Related Research Articles
Samuel Lewis Francis was an American painter and printmaker.
Alexis Rockman is an American contemporary artist known for his paintings that provide depictions of future landscapes as they might exist with impacts of climate change and evolution influenced by genetic engineering. He has exhibited his work in the United States since 1985, including a 2004 exhibition at the Brooklyn Museum, and internationally since 1989. He lives with his wife, Dorothy Spears in Warren, CT and NYC.
Andreas Gursky is a German photographer and professor at the Kunstakademie Düsseldorf, Germany.
Rick Amor is an Australian artist and figurative painter. He was an Official War Artist for Australia.
Derek Boshier is an English artist, among the first proponents of British pop art. He works in various media including painting, drawing, collage, and sculpture. In the 1970s he shifted from painting to photography, film, video, assemblage, and installations, but he returned to painting by the end of the decade. Addressing the question of what shapes his work, Boshier once stated "Most important is life itself, my sources tend to be current events, personal events, social and political situations, and a sense of place and places". His work uses popular culture and the mixing of high and low culture to confront government, revolution, sex, technology and war with subversive dark humor.
Fiona Margaret Hall, AO is an Australian artistic photographer and sculptor. Hall represented Australia in the 56th International Art Exhibition at the Venice Biennale in 2015. She is known as "one of Australia's most consistently innovative contemporary artists." Many of her works explore the "intersection of environment, politics and exploitation".
Imants Tillers, is an Australian artist, curator and writer. He lives and works in Cooma, New South Wales.
Kathleen Petyarre was an Australian Aboriginal artist. Her art refers directly to her country and her Dreamings. Petyarre's paintings have occasionally been compared to the works of American Abstract Expressionists Jackson Pollock and Mark Rothko, and even to those of J.M.W. Turner. She has won several awards and is considered one of the "most collectable artists in Australia". Her works are in great demand at auctions. Petyarre died on 24 November 2018, in Alice Springs, Australia.
Brian Wood is a visual artist working with multiple media in painting, drawing, printmaking, and photography in New York City.
Gareth Sansom is an Australian artist, painter, printmaker and collagist and winner of the 2008 John McCaughey Memorial Prize of $100,000.
Julie Rrap is an Australian contemporary artist who was raised on the Gold Coast in Queensland She was born Julie Parr, and reversed her name to express her sense of opposition. Since the mid-1970's she has worked in photography, painting, sculpture, video and performance. Julie's work expresses her interest in images of the body, especially the female body. She has participated in many exhibitions in Australia and abroad, won many awards, and is represented in major public and private collection in Australia and New Zealand, as well as in Belgium, Netherlands, Switzerland, Italy, France, and the U.S.A.
Tony Lloyd is an Australian contemporary artist. Lloyd's paintings are influenced by cinema, in particular Film Noir and Science Fiction, and the Romantic conception of the sublime. Lloyd's largely monochromatic paintings are realist in style.
Jill Orr is a contemporary artist based in Melbourne, Australia. Orr is best known for her works in performance, photography, video and installation works that often explore the body, and its positioning within social, political and environmental contexts. While Orr's works are predominantly site-specific, the recording of her works are regarded as equally significant aspects of her working practice.
Robert Rooney (1937–2017) was an artist and art critic from Melbourne, Australia, and a leading figure in Australian Conceptual art.
Jennifer Bolande is an American artist whose work employs various media—primarily photography, sculpture, film and site-specific installations to explore the affinities between particular sets of objects and images and the mercurial meanings they manufacture.
Linde Ivimey is an Australian sculptor.
Joanna Margaret Paul was a New Zealand visual artist, poet and film-maker.
Aida Tomescu is an Australian contemporary artist who is known for her abstract paintings, collages, drawings and prints. Tomescu is a winner of the Dobell Prize for Drawing, the Wynne Prize for Landscape and the Sir John Sulman Prize, by the Art Gallery of New South Wales.
Alan Constable is an Australian artist well known for his ceramic sculptural depictions of photographic cameras. Constable has worked principally from his Northcote-based studio at Arts Project Australia since 1991, gaining critical success as a multi-disciplinary artist proficient in a wide diversity of media including pastel, gouache, paint and ceramics. He has been working on his series of ceramic cameras since 2007 and works from this series were represented at the 2009 Australian Ceramic Triennale in Sydney and featured in a solo exhibition of his work, Clay Cameras, at the Centre for Contemporary Photography in Melbourne. Thirteen works from this series were acquired for the collection of the National Gallery of Victoria in 2014, and appeared in their blockbuster exhibition of contemporary art, Melbourne Now, in the same year.
Rodney Carswell is an American abstract artist. He first gained recognition for human-scaled, geometric paintings that feature exposed, projected support structures, creating interplay between sculptural presence and richly painted pictorial surfaces. His recent paintings eschew the superstructures and evoke a greater sense of immediacy, playfulness, and narrative. Critics often describe Carswell's work as uncanny, elusive or quirky, for its tendency to negotiate "in-between" spaces and embrace contradictions such as order and instability, intention and accident, or back and front. Employing irregularly shaped canvasses, thick supports, and openings or holes that reveal the stretcher construction and walls behind them, works like 3 (1994) often occupy a place between painting and sculpture. In a similar way, Carswell uses the modernist languages of Minimalism, Suprematism and Constructivism, yet eludes those categories with postmodern allusions to architecture, the body and spiritual iconography, and with his process-oriented, "hand-made" surfaces. In his essay for Carswell's mid-career retrospective at Chicago's Renaissance Society, Los Angeles Times critic David Pagel suggested that his understated paintings worked their way into the one's consciousness in a "supple, somewhat unsettling manner" that achieves a subtle, but lingering shift in perception.
