Andrea Joyce Heimer (born 1981) is a painter whose narrative-base work draws inspiration from a re-examination of her own life growing up as an adopted child in Great Falls, Montana.
Primarily self-taught, Heimer earned her Master of Fine Arts (M.F.A.) in Visual Art in 2017 from the New Hampshire Institute of Art where she studied with painter Craig Stockwell.
Heimer has exhibited in shows at Nino Mier Gallery, Los Angeles; Half Gallery, New York City; Hometown, New York City; and Linda Hodges Gallery, Seattle, among others. Her work has been included in international shows at Almine Rech, Paris; Pinakotheke der Moderne, Munich; and Castlefield Gallery in Manchester. In 2017, Heimer was one of 55 artists selected to participate in the 15th Istanbul Biennial in Istanbul, Turkey. [1] Her work has been written about in The Wall Street Journal , Art in America, Artforum , [2] The New York Times , Vice, [3] Riot Material, [4] and The Huffington Post . [5] Heimer was a 2019 recipient of the Joan Mitchell Foundation Painters & Sculptors Grants, a 2019 Betty Bowen Award finalist, and a 2018 Neddy Award finalist in painting, a 2015 recipient of the 5790projects Award, and a 2013 Neddy Award finalist in painting.
Inka Essenhigh is an American painter based in New York City. Throughout her career, Essenhigh has had solo exhibitions at galleries such as Deitch Projects, Mary Boone Gallery, 303 Gallery, Stefan Stux Gallery, and Jacob Lewis Gallery in New York, Kotaro Nukaga, Tomio Koyama Gallery in Tokyo, and Il Capricorno in Venice.
The Louis Comfort Tiffany Foundation was founded in 1918 by Louis Comfort Tiffany to operate his estate, Laurelton Hall, in Cold Spring Harbor, Long Island. It was designed to be a summer retreat for artists and craftspeople. In 1946 the estate closed and the foundation changed its purpose from a retreat to the bestowing of grants to artists.
Rita Ackermann is a Hungarian-born American artist recognized for her abstract paintings that incorporate human forms, primarily focusing on themes of anthropomorphism and femininity. Her works, often depicting women and allusions to fairy tales, explore the nuances of adolescent disinterest using a unique and expressive style of brushwork. She lives in New York City.
Olivia Plender is an artist based in London and Stockholm. She is known for her installations, performances, videos, and comics.
Julie Heffernan is an American painter whose work has been described by the writer Rebecca Solnit as "a new kind of history painting" and by The New Yorker as "ironic rococo surrealism with a social-satirical twist". Heffernan has been a Professor of Fine Arts at Montclair State University in Upper Montclair, New Jersey since 1997. She lives in New York, New York.
Carrie Moyer is an American painter and writer living in Brooklyn, New York. Moyer's paintings and public art projects have been exhibited both in the US and Europe since the early 1990s, and she is best known for her 17-year agitprop project, Dyke Action Machine! with photographer Sue Schaffner. Moyer's work has been shown at the Whitney Biennial, the Museum of Arts and Design, and the Tang Museum, and is held in the permanent collections of the Metropolitan Museum of Art. She serves as the director of the graduate MFA program at Hunter College, and has contributed writing to anthologies and publications like The Brooklyn Rail and Artforum.
Rebecca Morris is an abstract painter who is known for quirky, casualist compositions using grid-like structures. In 1994 she wrote Manifesto: For Abstractionists and Friends of the Non-Objective, a tongue-in-cheek but sincere response to contemporary criticism of abstract painting. She is currently a professor of painting and drawing at UCLA. Prior to that, she lectured at numerous colleges including Columbia University, Bard College, Pasadena City College, USC's School of Fine Arts, and the University of Chicago.
Melissa Miller is an American painter who is best known for what Art in America called "raucous allegorical paintings" of animals that balance storytelling, psychological insight and behavioral observation with technical virtuosity and formal rigor. She rose to prominence during a rebirth in figurative painting and narrative content in the early 1980s championed by curators such as Marcia Tucker and Barbara Rose, who both selected Miller for prominent surveys. Rose identified Miller among a group of iconoclastic "rule breakers," describing her work as "a wild kingdom … gone slightly berserk" in the struggle for survival, whose intensity recalled Delacroix. In a later Artforum review, Donald Kuspit called Miller's paintings "apocalyptic allegories" executed with meticulous old-master methods that articulated psychic states, existential problems and ecological concerns. Miller has exhibited at museums throughout the United States, including the Whitney Museum, New Museum, San Francisco Museum of Modern Art (SFMOMA), Museum of Fine Arts, Houston, and Hirshhorn Museum. Her work belongs to the public art collections of the Museum of Modern Art, National Museum of Women in the Arts, Albright-Knox Gallery and Museum of Fine Arts, Houston, among others, and she has received the Anonymous Was A Woman Award and Texas Artist of the Year Award. Miller lives and works in Austin, Texas.
Maureen Gallace is an American painter based in New York City. She has exhibited extensively internationally, including solo exhibitions at MoMA PS1, La Conservera, Spain, the Art Institute of Chicago, and Dallas Museum of Art. Gallace's work was included in the 2010 Whitney Biennial.
Sheela Gowda is a contemporary artist living and working in Bangalore. Gowda studied painting at Ken School of Art, Bangalore, India (1979) pursued a postgraduate diploma at Visva-Bharati University, Santiniketan, India (1982), and a MA in painting from the Royal College of Art in London in 1986. Trained as a painter Gowda expanded her practice into sculpture and installation employing a diversity of material like human hair, cow-dung, incense and kumkuma powder. She is known for her 'process-orientated' work, often inspired by the everyday labor experiences of marginalized people in India. Her work is associated with postminimalism drawing from ritualistic associations. Her early oils with pensive girls in nature were influenced by her mentor K. G. Subramanyan, and later ones by Nalini Malani towards a somewhat expressionistic direction depicting a middle class chaos and tensions underplayed by coarse eroticism. She is the recipient of the 2019 Maria Lassnig Prize.
Dona Nelson is an American painter, best known for immersive, gestural, primarily abstract works employing unorthodox materials, processes and formats to disrupt conventional notions of painting and viewership. A 2014 New Yorker review observed, "Nelson gives notice that she will do anything, short of burning down her house to bully painting into freshly spluttering eloquence." Since 2002, long before it became a more common practice, Nelson has produced free-standing, double-sided paintings that create a more complex, conscious viewing experience. According to New York Times critic Roberta Smith, Nelson has dodged the burden of a "superficially consistent style," sustained by "an adventuresome emphasis on materials" and an athletic approach to process that builds on the work of Jackson Pollock. Writers in Art in America and Artforum credit her experimentation with influencing a younger generation of painters exploring unconventional techniques with renewed interest. Discussing one of Nelson's visceral, process-driven works, curator Klaus Kertess wrote, the paint-soaked "muslin is at once the tool, the medium, and the made."
Sondra Perry is an interdisciplinary artist who works with video, computer-based media, installation, and performance. Perry's work investigates "blackness, black femininity, African American heritage" and the portrayal or representation of black people throughout history, focusing on how blackness influences technology and image making. Perry explores the duality of intelligence and seductiveness in the contexts of black family heritage, black history, and black femininity. "Perry is committed to net neutrality and ideas of collective production and action, using open source software to edit her work and leasing it digitally for use in galleries and classrooms, while also making all her videos available for free online. This principle of open access in Perry's practice aims to privilege black life, to democratize access to art and culture, and to offer a critical platform that differentiates itself from the portrayal of blackness in the media". For Perry, blackness is a technology which creates fissures in systems of surveillance and control and thus creates inefficiency as an opportunity for resistance.
Ann Pibal is an American painter who makes geometric compositions using acrylic paint on aluminum panel. The geometric intensity is one of the key characteristics that defines her paintings.
Matt Saunders is a contemporary artist who is known for his work across diverse media, including painting, photography, video installation and printmaking.
Camille Hoffman is a painter and mixed-media installation artist, living and working in New York, NY. Using everyday materials and drawing from Philippine weaving and Jewish folk traditions, Hoffman combines personal narrative and historical critique. Hoffman's work reflects on the embedded meanings of light, nature, the frontier, borders, race, gender and power in American landscape paintings of the 19th century. Hoffman has worked as an arts educator and community organizer in Phoenix, the San Francisco Bay Area, New Haven, Brooklyn, and Queens.
Aliza Nisenbaum is a Mexican painter living and working in New York, NY. She is best known for her colorful paintings of Mexican and Central American immigrants. She is a professor at Columbia University's School of the Arts.
Martha Bonnie Diamond was an American painter. Her paintings first gained public attention in the 1980s and are included in the permanent collections of the Whitney Museum of American Art, the Museum of Modern Art, New York, and many other institutions.
Robert Bittenbender is an American mixed media artist living and working in Brooklyn, New York. In 2019, Bittenbender was selected to participate in the Whitney Biennial 2019.
Sarah McKenzie is an American painter born in Greenwich, Connecticut. She has had numerous solo exhibitions, most notably with Denver's David B. Smith Gallery, New York's Jen Bekman Gallery, and the Indianapolis Museum of Contemporary Art. Her paintings have been included in group exhibitions at the Walker Art Center, the Carnegie Museum of Art, the Yale School of Architecture, the New Mexico Museum of Art, the Museum of Contemporary Art Denver, and the Aspen Art Museum.
Frances Barth is an American visual artist best known for paintings situated between abstraction, landscape and mapping, and in her later career, video and narrative works. She emerged during a period in which contemporary painters sought a way forward beyond 1960s minimalism and conceptualism, producing work that combined modernist formalism, geometric abstraction, referential elements and metaphor. Critic Karen Wilkin wrote, "Barth's paintings play a variety of spatial languages against each other, from aerial views that suggest mapping, to suggestions of perspectival space, to relentless flatness ... [she] questions the very pictorial conventions she deploys, creating ambiguous imagery and equally ambiguous space that seems to shift as we look."