Related Research Articles
The "Argentine National Anthem" is the national anthem of Argentina. Its lyrics were written by the Buenos Aires-born politician Vicente López y Planes and the music was composed by the Spanish musician Blas Parera. The work was adopted as the sole official song on 11 May 1813, three years after the May Revolution; 11 May is therefore now Anthem Day in Argentina.
Alberto Evaristo Ginastera was an Argentine composer of classical music. He is considered to be one of the most important 20th-century classical composers of the Americas.
Carlos Moscardini is an Argentine composer and guitarist. He is professor of guitar at the Gilardo Gilardi Conservatory of Music and Manuel de Falla Conservatory of Music in Buenos Aires.
Roberto García Morillo was an Argentine composer, musicologist, music professor and music critic.
Gilardo Gilardi Conservarory of Music is a music conservatory in La Plata, Argentina.
Gilardo Gilardi was an Argentine composer, pianist, and conductor who was the eponym of the Gilardo Gilardi Conservatory of Music in La Plata, Buenos Aires.
Mecha Ortiz was a classic Argentine actress who appeared in films between 1937 and 1981, during the Golden Age of Argentine Cinema. At the 1944 Argentine Film Critics Association Awards, Ortiz won the Silver Condor Award for Best Actress for her performance in Safo, historia de una pasión (1943), and won it again in 1946 for her performance in El canto del cisne (1945). She was known as the Argentine Greta Garbo and for playing mysterious characters, who suffered by past misfortunes in love, mental disorders, or forbidden love. Safo, historia de una pasión was the first erotic Argentine film, though there was no nudity. She also played in the first film in which a woman struck a man and the first film with a lesbian romance. In 1981, she was awarded the Grand Prize for actresses from the National Endowment for the Arts.
Puchi Balseiro (born Aurea Mercedes Balseiro; November 1, 1926, in Santurce, Puerto Rico – January 11, 2007) was a composer in the filin ("feeling") music genre.
Mauricio Cardozo Ocampo was the main reference of the so-called "golden generation" of the Paraguayan popular music and a strict studious of the Paraguayan folk music.
Discos Qualiton was a record label, published by the recording studio Fonema S.A. A garage experiment in Rosario, Argentina in 1961, Qualiton would later become a major independent record label influencing a generation of artists, writers, musicians, poets, and filmmakers.
Luis Pereyra is a dancer and choreographer of Tango Argentino and Argentine folk dances.
Alicia Terzian is an Argentine conductor, musicologist and composer of Armenian descent.
Fernando González Casellas was an Argentine composer of classical music. A student of Jaume Pahissa, his early music was predominantly atonal, although his later compositions explored other musical forms and genres. He was the winner of several composition prizes in his native country and abroad for his vocal and instrumental music which included an opera, Saverio el cruel, and many works with religious or spiritual themes.
Jacobo Ficher was a Russian-born Argentine composer, violinist, conductor, and music educator.
Miguel Ángel Gilardi is an Argentine orchestra conductor. He has conducted throughout the world, recorded many concerts and received several awards, including the 2010 Premio Bicentenario.
Jaume Pahissa i Jo was a Spanish-born composer and musicologist.
Ovidio Cátulo González Castillo was an Argentine poet and tango music composer. He was the author of many famous works, such as Organito de la tarde, El aguacero, Tinta roja and Caserón de tejas, María and La última curda, and El último café. The tango La calesita, which he composed with Mariano Mores, inspired the film of the same name directed in 1962 by Hugo del Carril.
Regina Benavente is an Argentine composer.
Ada Julia Stilman-Lasansky was an Argentinian composer who moved to the United States in 1964.
Lita Spena was an Argentine composer, performer, and teacher who used Argentine folk tunes in her compositions.
References
- ↑ Hixon, Donald L. (1993). Women in music : an encyclopedic biobibliography. Don A. Hennessee (2nd ed.). Metuchen, N.J.: Scarecrow Press. ISBN 0-8108-2769-7. OCLC 28889156.
- ↑ Historical Synthesis of Argentine Art. Ministry of foreign affairs and religious cult. 1954.
- ↑ Brandão, Stela M. (2010). A Guide to the Latin American Art Song Repertoire: An Annotated Catalog of Twentieth-century Art Songs for Voice and Piano. Indiana University Press. ISBN 978-0-253-22138-4.
- ↑ Stewart-Green, Miriam (1980). Women composers : a checklist of works for the solo voice. Boston, Mass.: G.K. Hall. ISBN 0-8161-8498-4. OCLC 6815939.
- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 Cohen, Aaron I. (1987). International Encyclopedia of Women Composers. Books & Music (USA). ISBN 978-0-9617485-2-4.
- ↑ Opera news. 1944.
- 1 2 3 Schleifer, Martha Furman; Galván, Gary (2016-01-28). Latin American Classical Composers: A Biographical Dictionary. Rowman & Littlefield. ISBN 978-0-8108-8871-5.
- ↑ Cultura, Argentina Comisión Nacional de (1947). Guía quincenal de la actividad intelectual y artística argentina (in Spanish). Comision Nacional de Cultura.
- 1 2 "Serrano Redonnet, Ana (1910-1993) – Silvia Fernández" (in Spanish). Retrieved 2022-08-21.
- ↑ "Ana Serrano Redonnet". www.worldcat.org. Retrieved 2022-08-21.
- ↑ Historia general del arte en la Argentina (in Spanish). Academia Nacional de Bellas Artes. 1982. ISBN 978-950-612-045-0.
- ↑ Office, Library of Congress Copyright (1947). Catalog of Copyright Entries. U.S. Government Printing Office.
- 1 2 "Ana Serrano Redonnet Song Texts | LiederNet". www.lieder.net. Retrieved 2022-08-21.
- ↑ Cadús, Eugenia (2021-01-07). Danza y peronismo: Disputas entre cultura de elite y culturas populares (in Spanish). Editorial Biblos. ISBN 978-987-691-897-8.
| International | |
|---|---|
| National | |
