The verses describe a dance in the chamber of Margaret Tudor, wife of James IV of Scotland.[2] Various courtiers are introduced and their dance moves described in comic terms.[3] The refrain, in modern spelling is, "A merrier dance might no man see". Dancers include Master Robert Schaw who provided medicinal recipes to the queen's apothecary William Foular,[4] and appears to have been a physician serving the women of the court.[5] Perhaps to widen the appeal of the poem for a court audience that may have include the subjects of the satire, Dunbar introduces himself as a dancer who clumsily sheds a slipper or panton.[6]
Sinclair was an attendant of Margaret Tudor.[8] In April 1513 an English diplomat, Nicholas West, came to Linlithgow Palace and was met by John Sinclair, who conveyed him to Margaret Tudor.[9] He may have been the Scottish courtier recorded in November 1490 and January 1491 playing cards with James IV.[10]
In these verses Dunbar imagines himself in the dance, and reveals his affection for Mistress Musgrave, or Musgrove, an English lady in waiting and Mistress of the Queen's wardrobe, despite their disparity in social status. She was probably the wife of Sir John Musgrave. She was known as the "Lady Mastres", the Lady Mistress. As a New Year's Day gift in 1507 she received a brooch with an image of Saint Michael set with a diamond. In February she brought James IV the news of the birth of his son at Linlithgow Palace.[12] In June 1508 she helped with preparations for a dance at Holyroodhouse to conclude the tournament of the Wild Knight and the Black Lady.[13] Details of her clothing, made by the Queen's tailor Robert Spittell survive in the accounts from 1511 and 1512.[14]
Edward Hall's English chronicle and a poem Flodden Field mention a "Giles Musgrave", presumably a relation of her husband, who is said to have persuaded James IV to move from an advantageous position on a hill at the battle of Flodden.[15]
References
↑ Michelle Beer, Queenship at the Renaissance Courts of Britain (Woodbridge, 2018), p. 93.
↑ William Hepburn, The Household and Court of James IV of Scotland (Boydell, 2023), p. 108.
↑ Alastair Cherry, Princes, Poets & Patrons: The Stuarts and Scotland (Edinburgh, 1987), p. 26.
↑ James Balfour Paul, Accounts of the Treasurer: 1500-1504, vol. 2 (Edinburgh, 1900), p. 445.
↑ John Small, Poems of William Dunbar, vol. 1 (Edinburgh, 1893), p. cclvii: Priscilla Bawcutt, Dunbar the Makar (Oxford, 1992), p. 52.
↑ R. D. S. Jack, The Dramatic Voice of William Dunbar, Janet Hadley Williams, Medieval English Theatre, 37 (2015), pp. 75-76.
1 2 3 4 David Laing, The poems of William Dunbar, collected, with notes and a memoir of his life, vol. 1 (Edinburgh, 1834), pp. 119-120.
↑ John Small, Poems of William Dunbar, vol. 3 (Edinburgh, 1893), pp. 284-5.
↑ Henry Ellis, Original Letters, vol. 1 (London, 1824), p. 74.
↑ Accounts of the Treasurer, vol. 1 (Edinburgh, 1877), pp. 170-1.
↑ Jacqueline Tasioulas, The Makars (Edinburgh, 1999), p. 729: James Balfour Paul, Accounts of the Treasurer, 1506-7, vol. 3 (Edinburgh, 1901), p. ci, 360, 369.
↑ Accounts of the Treasurer, vol. 4 (Edinburgh, 1902), p. 125.
↑ Accounts of the Treasurer, vol. 4 (Edinburgh, 1902), pp. 230-1.
↑ Neill Barr, Flodden 1513: The Scottish Invasion of Henry VIII's England (London, 2001), p. 84.
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