Andrew Lawrenceson Smith, also known as Anders Lauritzen Smith (born in Braco ca. 1620, dead ca. 1694 in Stavanger), was a Scottish craftsman, woodcutter and painter. He was married to Maren Knudsdatter. [1]
He is one of the most notable artists from the Stavanger renaissance, well known for his works in the Stavanger Cathedral. When he moved to Norway, he first settled in Bergen, but later moved to a farm in Sola near Stavanger. Andrew Smith is seen as one of the leading representatives of the Cartilage baroque art period. It is known as Cartilage baroque because the woodcarvings resemble the curves in a human ear.
In the 1650s he was appointed to make a new pulpit for Stavanger Cathedral. The impressive pulpit was finished in 1658 and is seen as one of the more significant art works in Norway from the Cartilage baroque art period. [ citation needed ] He also created the five epitaphs for some of the priests and their families, in the nave and aisle of the medieval cathedral. He also created a number of important works of Christian art and church art in the Stavanger Region of Norway.
Stavanger Cathedral is Norway's oldest cathedral and the seat of the Bishop of Stavanger who leads the Diocese of Stavanger in the Church of Norway. It is located in the centre of the city of Stavanger which lies in the southwestern part of the large Stavanger Municipality in central Rogaland county, Norway. The church is situated in the centre of the city, in the borough of Storhaug between Breiavatnet in the south, the square with Vågen in the north west, the cathedral square in the north, and Kongsgård in the southwest.
Baroque sculpture is the sculpture associated with the Baroque style of the period between the early 17th and mid 18th centuries. In Baroque sculpture, groups of figures assumed new importance, and there was a dynamic movement and energy of human forms—they spiralled around an empty central vortex, or reached outwards into the surrounding space. Baroque sculpture often had multiple ideal viewing angles, and reflected a general continuation of the Renaissance move away from the relief to sculpture created in the round, and designed to be placed in the middle of a large space—elaborate fountains such as Gian Lorenzo Bernini‘s Fontana dei Quattro Fiumi, or those in the Gardens of Versailles were a Baroque speciality. The Baroque style was perfectly suited to sculpture, with Bernini the dominating figure of the age in works such as The Ecstasy of St Theresa (1647–1652). Much Baroque sculpture added extra-sculptural elements, for example, concealed lighting, or water fountains, or fused sculpture and architecture to create a transformative experience for the viewer. Artists saw themselves as in the classical tradition, but admired Hellenistic and later Roman sculpture, rather than that of the more "Classical" periods as they are seen today.
Olaf Helliesen Lange was a Norwegian painter and print maker. Lange's fin-de-siècle art has its own special approach visualizing the complexity of the modern urban life.
Gustav Natvig-Pedersen was a Norwegian philologist, educator and politician for the Labour Party. A school teacher and headmaster during his professional career, he served in Stavanger city council from 1922 to 1964 and three terms in the Norwegian Parliament; during one of these terms he was President of the Storting. He made his mark in language politics.
Cartilage Baroque, or Bruskbarokk and similar terms, denotes a stylistic period centering around the middle of the 17th century in Northern Europe, particularly in Scandinavia and Germany. Primarily a style of ornament, it is known as Bruskbarokk in Norwegian, Bruskbarok in Danish and Knorpelbarock in German, and style cartilage may be encountered in French, often referring to work in Alsace. However, the various terms can be applied to a bewildering range of styles of Northern Mannerist and Baroque ornament. In English these terms are mainly found in translated texts from European languages.
Stavanger Renaissance (Stavangerrenessansen) is the name for the cultural period which peaked in the middle of the 17th century in the vicinity of Stavanger, Norway. It was characterized principally by church art, largely decorated altarpieces, pulpits, baptismal fonts and wall surfaces.
Herman Gerhard Gade was a Norwegian physician, known for his work to fight tuberculosis.
Stavanger Museum is a museum of natural and cultural history established in 1877, located in the Norwegian city Stavanger. The museum's collections consist of several departments: the department of zoology, the department for cultural history.
Ragnvald Gjerløw was a Norwegian priest and writer.
Vår Frue Church is a medieval parish church of the Church of Norway in Trondheim municipality in Trøndelag county, Norway. It is located in the downtown Midtbyen area of the city of Trondheim, just a few blocks north of the Nidaros Cathedral. It is one of the two churches for the Nidaros og Vår Frue parish which is part of the Nidaros domprosti (arch-deanery) in the Diocese of Nidaros. The gray, stone church was built in a long church design in the late 1100s using plans drawn up by Bjørn Sigvardsson. The church seats about 540 people.
Tønsberg Cathedral is a Lutheran church located in Tønsberg, Norway. It is the episcopal seat of the Diocese of Tunsberg within the Church of Norway. Originally a parish church, it was elevated to cathedral status in 1948 when the Diocese of Tunsberg was created, detached from the Diocese of Oslo. The cathedral has space for 550 seats.
Anders Hana is a Norwegian musician (guitar), composer and marine biologist, known as a veteran of the bands Noxagt, Ultralyd and Moha!, and a series of wildlife projects in northern Norway.
Events in the year 1658 in Norway.
Hendrik Frans Verbrugghen or Hendrik Frans Verbruggen was a Flemish sculptor and draftsman, who is best known for his Baroque church furniture in various Belgian churches.
Sør-Fron Church is a parish church of the Church of Norway in Sør-Fron Municipality in Innlandet county, Norway. It is located in the village of Hundorp. It is the church for the Sør-Fron parish which is part of the Sør-Gudbrandsdal prosti (deanery) in the Diocese of Hamar. The white, stone church was built in an octagonal design in 1792 using plans drawn up by the architect Svend Aspaas. The church seats about 750 people.
Ludvig Rosenkrantz was a Danish-born noble, military officer, civil servant, and land owner who settled in Norway. He was a member of the noble Rosenkrantz family and the first Baron of Norway.
Axel Hjalmar Ender was a Norwegian painter and sculptor, remembered primarily for his genre painting.
Georg Anton Rasmussen was a Norwegian landscape painter who spent most of his career in Germany.
Jan Frans van Geel was a Flemish sculptor, draugthsman and art educator. He is mainly known for his church furniture, statues of saints, mythological ensembles and allegorical figures. He was a teacher and director at the Academy of Arts of Mechelen and teacher of sculpture at the Academy of Arts of Antwerp. He was one of the last Flemish sculptors who worked in the Flemish Baroque style in sculpture, which was popular in the Habsburg Netherlands in the 17th and 18th centuries.
Hurum Church is a medieval stone church in Hurum, Norway. It was constructed in the 12th century. The church was damaged by fire in 1686, and rebuilt with a baroque interior. Next to the church, the Huitfeldt-family built a wooden funeral chapel in the second half of the 17th century. A new stone chapel was built in 1750, and contains the remains of the naval commander Iver Huitfeldt.