Angelito 'Mang Lito' Antonio | |
---|---|
Born | Angelito Antonio February 3, 1939 |
Nationality | Filipino |
Education | University of Santo Tomas |
Known for | Painting |
Notable work | See below |
Family | Fatima Baquiran (Daughter), Norma Belleza (Wife), Marcel Antonio (son), Emil Antonio (son) |
Angelito "Mang Lito" Antonio (born February 3, 1939) [1] is a Filipino painter. He was born in Malolos, Bulacan. Since he was young, he was already earning titles and awards from various contests. He studied at the University of Santo Tomas (UST) [1] and obtained his bachelor's degree in Fine Arts in 1963, he then became one of the faculties where he taught for many years. He is married to the artist Norma Belleza, with three children Marcel, Emil, and Fatima who are also painters. [2]
Studying art in the University of Santo Tomas, he has an art career that spans half a century. Some of the well-known painters were his teacher in the University, this includes: Manansala and Galo Ocampo. His colleagues included National Artist Ang Kiukok, Antonio Austria, Danilo Dalena, Mario Parial, Jaime de Guzman, and Norma Bellza (His wife). More than twenty local and international awards were to his credit, including the Grandprize (1964) and Third prize (1963) on AAP's Annual art competition and is a member of Art Association of the Philippines and the Saturday Group of Artists.
In 1977, Antonio first showed his works at the Luz gallery, Included in this exhibit are four sets of drawing with three to four paintings per set and his 12 monochromatic black and white paintings. Antonio is also a well-decorated artist, with numerous exhibits hosted abroad, particularly in New York and Saigon. Antonio's style takes roots from foreign artist Picasso. He had experimented greatly with colors to delineate his figures. His works' themes are taken extensively from folk genre. He is also one of the Masters of Modernism.
Antonio's more recent works see him moving toward abstraction, or a mix of the abstract and the figurative. He has been labeled both a modernist and an expressionist, successfully crafting an aesthetic that has allowed him to maintain his practice for over 50 years, exhibiting both here and abroad. He is probably one of the last pillars of Modernism, adhering to its core tenet of dynamic expression. [3]
There are various exhibits that Antonio has entered; some of the few exhibits where as follows:
"La Musique" exhibit features Antonio, Cacnio, Rubio [4]
An exhibition in Galerie Stephanie at Libis that displays the works by painters Angelito Antonio and Dominic Rubio and sculptor Michael Cacnio, Shows how to artforms- music and the visual arts- capture the ephemerality on the subject "La Musique."
Angelito Antonio's recent works on paper; Neil Gaiman winner exhibits at Liongoren.
Black and white is typically used to make an impulse visible in the language of art; it is also the medium with which words race across pages to concretely communicate one's thoughts.
One of the continuation form the new series where the pieces on craft paper he exhibited in 2013's "Pares-Pares", a group show featuring works of seven pairs of artist couples at Liongoren. This series treads between the abstract and the calligraphic that are similar to sketches, lending themselves more easily to story telling, without fully leaving the folk themes of his earlier pieces. Taking the aggression and dynamism of his expressionist tendencies a step further, they can be seen to mark a turning point in for Antonio, making it clear that he has earned the confidence to show work that runs closer to the bone. [5]
In the Shell National Students Art Competition:[ citation needed ]
From the Art Association of the Philippines:
Modernism is both a philosophical and arts movement that arose from broad transformations in Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, and social organization which reflected the newly emerging industrial world, including features such as urbanization, architecture, new technologies, and war. Artists attempted to depart from traditional forms of art, which they considered outdated or obsolete. The poet Ezra Pound's 1934 injunction to "Make it New" was the touchstone of the movement's approach.
Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the Western art world, a role formerly filled by Paris.
Ang Kiukok was a Filipino painter of Chinese descent and was a National Artist for Visual Arts.
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Richard Warren Pousette-Dart was an American abstract expressionist artist most recognized as a founder of the New York School of painting. His artistic output also includes drawing, sculpture, and fine-art photography.
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Nicolas Carone belonged to the early generation of New York School Abstract Expressionist artists. Their artistic innovation by the 1950s had been recognized internationally, including in London and Paris. New York School Abstract Expressionism, represented by Jackson Pollock, Willem de Kooning, Franz Kline, Conrad Marca-Relli and others, became a leading art movement of the postwar era.
Luigi Malice is an Italian abstract artist.
20th-century Western painting begins with the heritage of late-19th-century painters Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat, Henri de Toulouse-Lautrec, and others who were essential for the development of modern art. At the beginning of the 20th century, Henri Matisse and several other young artists including the pre-cubist Georges Braque, André Derain, Raoul Dufy and Maurice de Vlaminck, revolutionized the Paris art world with "wild", multi-colored, expressive landscapes and figure paintings that the critics called Fauvism. Matisse's second version of The Dance signified a key point in his career and in the development of modern painting. It reflected Matisse's incipient fascination with primitive art: the intense warm color of the figures against the cool blue-green background and the rhythmical succession of the dancing nudes convey the feelings of emotional liberation and hedonism.
American Figurative Expressionism is a 20th-century visual art style or movement that first took hold in Boston, and later spread throughout the United States. Critics dating back to the origins of Expressionism have often found it hard to define. One description, however, classifies it as a Humanist philosophy, since it's human-centered and rationalist. Its formal approach to the handling of paint and space is often considered a defining feature, too, as is its radical, rather than reactionary, commitment to the figure.
Marcel Antonio is a Filipino painter. Considered one of the most promising young talents in Philippine contemporary art while still attending the University of the Philippines' College of Fine Arts in the late 1980s, he launched a solo show and thereafter dropped out of the college to continue to produce collections of his distinctly narrative as well as pseudo-narrative figurative paintings influenced by modernism and 1980s postmodernism. Since then, Antonio produced enough sold-out works to be quickly counted as one of the Philippines' young painters most proficient in the magic realist sort of post-expressionism in the country.
Antonio Gilbuena Austria is a Filipino visual artist.
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Manuel Baldemor is a Filipino painter, sculptor, printmaker, writer and book illustrator. He was born on March 26, 1947 in Paete, Laguna, Philippines.
Norma Belleza is a Filipino painter. She was born in San Fernando, Pampanga. Back then, her family was composed of billboard designers. Married to the Filipino artist, Angelito Antonio, with their children Fatima Baquiran, Emil Antonio, and Marcel Antonio. She studied at the University of Santo Tomas in 1962 and obtained her bachelor's degree in Fine Arts.
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Boston Expressionism is an arts movement marked by emotional directness, dark humor, social and spiritual themes, and a tendency toward figuration strong enough that Boston Figurative Expressionism is sometimes used as an alternate term to distinguish it from abstract expressionism, with which it overlapped.
Danilo Palomer Santiago is a Full-time Filipino Eclectic painter, professor and Department Chair of University of Santo Tomas - College of Fine Arts and Design (UST-CFAD), Painting Department. His murals are displayed at the Malacaňang Palace, UST Main Building - Faculty of Civil Law and Veterans Memoraila Medical Center and whose works won awards in various art competitions. He was born in Sorsogon, Philippines and now lives in Manila.