An Evening with Romberg is an American musical radio program that was broadcast on NBC from June 12, 1945, until August 31, 1948, as a summer replacement for other programs. Sigmund Romberg was the star, and Raleigh cigarettes was the sponsor. [1]
Replacing Hildegarde's Raleigh Room program, beginning on June 12, 1945, [2] An Evening with Romberg was broadcast at 10:30 p.m. Eastern Time, with episodes consisting of six minutes of Romberg's compositions and 20 minutes of music from other composers. [3] Robert Merrill was the regular featured soloist, and each episode included a guest soloist. [4] Don Gillis was the director, Frank Gallop was the narrator, and Ed Hurlihy was the announcer. [2] Jack Simpson and Flora Bash were the writers. [4]
Diana Gibbings, writing in The New York Times , described the music as "reminiscent of cool evenings on a moon-drenched lake, where the mercury remains steadfastly at 70". [3] The program was popular enough for NBC to bring it back as a regular program [5] on Wednesdays at 8:30 p.m. E. T. [6] beginning on October 17, 1945. Soprano Irene Hill (in reality Genevieve Rowe using a pseudonym [7] ) [note 1] and baritone Frank Farris were featured each week and Romberg conducted the orchestra. [8] [7] Gallop, Gillis, and Bash continued in their roles from the summer, while Jack Costello was the new announcer. [9]
Magee Adams wrote in The Cincinnati Enquirer that Romberg's summer show "was so delightful that it earned a permanent winter spot". [10] Adams added, "Wednesday evening schedules sorely need just the sort of music Sigmund Romberg can supply so abundantly." [10]
A review in the trade publication Variety said that the summer program "packs plenty of listenable music". [4] It said that Gallop was a plus, "handling his chatter sequences brightly and with his customary aplomb", and it noted that the 45-person orchestra was the "chief attraction". [4]
Variety also reviewed the premiere fall episode, calling it an example of a typical Romberg program — a "slightly schmaltzy, somewhat nostalgic, but always pleasantly tuneful session of gay or sentimental music served up with snap and dash". [9] The review also complimented Hill's and Farris's solos and their duet. [9]
An Evening with Romberg replaced Red Skelton's program beginning on June 11, 1946. [11] Rowe was the female vocalist, [12] and baritone Reinhold Schmidt was her male counterpart. [13] Ford Pearson was the narrator, with Rod O'Connor and Ned LeFevre as the announcers. Bob Owen was the producer. [14]
A review of the premiere episode in Variety said that Romberg and his music "make a good summer replacement for Red Skelton, as it did last year for Hildegarde." [14] It complimented Rowe's "fine soprano" and Schmidt's "imposing baritone" and said that their duets were the highlight of the episode. [14]
Beginning on June 10, 1947, the program again replaced Skelton's show [15] on Tuesdays at 10:30 p.m. E. T. [16] Schmidt once again was the male vocalist, and soprano Anne Jamison was the featured female singer. [17] O'Connor was the announcer, and Keith McLeod was the director. [16]
A review in Variety described the show as "30 minutes of uninterrupted light musical fare with emphasis on ersatz symphonic arrangements out of the semi-classical library". [16] Comparing the program to a summer park concert, the review said that Romberg's style made all of the songs "sound pretty much alike". [16] Commercials drew the review's harshest comments: "... probably the most grating-on-the-nerve plugs of any in radio, with the multiple reprise of the moisture sound effects sufficient to spoil anyone's enjoyment of a program". [16]
An Evening with Romberg substituted for Skelton's show on Tuesdays at 10:30 p.m. Eastern Time, beginning on June 8, 1948. [18] Baritone John Howard and soprano Jean Fenn were the featured singers. McLeod was the director, [19] O'Connor was the announcer, and Pearson was the narrator. [20] The last summer 1948 broadcast occurred on August 31, as People Are Funny took over that time slot for the new radio season. [21]
A review in the trade publication Billboard called the program "pleasant fare" and added, "for those who like their music straight, it's nice material". [22] The review complimented the voices of Fenn and Howard and noted that in its fourth summer the show had "simmered down to a routine, easy-to-take pattern". [22] The one negative element of the review pointed out the "very strong, and sometimes irritating, pattern" of the Raleigh commercials. [22]
A review in Variety called the show "an attractive program and an excellent salespoint for Raleighs", but it described the commercials as having a "general nondescript quality" and being "overlong as well as overdone." [18]
Richard Bernard Skelton was an American entertainer best known for his national radio and television shows between 1937 and 1971, especially as host of the television program The Red Skelton Show. He has stars on the Hollywood Walk of Fame for his work in radio and television, and also appeared in burlesque, vaudeville, films, nightclubs, and casinos, all while he pursued an entirely separate career as an artist.
Sigmund Romberg was a Hungarian-born American composer. He is best known for his musicals and operettas, particularly The Student Prince (1924), The Desert Song (1926) and The New Moon (1928).
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Annamary Dickey, also known as Annamary Dickey Laue, was an American soprano and actress in operas, operettas, musicals, night clubs, and concerts who had an active performance career from the 1930s through the 1960s. She began her career as a regular performer with the Chautauqua Opera and the St. Louis Municipal Opera in the mid to late 1930s. In 1939 she won the Metropolitan Opera Auditions of the Air which earned her a contract with the Metropolitan Opera (Met). She was a soprano in mainly secondary roles at the Met from 1939 to 1944; appearing in productions of Gluck's Orfeo ed Euridice, Massenet's Manon, Delibes' Lakmé, Charpentier's Louise, Bizet's Carmen, Der Rosenkavalier by Richard Strauss, Mozart's The Marriage of Figaro, and Smetana's The Bartered Bride. Her most significant role at the Met was as Musetta in Puccini's La bohème. A strikingly beautiful woman with a passion for fashionable clothes, she gained the moniker the "Glamour Girl of the 'Met'" and headlined a fashion campaign for Saks Fifth Avenue in 1945.
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Grazia Panvini, also known by her married name Grace Panvini Rice, was an American soprano and voice teacher. She had an active performance career from 1931 to 1952. On stage, her career spanned from opera to musical theatre and the concert repertoire. She performed in the Broadway musicals Music in the Air (1932–1933) and Great Lady (1938), returning later to Broadway as Rosina in an English language adaption of Rossini's Il barbiere di Siviglia entitled Once Over Lightly in 1942. As a coloratura soprano, she spent several years as a leading performer with the San Carlo Opera Company, and was particularly celebrated for her performances in the roles of Rosina in The Barber of Seville and Gilda in Verdi's Rigoletto. She also appeared in operas with other American companies like the New York City Opera, Central City Opera, and Cincinnati Opera.