An amphora is a type of container with a pointed bottom and characteristic shape and size which fit tightly against each other in storage rooms and packages, tied together with rope and delivered by land or sea. The size and shape have been determined from at least as early as the Neolithic Period. Amphorae were used in vast numbers for the transport and storage of various products, both liquid and dry, but mostly for wine. They are most often ceramic, but examples in metals and other materials have been found. Versions of the amphorae were one of many shapes used in Ancient Greek vase painting.
A freighter is a vehicle or person that transports cargo, supplies, or goods, and may refer to:
Roman commerce was a major sector of the Roman economy during the later generations of the Republic and throughout most of the imperial period. Fashions and trends in historiography and in popular culture have tended to neglect the economic basis of the empire in favor of the lingua franca of Latin and the exploits of the Roman legions. The language and the legions were supported by trade and were part of its backbone. The Romans were businessmen, and the longevity of their empire was caused by their commercial trade.
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic, is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BC, although there are specimens dating as late as the 2nd century BC. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style.
Bodrum Castle is a historical fortification located in southwest Turkey in the port city of Bodrum, built from 1402 onwards, by the Knights of St John as the Castle of St. Peter or Petronium. A transnational effort, it has four towers known as the English, French, German, and Italian towers, bearing the names of the nations responsible for their construction. The castle was completed in the late 15th century, only to be taken over by the Islamic Ottoman Empire in 1523. The chapel was converted to a mosque, and a minaret was added. The castle remained under the empire for almost 400 years. After remaining empty following World War I, in the early 1960s, the castle became the home for the award-winning Bodrum Museum of Underwater Archaeology. In 2016 it was inscribed in the Tentative list of World Heritage Sites in Turkey.
An amphora (/ˈæmfərə/; Ancient Greek: ἀμφορεύς was the volume's unit of measurement in the Greco-Roman era. The term amphora comes from the ancient Greece where people used a tall jar looking container with two opposed handles near the top mostly made of ceramic, amphora literally means "two handled".
Country of origin (CO) represents the country or countries of manufacture, production, design, or brand origin where an article or product comes from. For multinational brands, CO may include multiple countries within the value-creation process.
The ancient Roman units of measurement were primarily founded on the Hellenic system, which in turn was influenced by the Egyptian system and the Mesopotamian system. The Roman units were comparatively consistent and well documented.
The Globular Amphora culture, c. 3400–2800 BC, is an archaeological culture in Central Europe. Marija Gimbutas assumed an Indo-European origin, though this is contradicted by newer genetic studies that show a connection to the earlier wave of Neolithic farmers rather than to invaders from the Ukrainian and western-southern Russian steppes.
The Berlin Painter is the conventional name given to an Attic Greek vase-painter who is widely regarded as a rival to the Kleophrades Painter, among the most talented vase painters of the early 5th century BCE.
A heroön or heroon, also latinized as heroum, is a shrine dedicated to an ancient Greek or Roman hero and used for the commemoration or cult worship of the hero. They were often erected over his or her supposed tomb or cenotaph.
Panathenaic amphorae were the amphorae, large ceramic vessels, that contained the olive oil given as prizes in the Panathenaic Games. Some were ten imperial gallons and 60–70 cm (24–28 in) high. This oil came from the sacred grove of Athena at Akademia. The amphorae which held it had the distinctive form of tight handles, narrow neck and feet, and they were decorated with consistent symbols, in a standard form using the black figure technique, and continued to be so, long after the black figure style had fallen out of fashion. Some Panathenaic amphorae depicted Athena Promachos, goddess of war, advancing between columns brandishing a spear and wearing the aegis, and next to her the inscription τῶν Ἀθήνηθεν ἄθλων "(one) of the prizes from Athens". On the back of the vase was a representation of the event for which it was an award. Sometimes roosters are depicted perched on top of the columns. The significance of the roosters remains a mystery. Later amphorae also had that year's archon's name written on it making finds of those vases archaeologically important.
The pottery of ancient Greece has a long history and the form of Greek vase shapes has had a continuous evolution from Minoan pottery down to the Hellenistic period. As Gisela Richter puts it, the forms of these vases find their "happiest expression" in the 5th and 6th centuries BC, yet it has been possible to date vases thanks to the variation in a form’s shape over time, a fact particularly useful when dating unpainted or plain black-gloss ware.
The Judgment of Paris is a story in Greek mythology related to the Trojan War.
Acquisition may refer to:
The Lysippides Painter was an Attic vase painter in the black-figure style. He was active around 530 to 510 BC. His real name is not known.
A container is any receptacle or enclosure for holding a product used in storage, packaging, and transportation, including shipping. Things kept inside of a container are protected by being inside of its structure. The term is most frequently applied to devices made from materials that are durable and are often partly or completely rigid.
The Neck Amphora by Exekias is a neck amphora in the black figure style by the Attic vase painter and potter Exekias. It is found in the possession of the Antikensammlung Berlin under the inventory number F 1720 and is on display in the Altes Museum. It depicts Herakles' battle with the Nemean lion on one side and the sons of Theseus on the other. The amphora could only be restored for the first time almost a hundred and fifty years after its original discovery due to negligence and political difficulties.
Aulae or Aulai was a town in ancient Cilicia, and now is an archaeological site close to Mersin, Turkey.
