Andrew Berardini | |
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Born | Andrew Berardini August 21, 1982 |
Nationality | American |
Andrew Berardini (born August 21, 1982) is an American writer known for his work as a visual art critic and curator in Los Angeles. Described as "the most elegant of all art critic cowboys", [1] Berardini works primarily between genres, which he describes as "quasi-essayistic prose poems on art and other vaguely lusty subjects." [2]
He has published articles and essays in publications such as frieze , Mousse, Fillip , Artforum , ArtReview , Art-Agenda, Paper Monument, Art in America , Public Fiction, Rolling Stone (Italy), Die Welt and the LA Weekly . [3] A graduate with an MFA in Writing from the School of Critical Studies at California Institute of the Arts, Berardini has lectured on Art History and Cultural Production at the Southern California Institute of Architecture (SCI-Arc), [4] and has been faculty at the Mountain School of Arts since 2008, in addition to guest lecturing widely. He previously held the position of assistant editor of Semiotext(e) Press [5] and is currently Los Angeles editor for Mousse, [6] senior editor for Artslant, [7] contributing editor for Momus and Art-Agenda, and co-founder of the Art Book Review. As a curator, Berardini held appointments at the Armory Center for the Arts in Pasadena [8] and LAXART in Los Angeles and in 2013 he organized and co-organized exhibitions at the Palais de Tokyo in Paris, [9] the Museum of Contemporary Art in Los Angeles, [10] and the Castello di Rivoli in Turin. [11]
He is the past recipient of an Andy Warhol/Creative Capital Grant and the 221A Curatorial Residency.
In 2016, he was appointed writer-in-residence at the Institute for Art and Olfaction [12] in Los Angeles and appointed a judge for the Sadakichi Award for Experimental Work with Scent for the Art and Olfaction Awards. [13]
Bruce Nauman is an American artist. His practice spans a broad range of media including sculpture, photography, neon, video, drawing, printmaking, and performance. Nauman lives near Galisteo, New Mexico.
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Jens Hoffmann Mesén is a writer, editor, educator, and exhibition maker. His work has attempted to expand the definition and context of exhibition making. From 2003 to 2007 Hoffmann was director of exhibitions at the Institute of Contemporary Arts London. He is the former director of the CCA Wattis Institute for Contemporary Art from 2007 to 2016 and deputy director for exhibitions and programs at The Jewish Museum from 2012 to 2017, a role from which he was terminated following an investigation into sexual harassment allegations brought forth by staff members. Hoffmann has held several teaching positions including California College of the Arts, the Nuova Accademia di Belle Arti and Goldsmiths, University of London, as well as others.
Michelle Grabner is an artist, curator, and critic based in Wisconsin. She is the Crown Family Professor of Art at the School of the Art Institute of Chicago where she has taught since 1996. She has curated several important exhibitions, including the 2014 Whitney Biennial at the Whitney Museum of American Art along with Anthony Elms and Stuart Comer, and FRONT International, the 2016 Portland Biennial at the Oregon Contemporary, a triennial exhibition in Cleveland, Ohio in 2018. In 2014, Grabner was named one of the 100 most powerful women in art and in 2019, she was named a 2019 National Academy of Design's Academician, a lifetime honor. In 2021, Grabner was named a Guggenheim Fellow by The John Simon Guggenheim Memorial Foundation.
SITE Santa Fe is a nonprofit contemporary arts organization based in Santa Fe, New Mexico. Since its founding in 1995, SITE Santa Fe has presented 11 biennials, more than 90 contemporary art exhibitions, and works by more than 800 artists. Following its presentation of the first international biennial of contemporary art in the U.S., SITE expanded its programming to include ongoing exhibitions of notable artists in solo and group shows, often including new commissions and U.S. debuts. While SITE presents artists from all over the world, it has also provided support and career development opportunities for local New Mexico talent. Approximately 20% of the exhibited artists are based in New Mexico.
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Lauren Cornell is an American curator and writer based in New York. Cornell is the Director of the Graduate Program at the Center for Curatorial Studies, Bard College, and Chief Curator of the Hessel Museum of Art. Previously, she worked at the New Museum for twelve years and was the Executive Director of their affiliate Rhizome (2005-2012).
Siri Kaur is an artist/photographer who lives and works in Los Angeles, where she also serves as associate professor at Otis College of Art and Design. She received an MFA in photography from California Institute of the Arts in 2007, an MA in Italian studies in 2001 from Smith College/Universita’ di Firenze, Florence, Italy, and BA in comparative literature from Smith College in 1998. Kaur was the recipient of the Portland Museum of Art Biennial Purchase Prize in 2011. She regularly exhibits and has had solo shows at Blythe Projects and USC's 3001 galleries in Los Angeles, and group shows at the Torrance Museum of Art, California Institute of Technology, and UCLA’s Wight Biennial. Her work has been reviewed in Artforum, art ltd., The L.A. Times, and The Washington Post, and is housed in the permanent collections of the National Gallery in Washington, D.C. and the University of Maine.
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Anne Barlow is a curator and director in the field of international contemporary art, and is currently Director of Tate St Ives, Art Fund Museum of the Year 2018. There she directs and oversees the artistic vision and programme, including temporary exhibitions, collection displays, artist residencies, new commissions, and a learning and research programme. At Tate St Ives, Barlow has curated solo exhibitions of work by artists including Thảo Nguyên Phan (2022), Petrit Halilaj (2021), Haegue Yang (2020), Otobong Nkanga (2019), Huguette Caland (2019), Amie Siegel (2018) and Rana Begum (2018). She was also co-curator of "Naum Gabo: Constructions for Real Life" (2020) and collaborating curator with Castello di Rivoli, Turin for Anna Boghiguian at Tate St Ives (2019).
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Jane Hart is an American curator, gallerist, and artist in New York City. She has worked as an art curator since 1993, having been a gallery owner at in Los Angeles and Miami, and a contemporary art professional in Manhattan and London. As an artist, she has exhibited internationally, with solo exhibitions in South Florida and Cleveland, Ohio. Her specialty is contemporary collage, with works in private collections in the United States and abroad.
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