Ana Serrano Redonnet (30 December 191? -15 June 1993) was an Argentine author, composer, [1] conductor, guitarist and music critic who promoted Argentine folk music and used its themes in her own compositions. [2] Her birth year is variously given as 1910, [3] 1914, [4] or 1916. [5]
Serrano Redonnet was born in Buenos Aires. She studied guitar with Antonio Sinopoli and composition with Gilardo Gilardi and Jaume Pahissa. In addition to composing, she was the music critic for the Tribuna and Cabildo [6] newspapers. She served as the music advisor at the Argentine Ministry of Foreign Affairs’ Department of Cultural Affairs from 1941 to 1945, [7] and produced a folk music program on the national radio, LRA Radio del Estado, in 1947. [5] She conducted orchestras at Teatro Colón and in the Argentine provinces of Santa Fe and Cordoba. [8] Her music was recorded commercially by LP Ten Records. [9]
Serrano Redonnet’s works were published by Ediciones Musicales Argentinas and Ricordi Americana. [10]
Her publications include:
Carlos Guastavino was an Argentine composer, considered one of the foremost composers of his country. His production amounted to over 500 works, most of them songs for piano and voice, many still unpublished. His style was quite conservative, always tonal and lushly romantic. His compositions were clearly influenced by Argentine folk music. His reputation was based almost entirely on his songs, and Guastavino has sometimes been called "the Schubert of the Pampas". Some of his songs, for example Pueblito, mi pueblo, La rosa y el sauce and Se equivocó la paloma, became national favorites. Unlike most other composers, at any time or place, Guastavino earned enough from his royalties and performing rights that he had little need for other income.
The music of Argentina includes a variety of traditional, classical, and popular genres. According to the Harvard Dictionary of Music, Argentina also "has one of the richest art music traditions and perhaps the most active contemporary musical life."
Alberto Evaristo Ginastera was an Argentine composer of classical music. He is considered to be one of the most important 20th-century classical composers of the Americas.
Carlos Moscardini is an Argentine composer and guitarist. He is professor of guitar at the Gilardo Gilardi Conservatory of Music and Manuel de Falla Conservatory of Music in Buenos Aires.
Roberto García Morillo was an Argentine composer, musicologist, music professor and music critic.
Gilardo Gilardi Conservarory of Music is a music conservatory in La Plata, Argentina.
Gilardo Gilardi was an Argentine composer, pianist, and conductor who was the eponym of the Gilardo Gilardi Conservatory of Music in La Plata, Buenos Aires.
Mecha Ortiz was a classic Argentine actress who appeared in films between 1937 and 1981, during the Golden Age of Argentine Cinema. At the 1944 Argentine Film Critics Association Awards, Ortiz won the Silver Condor Award for Best Actress for her performance in Safo, historia de una pasión (1943), and won it again in 1946 for her performance in El canto del cisne (1945). She was known as the Argentine Greta Garbo and for playing mysterious characters, who suffered by past misfortunes in love, mental disorders, or forbidden love. Safo, historia de una pasión was the first erotic Argentine film, though there was no nudity. She also played in the first film in which a woman struck a man and the first film with a lesbian romance. In 1981, she was awarded the Grand Prize for actresses from the National Endowment for the Arts.
Diez segundos is a 1949 Argentine film directed by Alejandro Wehner, produced by Emelco studios. The film is a boxing drama starring Ricardo Duggan, María Esther Buschiazzo, Patricia Castell, Carlos D'Agostino (voice), Delfy de Ortega, María Rosa Gallo, Oscar Valicelli and Oscar Villa. It premiered on November 23, 1949 in Buenos Aires. The film was distributed by Interamericana. Castell and Rosa Gallo would later star alongside each other in several films and television series over several decades including Perla Negra and Zíngara (1996).
Puchi Balseiro (born Aurea Mercedes Balseiro; November 1, 1926, in Santurce, Puerto Rico – January 11, 2007) was a composer in the filin ("feeling") music genre.
Mauricio Cardozo Ocampo was the main reference of the so-called "golden generation" of the Paraguayan popular music and a strict studious of the Paraguayan folk music.
Luis Pereyra is a dancer and choreographer of Tango Argentino and Argentine folk dances.
Irma Urteaga was a composer and pianist from Argentina.
Alicia Terzian is an Argentine conductor, musicologist and composer of Armenian descent.
Fernando González Casellas was an Argentine composer of classical music. A student of Jaume Pahissa, his early music was predominantly atonal, although his later compositions explored other musical forms and genres. He was the winner of several composition prizes in his native country and abroad for his vocal and instrumental music which included an opera, Saverio el cruel, and many works with religious or spiritual themes.
Miguel Ángel Gilardi is an Argentine orchestra conductor. He has conducted throughout the world, recorded many concerts and received several awards, including the 2010 Premio Bicentenario.
Jaume Pahissa i Jo was a Spanish-born composer and musicologist.
Regina Benavente is an Argentine composer.
Ada Julia Stilman-Lasansky was an Argentine composer who moved to the United States in 1964.
Lita Spena was an Argentine composer, performer, and teacher who used Argentine folk tunes in her compositions.