critic and author John Neal was unique in this early period for demanding and experimenting with natural diction and "ungenteel and sometimes bluntly profane" [11] American colloquialism. [12] The predominant early rhetoric is exemplified by James Fenimore Cooper, who in 1828 claimed that "the literature of England and that of America must be fashioned after the same models." [13] A forerunner of later American voices, Neal expressed the same year in the "Unpublished Preface" to Rachel Dyer that "to succeed...[the American writer] must resemble nobody...[he] must be unlike all that have gone before [him]" and issue "another Declaration of Independence, in the great Republic of Letters." [14]
The Portico magazine under Stephen Simpson and Tobias Watkins played an important early role in promoting literary nationalist criticism by Neal and others during its two-year run 1816–1818. [15] In January 1820, English critic Sydney Smith quipped in the Edinburgh Review "In the four-quarters of the globe, who reads an American book?". James Kirke Paulding issued a scathing reply later that year in the Salmagundi , calling for the US to develop its own rival literature that abandons "servile imitation" of British precedent. [16] Smith's quip also inspired Neal to pursue a career in British literary journals. [17] From London, he wrote the American Writers series (1824–25) for Blackwood's Edinburgh Magazine , in which he declared the US had not yet developed its own literary voice, but could with the right encouragement. [18] Such advocacy in newspapers and magazines became more fashionable after 1830. [19]
The United States Magazine and Democratic Review under John L. O'Sullivan was a highly successful journal in the 1830s that published many American authors. O'Sullivan wrote in the magazine's first issue that "we have no national literature ... the vital principal of an American national literature must be democracy." He continued to say that "the voice of America might be made to produce a powerful and beneficial effect on the development of truth." In 1847, The Literary World was founded. Devoted to reviewing American works, it soon became one of America's most influential literary magazines. By 1850, the movement had generally succeeded. The authors involved in developing an American literature would continue to shape it for "the next 100 years". [1] [9]
Nathaniel Hawthorne was an American novelist and short story writer. His works often focus on history, morality, and religion.
A genre of arts criticism, literary criticism or literary studies is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical analysis of literature's goals and methods. Although the two activities are closely related, literary critics are not always, and have not always been, theorists.
John Neal was an American writer, critic, editor, lecturer, and activist. Considered both eccentric and influential, he delivered speeches and published essays, novels, poems, and short stories between the 1810s and 1870s in the United States and Great Britain, championing American literary nationalism and regionalism in their earliest stages. Neal advanced the development of American art, fought for women's rights, advocated the end of slavery and racial prejudice, and helped establish the American gymnastics movement.
The American Renaissance period in American literature ran from about 1830 to around the Civil War. A central term in American studies, the American Renaissance was for a while considered synonymous with American Romanticism and was closely associated with Transcendentalism.
Events in the year 1828 in Art.
Events in the year 1829 in Art.
American literary regionalism, often used interchangeably with the term "local color", is a style or genre of writing in the United States that gained popularity in the mid-to-late 19th century and early 20th century. In this style of writing, which includes both poetry and prose, the setting is particularly important and writers often emphasize specific features, such as dialect, customs, history and landscape, of a particular region, often one that is "rural and/or provincial". Regionalism is influenced by both 19th-century realism and Romanticism, adhering to a fidelity of description in the narrative but also infusing the tale with exotic or unfamiliar customs, objects, and people.
The Knickerbocker Group was a somewhat indistinct group of 19th-century American writers. Its most prominent members included Washington Irving, James Fenimore Cooper and William Cullen Bryant. Each was a pioneer in general literature—novels, poetry and journalism. Humorously titled after Irving's own pen name, many others later joined the club. These include James Kirke Paulding, Fitz-Greene Halleck, Joseph Rodman Drake, Robert Charles Sands, Lydia Maria Child, Gulian Crommelin Verplanck, and Nathaniel Parker Willis, most of whom were also frequent contributors to the literary magazine The Knickerbocker.
The portrayal of Indigenous people of the Americas in popular culture has oscillated between the fascination with the noble savage who lives in harmony with nature, and the stereotype of the uncivilized Red Indian of the traditional Western genre. The common depiction of American Indians and their relationship with European colonists has however changed over time.
"Fenimore Cooper's Literary Offenses" is an essay by Mark Twain, written as a satire of literary criticism and as a critique of the writings of the novelist James Fenimore Cooper, that appeared in the July 1895 issue of North American Review. It draws on examples from The Deerslayer and The Pathfinder from Cooper's Leatherstocking Tales.
Romanticism in Scotland was an artistic, literary and intellectual movement that developed between the late eighteenth and the early nineteenth centuries. It was part of the wider European Romantic movement, which was partly a reaction against the Age of Enlightenment, emphasising individual, national and emotional responses, moving beyond Renaissance and Classicist models, particularly into nostalgia for the Middle Ages. The concept of a separate national Scottish Romanticism was first articulated by the critics Ian Duncan and Murray Pittock in the Scottish Romanticism in World Literatures Conference held at UC Berkeley in 2006 and in the latter's Scottish and Irish Romanticism (2008), which argued for a national Romanticism based on the concepts of a distinct national public sphere and differentiated inflection of literary genres; the use of Scots language; the creation of a heroic national history through an Ossianic or Scottian 'taxonomy of glory' and the performance of a distinct national self in diaspora.
John Dunn Hunter was a leader of the Fredonian Rebellion.
The bibliography of American writer John Neal (1793–1876) spans more than sixty years from the War of 1812 through Reconstruction and includes novels, short stories, poetry, articles, plays, lectures, and translations published in newspapers, magazines, literary journals, gift books, pamphlets, and books. Favorite topics included women's rights, feminism, gender, race, slavery, children, education, law, politics, art, architecture, literature, drama, religion, gymnastics, civics, American history, science, phrenology, travel, language, political economy, and temperance.
The Yankee was one of the first cultural publications in the United States, founded and edited by John Neal (1793–1876), and published in Portland, Maine as a weekly periodical and later converted to a longer, monthly format. Its two-year run concluded at the end of 1829. The magazine is considered unique for its independent journalism at the time.
Seventy-Six is a historical fiction novel by American writer John Neal. Published in Baltimore in 1823, it is the fourth novel written about the American Revolutionary War. Historically distinguished for its pioneering use of colloquial language, Yankee dialect, battle scene realism, high characterization, stream of consciousness narrative, profanity, and depictions of sex and romance, the novel foreshadowed and influenced later American writers. The narrative prose resembles spoken American English more than any other literature of its period. It was the first work of American fiction to use the phrase son-of-a-bitch.
Rachel Dyer: A North American Story is a Gothic historical novel by American writer John Neal. Published in 1828 in Maine, it is the first bound novel about the Salem witch trials. Though it garnered little critical notice in its day, it influenced works by Nathaniel Hawthorne, Henry Wadsworth Longfellow, John Greenleaf Whittier, and Walt Whitman. It is best remembered for the American literary nationalist essay, "Unpublished Preface", that precedes the body of the novel.
Logan, a Family History is a Gothic novel of historical fiction by American writer John Neal. Published anonymously in Baltimore in 1822, the book is loosely inspired by the true story of Mingo leader Logan the Orator, while weaving a highly fictionalized story of interactions between Anglo-American colonists and Indigenous peoples on the western frontier of colonial Virginia. Set just before the Revolutionary War, it depicts the genocide of Native Americans as the heart of the American story and follows a long cast of characters connected to each other in a complex web of overlapping love interests, family relations, rape, and sexual activity.
Brother Jonathan: or, the New Englanders is an 1825 historical novel by American writer John Neal. The title refers to Brother Jonathan, a popular personification of New England and the broader United States. The story follows protagonist Walter Harwood as he and the nation around him both come of age through the American Revolution. The novel explores cross-cultural relationships and highlights cultural diversity within the Thirteen Colonies, stressing egalitarianism and challenging the conception of a unified American nation. It features mixed-race Anglo-Indigenous characters and depicts them as the inheritors of North America. The book's sexual themes drew negative reactions from contemporary critics. These themes were explicit for the period, addressing female sexual virtue and male guilt for sexual misdeeds.
American Writers is a work of literary criticism by American writer and critic John Neal. Published by Blackwood's Edinburgh Magazine in five installments between September 1824 and February 1825, it is recognized by scholars as the first history of American literature and the first substantial work of criticism concerning US authors. It is Neal's longest critical work and at least 120 authors are covered, based entirely on Neal's memory; having no notes or books for reference contributed to Neal's disproportionate coverage of many figures and much disinformation about them. Modern scholars nevertheless praise the staying power of Neal's opinions, many of which are reflected by later critics decades later, notably "Fenimore Cooper's Literary Offenses" by Mark Twain. Theories of poetry and prose in American Writers foreshadowed and likely influenced later works by Edgar Allan Poe and Walt Whitman. Neal argued American literature relied too much on British precedent and had failed to develop its own voice. He offered sharp criticism of many authors and urged critics not to offer writers from the US undeserved criticism, lest it stifle the development of a truly distinct American literature. Poe's later critical essays on literature reflected these strictures.