Amistad Memorial | |
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Artist | Ed Hamilton |
Completion date | Dedicated September 18, 1992 |
Medium | Bronze sculpture |
Subject | Joseph Cinque |
Dimensions | 3.04 m(10 ft);tall |
Location | New Haven, Connecticut, U.S. |
Owner | City of New Haven |
The Amistad Memorial in New Haven, Connecticut, is a bronze sculpture created by Ed Hamilton to recognize the events of the 1839 Amistad Affair. The affair was a kidnapping of 53 Africans and their subsequent mutiny aboard La Amistad. It led to a historically significant United States Supreme Court case, in which the Amistad captives were ruled to be acting in self-defense, thereby granting them the right to mutiny.
The memorial sits in front of the New Haven City Hall on Church Street, the location where the Amistad slaves were jailed during their trial. It was dedicated on September 18, 1992.
La Amistad was an American ship owned by a Cuban Spaniard that was retrofitted to carry slaves. It is historically infamous because of the revolt which occurred on board the ship in 1839. The long journey of the 53 Mende captives responsible for the revolt began when they were abducted from their home in present-day Sierra Leone, and forced aboard the Portuguese slave ship Tecora , bound for Cuba to be sold as slaves. Upon their secret arrival in Cuba, the captives were transferred to 'La Amistad'. On July 2, 1839, a revolt was led by Sengbe Pieh (also known as Joseph Cinqué) in which the captives overran the ship, threatening death, and ordered the surviving crew to chart a course back to their native Sierra Leone. In a secret act of defiance, the navigator steered the ship north towards the American coast in hopes of rescue. La Amistad was escorted ashore by USRC Washington after being spotted off the tip of Montauk, Long Island. The slaves were interned in New Haven, Connecticut, to be tried for mutiny and murder.
After the Amistad Africans won their court case, and their freedom, many members of the community volunteered their aid: the residents of New Haven gave them housing, tutoring, and legal aid. Participating residents formed the Amistad Committee, and among them was John Quincy Adams, who defended the Amistad captives in their case in front of the Supreme Court. The Amistad captives assimilated into the community, and would spend time in the town green with the locals. [1]
In 1988, citizens of New Haven resurrected the Amistad Committee to organize events to commemorate the 150th anniversary of the Amistad affair. Most prominently, the committee raised funds for the New Haven memorial to be constructed, formed an assembly to construct the Amistad replica, and developed the idea for the Connecticut Freedom Trail, which includes the memorial. [2] In 1992, Khalid Lum, a New Haven writer and activist said about the memorial, "many people who are familiar with the Amistad revolt feel it’s not only a matter of commemorating a historical event. It is also a thin hope and chance that some of the spirit that resulted in Cinque’s and his cohorts’ freedom might be generated." [3]
The Amistad Committee specifically desired that an African-American artist should design and build the memorial, so it contacted predominantly black schools to find a sculptor. [4] The artist who ended up building the sculpture, Ed Hamilton, was not initially informed of the competition. He found out through his friend Earl J. Hooks while he was on holiday. [5] He and four other artists submitted portfolios, but none of them passed jury approval. After asking the artists to re-submit, three were invited to come to the city. Only Hamilton accepted the invitation. [4]
Ed Hamilton, the sculptor of the Amistad Memorial, is an African-American artist, and was born in 1947 in Cincinnati, Ohio, currently residing near Louisville, KY. He attended Spalding University in Louisville, Kentucky, and has been a sculptor and artist for most of his life. His primary works are public sculptures of African-Americans that have made positive contributions to the lives of Americans. One notable work was his Booker T. Washington Memorial, designed and built in 1983-1984. [6]
Hamilton designed a plaster model of the Amistad Memorial, which now resides at the African-American Historical Society in New Haven, Connecticut. He then made the armature for the clay sculpture which was cast in bronze in Louisville, Kentucky and set atop a triangular base of granite.
The memorial was dedicated on September 18, 1992, and an estimated 300 people attended the dedication, despite the fact that it was pouring rain. Clifton H. Johnson, in his lecture "The Legacy of La Amistad" said, "Sculptor Ed Hamilton says in his autobiography that he viewed the rain as symbolic of the tears of all Africans who did not make the final journey home." [7] Among those in attendance was Valentine Strasser, the chairman of the Republic of Sierra Leone. In his speech at the dedication, Strasser said, "I hope all who will come to New Haven and see this statue will remember what it stands for and take with them more than a sense of history.' [8]
The memorial is located in front of New Haven City Hall, which sits on the site where the Amistad captives were held during their trial. Each of the three sides of the memorial depicts Joseph Cinqué: on the first side, in his native clothing in Africa, on the second side, in court during his trials, and on the third side, after he won his freedom. The monument has a fourth side, facing up, which is only visible from the upper floors of City Hall. It depicts a face and hands in water. Laura Macaluso, in her book, "Art of the Amistad and the Portrait of Cinque" claims that this fourth side could represent slaves drowning along the Middle Passage. [6] Its artist, Ed Hamilton comments on the meaning of the top side on his website: [6]
The top of the Memorial is a result of the emotional level of my personal experiences researching for information about slave trading. From the second floor of City Hall you look down and contemplate this final view of the Memorial. Could this be our brother, Foone, who drowned in the Farmington Canal? Or, you could say that this figure, awash in the vastness of an ocean, represents the souls of the many Africans who did not finish their journey of the Middle Passage. I will let you, as viewer, debate the meaning of this journey.
For the memorial, Hamilton employed a technique known as relief in which the foreground image juts out from the background. Each side demonstrates both high relief (where the projection from the background is much greater than low relief) and low relief to display secondary objects, including the faces of other captives and abolitionists. The three portraits of Cinqué are sculpted in high relief. [3]
A slave rebellion is an armed uprising by enslaved people, as a way of fighting for their freedom. Rebellions of enslaved people have occurred in nearly all societies that practice slavery or have practiced slavery in the past. A desire for freedom and the dream of successful rebellion is often the greatest object of song, art, and culture amongst the enslaved population. Many of the events, however, are often violently opposed and suppressed by slaveholders.
United States v. Schooner Amistad, 40 U.S. 518 (1841), was a United States Supreme Court case resulting from the rebellion of Africans on board the Spanish schooner La Amistad in 1839. It was an unusual freedom suit that involved international diplomacy as well as United States law. The historian Samuel Eliot Morison described it in 1969 as the most important court case involving slavery before being eclipsed by that of Dred Scott in 1857.
Amistad is a 1997 American historical drama film directed by Steven Spielberg, based on the events in 1839 aboard the Spanish slave ship La Amistad, during which Mende tribesmen abducted for the slave trade managed to gain control of their captors' ship off the coast of Cuba, and the international legal battle that followed their capture by the Washington, a U.S. revenue cutter. The case was ultimately resolved by the U.S. Supreme Court in 1841.
Sengbe Pieh, also known as Joseph Cinqué or Cinquez and sometimes referred to mononymously as Cinqué, was a West African man of the Mende people who led a revolt of many Africans on the Spanish slave ship La Amistad in July 1839. After the ship was taken into custody by the United States Revenue Cutter Service, Cinqué and his fellow Africans were eventually tried for mutiny and killing officers on the ship, in a case known as United States v. The Amistad. This reached the U.S. Supreme Court, where Cinqué and his fellow Africans were found to have rightfully defended themselves from being enslaved through the illegal Atlantic slave trade and were released. The US government did not provide any aid to the acquitted Mende People. The United Missionary Society, a black group founded by James W.C. Pennington, helped raise money for the return of thirty-five of the survivors to Sierra Leone in 1842.
Amistad may refer to:
Nathaniel Jocelyn was an American painter and engraver best known for his portraits of abolitionists and of the slave revolt leader Joseph Cinqué.
Tecora was a Portuguese slave ship of the early 19th century. The brig was built especially for the slave trade although the transport across the Atlantic of human beings as slaves had already been outlawed by several nations in international treaties in the first decade of the 19th century. She was fast and maneuverable in order to evade British patrols that attempted to stop such illegal slave ships off the coast of Africa.
La Amistad was a 19th-century two-masted schooner, owned by a Spaniard colonizing Cuba. It became renowned in July 1839 for a slave revolt by Mende captives, who had been captured and sold to European slave traders, and illegally transported by a Portuguese ship from West Africa to Cuba in violation of existing European treaties against the Atlantic slave trade. Two Spanish plantation owners, Don José Ruiz and Don Pedro Montes, bought 53 captives, including four children, in Havana, Cuba, and were transporting them on the ship to their plantations near Puerto Príncipe. The revolt began after the schooner's cook jokingly told the slaves that they were to be "killed, salted, and cooked." Sengbe Pieh, a Mende man, also known as Joseph Cinqué, unshackled himself and the others on the third day and started the revolt. They took control of the ship, killing the captain and the cook. In the melee, three Africans were also killed.
Edward Norton Hamilton, Jr. is an American sculptor living in Louisville, Kentucky, who specializes in public art. His most famous work is The Spirit of Freedom, a memorial to black Civil War veterans, that stands in Washington, DC, in the Shaw neighborhood near Howard University. Hamilton has also created monuments dedicated to Booker T. Washington, Joe Louis, York, and the slaves who revolted on La Amistad.
Hale Aspacio Woodruff was an American artist known for his murals, paintings, and prints.
James Benjamin Covey was a sailor, remembered today chiefly for his role as interpreter during the legal proceedings in the United States federal courts that followed the 1839 revolt aboard the Spanish slave ship La Amistad. Covey, who spoke Mende and English, was instrumental for enabling the Mende passengers of the Amistad to communicate with the court and to defend themselves successfully against charges of mutiny and murder.
The Mendi Bible is a Bible presented to John Quincy Adams in 1841 by a group of freed Mendi captives who had mutinied on the schooner La Amistad.
The Tuckers of Sherbro are an Afro-European clan from the Southern region of Sierra Leone. The clan's progenitors were an English trader and agent, John Tucker, and a Sherbro princess. Starting in the 17th century, the Tuckers ruled over one of the most powerful chiefdoms in the Sherbro country of Southern Sierra Leone, centered on the village of Gbap.
Barbara Chase-Riboud is an American visual artist and sculptor, bestselling novelist, and award-winning poet.
Rev. Joshua Leavitt was an American Congregationalist minister and former lawyer who became a prominent writer, editor and publisher of abolitionist literature. He was also a spokesman for the Liberty Party and a prominent campaigner for cheap postage. Leavitt served as editor of The Emancipator, The New York Independent, The New York Evangelist, and other periodicals. He was the first secretary of the American Temperance Society and co-founder of the New York City Anti-Slavery Society.
Mutiny on the Amistad: The Saga of a Slave Revolt and Its Impact on American Abolition, Law, and Diplomacy (1987) is a history of a notable slave mutiny of 1839 and its aftermath, written by professor Howard Jones.
Simeon Jocelyn (1799-1879) was a white pastor, abolitionist, and social activist for African-American civil rights and educational opportunities in New Haven, Connecticut, during the 19th century. He is known for his attempt to establish America's first college for African Americans, in New Haven, and for his role in the Amistad affair.
Lincoln Memorial at Waterfront Park is a statue of Abraham Lincoln, depicted as he would have looked before he became President of the United States. The sculpture of him is bareheaded, seated on a rock with an open law book in one hand and the other in an outstretched, welcoming gesture. The statue is located at Waterfront Park in Louisville, Kentucky. The Lincoln Memorial in Louisville is part of the Lincoln Heritage Trail. The statue and its accompanying bas-relief historical panels were created by American sculptor Ed Hamilton. Landscape design for Waterfront Park was by Hargreaves Associates. The 2006 Kentucky General Assembly authorized $2 million for the memorial, which was supplemented by private donations.
The Gratitude was a 19th-century Sandy Hook pilot boat built in 1824 by Brown & Bell for New York pilots. She helped transport maritime pilots between inbound or outbound ships coming into the New York Harbor. In 1839, she had a narrow escape from the slave ship La Amistad. In 1839, the Gratitude No. 3, was shipwrecked when a hurricane swept the New York coast. The New Jersey Pilot Boat John McKeon was lost in the same storm.