Anas el-Wugood

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Anas el-Wugood is an opera in Arabic by the Egyptian composer Aziz El-Shawan. It was written in 1970 but not premiered until 1994. [1] [2] The premiere of the opera took place at the replaced Khedivial Opera House, funded by the Japanese government as part of a newly constructed National Cultural Centre in Zamalek. [3]

The plot is based on a character from the Arabian Nights, Uns el Wujud "Delight of the World," who was beloved by the fair Zahar el-Waard "Flower of the Rose". [4]

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Aziz El-Shawan was one of the most prominent Egyptian composers of the twentieth century. He completed his primary and secondary education at the St. Joseph – La Salle College in Khoronfish, Cairo where he also received a Higher Diploma in Commercial Studies. He studied the violin privately with the German Joseph von Aubervon, a student of Jan Kubelick, and joined the school's choir and band where he played the clarinet and French horn. His violin teacher obtained a scholarship for him to study at the Berlin Conservatory, however, his father objected to his interest in pursuing a musical career. An accident disabled one of the fingers of his left hand, obliging him to give up his dream of being a virtuoso violinist. He then studied piano, theory, harmony, composition and orchestration with the Italian Menato and the Russian Orlovitsky who were part of a community of European musicians and music teachers who lived and worked in cosmopolitan Cairo. El-Shawan held several administrative positions, most importantly at the Philips International Company where he founded a record production department. He was director of the Soviet Cultural Center in Cairo from 1952 up to 1967. This position enabled him to travel to Moscow in 1956 where some of his early works were performed by the Radio Moscow Orchestra conducted by Aram Khatchaturian and published on LP by the Melodiya state record company, including the Fantasia for Orchestra (1945), the Symphonic Poem ‘Atshan Ya Sabay (1946), and the overture of Opera ‘Antara (1947). He also came in contact with the music of several contemporary composers, most notably the Russian Dmitri Shostakovich (1906-1975), the Armenian Aram Khatchturian and the Azerbajianis Uzeyir Hadjibekov, Kara Karayev and Fikret Amirov. In addition to the influence of Rachmaninov and the Russian Five, El-Shawan saw the style of these west and central Asian composers as a model of a contemporary musical idiom inspired in traditional music. In Cairo, some of his early works were premiered in 1954 at the American University's Ewart Memorial Hall by a private orchestra that he hired and conducted as the state funded Cairo Symphony Orchestra had not yet been founded.

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References

  1. Sherifa Zuhur Images of enchantment: visual and performing arts of the Middle East p132 1998 "... whose influence is apparent in El-Shawan' s music through the colorful orchestration and use of the melodic line. ... He has also written the first Egyptian opera, Anas al-Wogood, which had its premiere in 1995, thirty years after ..."
  2. marthabirnbaum (2022-01-19). "A Man, An Opera, and an Opera House: Aida at the Pyramids". CCE. Retrieved 2023-05-14.
  3. Elnozahy, Mariam (2022-06-20). "Opera's Role in Egypt's New Capital City". Frieze. No. 228. ISSN   0962-0672 . Retrieved 2023-05-14.
  4. Egypt: descriptive, historical and picturesque: 2 Georg Ebers 1884 "natives call it Anas el-Wugood, and Anas el-Wugood was beloved by the fair Zahar el- Ward (Flower of the Rose). ... The castle here meant is the Temple of Isis; and in the story of Anas el-Wugood it is related that the young hero of ..."
  5. "4 Great Egyptian Opera Singers You Should Know About". Arab America. 2021-06-22. Retrieved 2023-05-14.