Federico Zuccaro, also known as Federico Zuccari, was an Italian Mannerist painter and architect, active both in Italy and abroad.
Lorenzo Lotto was an Italian Renaissance painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists.
Guido Reni was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci.
The Basilica of Saint Mary Major, or church of Santa Maria Maggiore, is a Major papal basilica as well as one of the Seven Pilgrim Churches of Rome and the largest Catholic Marian church in Rome, Italy.
Pinturicchio, or Pintoricchio, also known as Benetto di Biagio or Sordicchio, was an Italian Renaissance painter. He acquired his nickname because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries.
Sant'Andrea della Valle is a minor basilica in the rione of Sant'Eustachio of the city of Rome, Italy. The basilica is the general seat for the religious order of the Theatines. It is located at Piazza Vidoni, at the intersection of Corso Vittorio Emanuele and Corso Rinascimento.
Pellegrino Tibaldi, also known as Pellegrino di Tibaldo de Pellegrini, was an Italian mannerist architect, sculptor, and mural painter.
Giovanni Lanfranco was an Italian painter of the Baroque period.
Francesco Vanni was an Italian painter, draughtsman, printmaker, publisher and printer active in Rome and his native city of Siena.
Antonio di Benedetto Aquilo degli Aquili, known as Antoniazzo Romano, was an Italian Early Renaissance painter, the leading figure of the Roman school during the latter part of the 15th century. He "made a speciality of repainting or interpreting older images, or generating new cult images with an archaic flavor", in particular by very often using the gold ground style, which was unusual by this period.
Carlo Maratta or Maratti was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta.
Sebastiano Ricci was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting.
Girolamo Siciolante da Sermoneta began his career as an Italian Mannerist painter but later adopted the reformist naturalism of Girolamo Muziano in the 1560s and 70s. He was active in Rome in the mid 16th century.
The Bagatti Valsecchi Museum is a historic house museum in the Montenapoleone district of downtown Milan, northern Italy.
Cesare Nebbia (c.1536–c.1614) was an Italian Mannerist painter from Orvieto.
Agostino Ciampelli was an Italian painter of the Baroque period. He trained with Santi di Tito in Florence, and painted in Rome under Clement VIII, including a Crucifixion for Santa Prassede and a Saint Giovanni Gualberto in its sacristy; Angels on the walls above the choirstalls in the apse of Santa Maria in Trastevere; frescoes of the Stoning of Saint Vitale in San Vitale and further frescoes in the little church of Santa Bibiena; and The Visitation in Sant Stefano di Pescia. At the Basilica of San Giovanni in Laterano, Ciampelli frescoed the walls of the canons' sacristy, the "Sala Clementina".
Cesare Mariani was an Italian painter and architect of the late-19th century, active in Rome and Ascoli Piceno.
Hendrick van den Broeck or Arrigo Fiammingo was a Flemish painter, fresco painter, glass painter and sculptor of the late-Renaissance or Mannerist period. After training in Flanders, he travelled to Italy where he remained active in various cities for the remainder of his life. He was court painter to Cosimo I de Medici in Florence and worked as a fresco painter in Rome on the large decorative projects of pope Gregory XIII.
Filippo Abbiati (1640–1715) was an Italian painter of the early-Baroque period, active in Lombardy and Turin, together with Andrea Lanzani and Stefano Maria Legnani, he was a prominent mannerist painters from the School of Lombardy. Born in Milan, he was a pupil of the painter Antonio Busca. Alessandro Magnasco was one of his pupils along with Pietro Maggi and Giuseppe Rivola. Ticozzi claims he trained, along with Federigo Bianchi, with Carlo Francesco Nuvolone. Along with Bianchi, he painted the cupola of Sant'Alessandro Martire in Milan. Abbiati also painted a St. John preaching in the Wilderness for a church in Saronno.
Giovanni Battista Ricci nicknamed Il Novara after his birth town, was an Italian painter of the late-Mannerist and early-Baroque period, active mainly in Rome.
