Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic combination of materials, methods, concepts, and subjects that continue the challenging of boundaries that was already well underway in the 20th century. Diverse and eclectic, contemporary art as a whole is distinguished by the very lack of a uniform, organising principle, ideology, or "-ism". Contemporary art is part of a cultural dialogue that concerns larger contextual frameworks such as personal and cultural identity, family, community, and nationality.
Installation art is an artistic genre of three-dimensional works that are often site-specific and designed to transform the perception of a space. Generally, the term is applied to interior spaces, whereas exterior interventions are often called public art, land art or art intervention; however, the boundaries between these terms overlap.
Joseph Cornell was an American visual artist and film-maker, one of the pioneers and most celebrated exponents of assemblage. Influenced by the Surrealists, he was also an avant-garde experimental filmmaker. He was largely self-taught in his artistic efforts, and improvised his own original style incorporating cast-off and discarded artifacts. He lived most of his life in relative physical isolation, caring for his mother and his disabled brother at home, but remained aware of and in contact with other contemporary artists.
The Galleria Vittorio Emanuele II is Italy's oldest active shopping gallery and a major landmark of Milan. Housed within a four-story double arcade in the centre of town, the Galleria is named after Victor Emmanuel II, the first king of the Kingdom of Italy. It was designed in 1861 and built by architect Giuseppe Mengoni between 1865 and 1877.
Judith Stefania Donath is a fellow at Harvard's Berkman Center, and the founder of the Sociable Media Group at the MIT Media Lab. She has written papers on various aspects of the Internet and its social impact, such as Internet society and community, interfaces, virtual identity issues, and other forms of collaboration that have become manifest with the advent of connected computing.
Tactical media is a term coined in 1996, to denote a form of media activism that privileges temporary interventions in the media sphere over the creation of permanent and alternative media outlets.
Hacks at the Massachusetts Institute of Technology are practical jokes and pranks meant to prominently demonstrate technical aptitude and cleverness, and/or to commemorate popular culture and historical topics. The pranks are anonymously installed at night by hackers, usually, but not exclusively, undergraduate students. The hackers' actions are governed by an informal yet extensive body of precedent, tradition and ethics. Hacks can occur anywhere across campus, and occasionally off campus; many make use of the iconic Great Dome, Little Dome, Green Building tower, or other prominent architectural features of the MIT campus. Well-known hacker alumni include Nobel Laureates Richard P. Feynman and George F. Smoot. In October 2009, US President Barack Obama made a reference to the MIT hacking tradition during an on-campus speech about clean energy.
Thierry de Duve is a Belgian professor of modern art theory and contemporary art theory, and both teaches and publishes books in the field. He is an art critic and curates exhibitions.
BioArt is an art practice where artists work with biology, live tissues, bacteria, living organisms, and life processes. Using scientific processes and practices such as biology and life science practices, microscopy, and biotechnology the artworks are produced in laboratories, galleries, or artists' studios. The scope of BioArt is a range considered by some artists to be strictly limited to "living forms", while other artists include art that uses the imagery of contemporary medicine and biological research, or require that it address a controversy or blind spot posed by the very character of the life sciences.
Olia Lialina is an Internet artist and theorist, an experimental film and video critic and curator.
Julian Stallabrass is a British art historian, photographer and curator. He was educated at Leighton Park School and New College, Oxford University where he studied PPE. A Marxist, he has written extensively on contemporary art, photography and the history of twentieth-century British art.
Internet art is a form of new media art distributed via the Internet. This form of art circumvents the traditional dominance of the physical gallery and museum system. In many cases, the viewer is drawn into some kind of interaction with the work of art. Artists working in this manner are sometimes referred to as net artists.
Merritt Roe Smith (1940) is an American historian. He is the Leverett and William Cutten Professor of the History of Technology at the Massachusetts Institute of Technology.
New media art includes artworks designed and produced by means of electronic media technologies, comprising virtual art, computer graphics, computer animation, digital art, interactive art, sound art, Internet art, video games, robotics, 3D printing, and cyborg art. The term defines itself by the thereby created artwork, which differentiates itself from that deriving from conventional visual arts. New Media art has origins in the worlds of science, art, and performance. Some common themes found in new media art include databases, political and social activism, Afrofuturism, feminism, and identity, a ubiquitous theme found throughout is the incorporation of new technology into the work. The emphasis on medium is a defining feature of much contemporary art and many art schools and major universities now offer majors in "New Genres" or "New Media" and a growing number of graduate programs have emerged internationally. New media art may involve degrees of interaction between artwork and observer or between the artist and the public, as is the case in performance art. Yet, as several theorists and curators have noted, such forms of interaction, social exchange, participation, and transformation do not distinguish new media art but rather serve as a common ground that has parallels in other strands of contemporary art practice. Such insights emphasize the forms of cultural practice that arise concurrently with emerging technological platforms, and question the focus on technological media per se. New Media art involves complex curation and preservation practices that make collecting, installing, and exhibiting the works harder than most other mediums. Many cultural centers and museums have been established to cater to the advanced needs of new media art.
Post-conceptual, postconceptual, post-conceptualism or postconceptualism is an art theory that builds upon the legacy of conceptual art in contemporary art, where the concept(s) or idea(s) involved in the work takes some precedence over traditional aesthetic and material concerns. The term first came into art school parlance through the influence of John Baldessari at the California Institute of the Arts in the early 1970s. The writer Eldritch Priest, specifically ties John Baldessari's piece Throwing four balls in the air to get a square from 1973 as an early example of post-conceptual art. It is now often connected to generative art and digital art production.
Jessica Ciocci is an American artist working in a range of mediums including animation and video, Twitter, crafting, digital online projects, comics, mixtapes, performance, painting, drawing and sculpture.
Lauren Cornell is an American curator and writer based in New York. Cornell is the Director of the Graduate Program at the Center for Curatorial Studies, Bard College, and Chief Curator of the Hessel Museum of Art. Previously, she worked at the New Museum for twelve years and was the executive director of their affiliate Rhizome (2005-2012).
Karen Archey is an American art critic and curator based in New York City and Amsterdam. She is the Curator of Contemporary Art and Time-Based Media at Stedelijk Museum in Amsterdam, and the former editor of e-flux.
Kristin Lucas is a media artist who works in video, performance, installation and on the Internet. Her work explores the impacts of technology on humanity, blurring the boundary between the technological and corporeal. In her work she frequently casts herself as the protagonist in videos and performances where her interactions with technology lead to isolation, and physical and mental contamination.
Super Mario Clouds is a 2002 multi-channel video installation artwork by Cory Arcangel that displays a modified version of the video game Super Mario Bros. in which all game assets besides the sky and clouds are removed. Its first major exhibition was the 2004 Whitney Biennial. Super Mario Clouds is among the artist's best known works.
