An Amateur Orphan | |
---|---|
Directed by | Van Dyke Brooke |
Written by | Agnes Christine Johnston |
Produced by | Edwin Thanhouser |
Starring | Gladys Leslie |
Production company | |
Distributed by | Pathé Exchange |
Release date |
|
Running time | 5 reels |
Country | United States |
Languages | Silent film English intertitles |
An Amateur Orphan is a 1917 American silent film starring Gladys Leslie. It was also the film debut for Chester Morris. Its survival status is currently unknown.
The screenplay was written by Agnes Christine Johnston specifically for Leslie. [1] It was the first appearance of Leslie in a starring role after being dubbed the "girl with a million dollar style" for her performance in 1917's The Vicar of Wakefield. [2] [3]
The review in Motography describes the plot:
Marcia Schuyler (Gladys Leslie) is a "poor little rich girl" who has everything but the companionship of other children. When her mother and father leave for Japan, Marcia begs her governess to allow her to exchange places with the latter's niece and to go to an orphan asylum instead of the finishing school selected by her parents. The governess, solicitous for her niece's welfare, agrees, and Marcia becomes an "amateur orphan".
After having a "lovely time" at the orphanage Marcia is adopted by a farmer's family. Into an atmosphere of gloom and misunderstanding Marcia brings her sunshiny spirit and straightens out many tangles. Then her parents return home unexpectedly and discover what has happened. Through an accident the record of Marcia's adoption is destroyed and her father offers a large reward for her discovery. Marcia's friend, Dave, the son of the family, thus wins a sufficient sum for an education.
Years later Dave has become a young business man. He loves Marcia and asks her to marry him. She promises to do so only if he will give up a city career and return to the farm so that at last she may have the sort of life she wishes. [3]
The Poor Little Rich Girl is a 1917 American comedy-drama film directed by Maurice Tourneur. Adapted by Frances Marion from the 1913 play by Eleanor Gates. The Broadway play actually starred future screen actress Viola Dana. The film stars Mary Pickford, Madlaine Traverse, Charles Wellesley, Gladys Fairbanks and Frank McGlynn Sr.
Heidi is a 1937 American musical drama film directed by Allan Dwan and written by Julien Josephson and Walter Ferris, loosely based on Johanna Spyri's 1880 children's book of the same name. The film stars Shirley Temple as the titular orphan, who is taken from her grandfather to live as a companion to Klara, a spoiled, disabled girl. It was a success and Temple enjoyed her third consecutive year as number one box office draw.
The Wolves of Willoughby Chase is a children's novel by Joan Aiken, first published in 1962. Set in an alternative history of England, it tells of the adventures of cousins Bonnie and Sylvia and their friend Simon the goose-boy as they thwart the evil schemes of their governess Miss Slighcarp, and their so-called "teacher" at boarding school, Mrs. Brisket.
Dale Fuller was an American actress of the silent era. She appeared in more than 60 films between 1915 and 1935. She is best known for her role as the maid in Foolish Wives.
Heidi is a 1968 American made-for-TV film version of the 1880 novel of the same name by Johanna Spyri which debuted on November 17, 1968 on NBC. It starred actress Jennifer Edwards, stepdaughter of Julie Andrews and daughter of Blake Edwards, in the title role, alongside Maximilian Schell, Jean Simmons, and Michael Redgrave. The score was composed by John Williams. The film was sponsored by Timex.
The Youngest Profession is a 1943 film directed by Edward Buzzell, and starring Virginia Weidler, Edward Arnold, John Carroll, Scotty Beckett, and Agnes Moorehead. Based on a short story series and book written by Lillian Day, it contains cameos by Greer Garson, Lana Turner, William Powell, Walter Pidgeon, and Robert Taylor.
The Foundling is a 1916 silent film directed by John B. O'Brien. The film is a remake of the lost film The Foundling and serves as its replacement, as the 1915 Allan Dwan directed version was destroyed in the nitrate fire at Famous Players September 11, 1915.
The Foundling is a 1915 silent film directed by Alan Dwan. The film premiered in 1915, was lost in a fire accident shortly afterwards, and is now a lost film. It was remade as The Foundling in 1916 with the same principal cast, but with a different director, John B. O'Brien, at the helm.
Always in the Way is a 1915 American silent drama film directed by J. Searle Dawley and starring Mary Miles Minter. The film, which was inspired by the song of the same name by Charles K. Harris, was partially filmed in the Bahamas. As with many of Minter's features, the film is thought to be a lost film.
Faith is a 1916 American silent drama film directed by James Kirkwood and starring Mary Miles Minter. It was the first of Minter's films to also feature her older sister Margaret Shelby. The film survives and is preserved at George Eastman House, Rochester.
Environment is a 1917 American silent drama film directed by James Kirkwood and starring Mary Miles Minter. As with many of Minter's features, it is believed to be a lost film. It is one of ten Minter films to also feature her older sister Margaret Shelby in a supporting role.
Annie-for-Spite is a 1917 silent film directed by James Kirkwood and starring Mary Miles Minter. The film is based upon the 1916 short story Annie for Spite by Frederick J. Jackson. As with many of Minter's features, it is thought to be a lost film.
The Mate of the Sally Ann is a 1917 American silent comedy-drama film directed by Henry King and starring Mary Miles Minter. As with many of Minter's features, it is thought to be a lost film.
Who's Your Neighbor? is a 1917 silent American propaganda and drama film directed by S. Rankin Drew. The film's plot focuses around reformers who pass a law to force prostitutes, including Hattie Fenshaw, out of the red light district. Fenshaw becomes Bryant Harding's mistress and lives in an apartment next door to a reformer, and continues to ply her trade. After Fenshaw becomes familiar with Harding, his son, daughter and the daughter's fiancé, the climax of the film occurs as the cast assembles at Fenshaw's apartment. Harding returns and a fight breaks out that results in the reformers' arrival and concludes with the presumption that Fenshaw returns to a place of "legalized vice". The drama was written by Willard Mack and was his first foray into screen dramas. The film proved controversial, but is noted as a great success. The film originally debuted on June 15, 1917, but it was rejected by the National Board of Review and was later approved after a revision, but the film continued to be labeled as an immoral production. The film is presumed to be lost.
Gladys Leslie Moore was an American actress in silent film, active in the 1910s and 1920s. Though less-remembered than superstars like Mary Pickford, she had a number of starring roles from 1917 to the early 1920s and was one of the young female stars of her day.
Zena Virginia Keefe was an American actress in silent film, active in the 1910s and 1920s.
Cheerful Givers is a 1917 American silent comedy-drama film produced by the Fine Arts Film Company and distributed by Triangle Film Corporation. The film stars Bessie Love and Kenneth Harlan.
A Sister of Six is a 1916 American silent Western film produced by the Fine Arts Film Company and distributed by Triangle Film Corporation. The film was directed by brothers Chester M. and Sidney Franklin. This was Bessie Love's first starring role.
Nina, the Flower Girl is a lost American 1917 silent drama film produced by D. W. Griffith through his Fine Arts Film Company and distributed by Triangle Film Corporation. The film starred Bessie Love, an up-and-coming ingenue actress. It also marked the final acting role for Elmer Clifton, who was by then moving on to directing full-time.
Antoinette Van Leer Polk, Baroness de Charette was an American Southern belle in the Antebellum South and French aristocrat in the Gilded Age. She was born into the planter elite, the great-niece of the 11th President of the United States James K. Polk and a member of the influential Van Leer family through her mother. She was an heiress to plantations in Tennessee and a "Southern heroine" who warned Confederate soldiers of advancing Union troops during the American Civil War. After the war, she moved to Europe, where she took to foxhunting in the Roman Campagna of Italy and the English countryside, and later became a baroness and socialite in Paris and Brittany.