Dr. Angelo Vermeulen | |
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Born | 27 december 1971 |
Nationality | Belgian |
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Angelo Vermeulen (born 1971, Sint Niklaas) is a Belgian space systems researcher, biologist and artist. In 2009 he co-founded SEADS (Space Ecologies Art and Designs), an international transdisciplinary collective of artists, scientists, engineers, and activists [1] Its goal is to reshape the future through critical inquiry and hands-on experimentation. Biomodd [2] [3] is one of their most well-known art projects and consists of a worldwide series of co-created interactive art installations in which computers coexist with internal living ecosystems. For the last ten years, he has been collaborating with the European Space Agency’s MELiSSA program on biological life support for space and in 2013 he was crew commander of one of the NASA-funded HI-SEAS Mars mission simulations in Hawai'i. [4] Currently, he works at Delft University of Technology on advanced concepts for interstellar exploration. His work proposes a bio-inspired design approach to deal with the unpredictability inherent to interstellar travel. [5] He is a Senior TED Fellow and was selected in 2017 as one of the Top 5 Tech Pioneers from Belgium by the newspaper De Tijd. [6] [7] [8] [9]
In 1998 Vermeulen completed his PhD on mouthpart deformities in non-biting midge larvae at the biology department of the Catholic University of Leuven in Belgium. [10] In that same year he also graduated from the Municipal Academy of Fine Arts in Leuven, where he studied photography. Vermeulen left Belgium to work in London as a photographer together with Nick Waplington.
After his return to Belgium in 2001, he attended a two-year post-academic course at the Higher Institute for Fine Arts (HISK) in Belgium. [11] This became the starting point of an exploration to try and find out how biology and ecological processes can interact in art and how to materialize them as art installations. [12]
From 2011 to 2012 he was a member of the European Space Agency Topical Team Arts & Science (ETTAS) [13] In 2012 he was a Michael Kalil Endowment for Smart Design Fellow at Parsons in New York. [14] He also held positions at LUCA School of Visual Arts in Ghent (Belgium) and Die Angewandte in Vienna (Austria) [15] and has been (guest) faculty at universities across Europe, the US, and Southeast Asia. In 2011 Vermeulen started research on advanced concepts for interstellar exploration at Systems Engineering and Simulation at Delft University of Technology.
Angelo Vermeulen is co-founder of Space Ecologies Art and Design (SEADS), a transdisciplinary and cross-cultural collective of artists, scientists, engineers and activists. Its members come from all corners of the world, from places such as the Philippines, Malaysia, Kosovo, Belgium and the US. SEADS is actively engaged in deconstructing dominant paradigms about the future and develops alternative models through a combination of critical inquiry and hands-on experimentation.
Over the past years, the collective has created a range of paradigm-shifting projects in which different domains such as visual art, neuroscience, ecology and space technology are blended in unique ways. SEADS employs its own signature methodology which is centered around community building, co-creation and bottom-up design. Since 2009, the collective has co-created more than 40 art projects, together with local communities in Europe, the Americas, Asia and the Pacific.
Started in Athens Ohio during a four-month residency at the ‘Aesthetic Technologies Lab’ in 2007.
Biomodd is a socially engaged art installation that finds meaningful relationships between biology, computers and people. On its most basic level, Biomodd creates symbiotic relationships between plants and computers, and ignites conversations among the community around it. For example, algae are used to cool computer processors so they can run faster, while the heat that is generated by the computer electronics is used to create ideal growing conditions for a plant-based ecosystem. This dynamic is the catalyst for a collaboration between the team members - which include artists, biologists, computer scientists, game designers, gardeners, community organizers - and members of the local community in which the project takes place.
This open source project was conceived by Belgian biologist turned artist Angelo Vermeulen. Fellow collaborators and himself have brought Biomodd to different countries throughout the world. The first version started in Athens (Ohio, USA) in 2007 and has since traveled to the Philippines, Slovenia, New Zealand, Belgium, New York (USA), Chile, the Netherlands and London (Great Britain). Biomodds all over the world are still ongoing and every single project has new groups of participants. This leading to very different results for every culture.
The Merapi Terraforming Project is an art-science project on the Merapi volcano in Indonesia was set up after a large eruption in 2010. The Merapi Terraforming Project used nitrogen-fixing bacteria to help grow legumes in a structure on the flanks of the volcano as both an experiment in food production and a monument to the traumatic past of the location. The project illustrates how art, astrobiology and social outreach can be combined to address real-world issues on Earth.
Seeker is a DIY spaceship model which experiments with the integration of the technological, ecological and social systems that enable long-term survival in a spaceship. Vermeulen started the first edition of Seeker (DV1) in response to the Witteveen+Bos Art+Technology award he won in 2012. The designing and making of Seeker was a collaboration between Witteveen+Bos engineers, local artists, independent volunteers and the artist as inspirer/connector. The spaceship was exhibited in autumn 2012 in the Bergkerk church in Deventer, the Netherlands.
By the end of the exhibition, Seeker became partly demolished and re-used for a second edition during the Space Odyssey 2.0-exhibition in Z33 in Hasselt (Belgium). Several months before the opening of the exhibition, Vermeulen launched an open call for ideas and participation on Seeker (HS2). The outward construction was unaltered, but the interior changed depending on the needs and priorities of the new crew. Although Vermeulen and Matilda Krzykowski share their leadership over the crew, there is no hierarchy in the process of realizing the work.
Seeker is primarily a community project in which a tiny, isolating room is created to provide the best possible conditions for a particular group of inhabitants. Seeker developed itself as a traveling project with always new groups of participants.
Geotrauma Lab engages the visitor into an active dialogue about humanity’s deep future, both on Earth and in outer space. Part architectural integration, part performance piece, it functions as a temporary space where scenarios about the future are being constructed, questioned, and archived.
A parasitic architectural structure was built inside the Palazzo Viceconte, starting in one of the exhibition spaces and extending all the way into a centuries-old water cistern. The lower part of the structure inside the water cistern was conceived as a human habitat. During his performance, Angelo Vermeulen lived in isolation in this hypogean space for several consecutive days. When a visitor entered the architectural structure, the artist came up, took a seat opposite him/her, and proposed a series of deep future scenarios. These scenarios ranged from global atmospheric deoxygenation to rebooting human civilization in outer space. The ensuing discussions were recorded and added to a gradually growing archive. While living inside the cistern, the artist was analyzing, transcribing, and printing the ideas that were exchanged. After the performance, the lab was opened to the public.
The hostile and unpredictable environment of deep space requires a new conceptual approach for interstellar flight, one that differs radically from any current design in aerospace. Using biology as inspiration, E|A|S (Evolving Asteroid Starships) explores the concept of spaceships that physically grow and evolve during their interstellar journey. Resources extracted through asteroid mining are used to 3D print new components of the ship in an endless process of adaptation. A biological life support system based on the European Space Agency’s MELiSSA program is used to keep multiple generations of crew members alive. The DSTART (TU Delft Starship Team) team is currently developing detailed concept studies and computer simulations to test these ideas. The DSTART team is part of the SEAD network.
HI-SEAS (Hawaii Space Exploration Analog and Simulation) is an analog habitat for human spaceflight to Mars.[1][2][3] HI-SEAS is located in an isolated position on the slopes of the Mauna Loavolcano on the island of Hawaii. The area has Mars-like features and an elevation of approximately 8,200 feet above sea level. HI-SEAS is funded by the NASA Human Research Program for four research missions. The missions are of extended duration from four months to a year.
The purpose of the detailed research studies is to determine what is required to keep a space flight crew happy and healthy during an extended mission to Mars and while living on Mars.[4]Research into food, crew dynamics, behaviors, roles and performance, and other aspects of space flight and a mission on Mars itself is the primary focus. The HI-SEAS researchers also carry out studies on a variety of other topics as part of their daily activities.
Vermeulen was crew commander of a four-month Mars simulation mission. HI-SEAS (Hawaii Space Exploration Analogand Simulation) takes place on the flanks of the Mauna Loa Volcano which is the closest approximation of the actual surface of Mars. The mission intends to study improving the taste and nutritional quality of the meals consumed during a spaceflight. Previous spaceflight simulations such as MARS-500 proved the importance of the quality of the food during long periods of isolation of this nature. During the mission, Vermeulen is in charge of a six-man crew consisting of researchers from different backgrounds. Among the other researchers Oleg Abramov, Simon Engler, Kate Greene, Sian Proctor, and Yajaira Sierra Sastre, Vermeulen is the only European member of the crew. Due to his experience in community building in complex conditions, such as Biomodd and other projects, he is commissioned as the leader of the crew. Aside from the food study, Vermeulen investigates the possibilities of remote-operated robotic agriculture in order to create semi-autonomous farms for Mars settlement. The mission is initiated by NASA in collaboration with Cornell University of New York and the University of Manoa in Hawaii.
In September - October 2015, Vermeulen exhibited a selection of art photos he made when he was commander on a HI-SEAS mission at the Dome of Visions in Stockholm (Sweden).
The Micro-Ecological Life Support System Alternative (MELiSSA) is a European Space Agency initiative (ESA) with the aim to develop the technology for a future regenerative life support system for long term human space missions. Initiated in 1989, the design is inspired by a terrestrial ecosystem. Today MELiSSA is a consortium made up of 30 organisations across Europe.
Interstellar travel is the hypothetical travel of spacecraft between star systems. Due to the vast distances between the Solar System and nearby stars, interstellar travel is not practicable with current propulsion technologies.
In speculative fiction, a force field, sometimes known as an energy shield, force shield, energy bubble, or deflector shield, is a barrier produced by something like energy, negative energy, dark energy, electromagnetic fields, gravitational fields, electric fields, quantum fields, telekinetic fields, plasma, particles, radiation, solid light, magic, or pure force. It protects a person, area, or object from attacks or intrusions, or even deflects energy attacks back at the attacker. This fictional technology is created as a field of energy without matter that acts as a wall, so that objects affected by the particular force relating to the field are unable to pass through the field and reach the other side, instead being deflected or destroyed. Actual research in the 21st century has looked into the potential to deflect radiation or cosmic rays, as well as more extensive shielding.
The Songs of Distant Earth is a 1986 science fiction novel by British writer Arthur C. Clarke, based upon his 1958 short story of the same title. Of all of his novels, Clarke stated that this was his favourite. Prior to the publishing of the novel, Clarke also wrote a short step outline with the same title, published in Omni magazine and anthologised in The Sentinel in 1983.
A life-support system is the combination of equipment that allows survival in an environment or situation that would not support that life in its absence. It is generally applied to systems supporting human life in situations where the outside environment is hostile, such as outer space or underwater, or medical situations where the health of the person is compromised to the extent that the risk of death would be high without the function of the equipment.
The Flashline Mars Arctic Research Station (FMARS) is the first of two simulated Mars habitats located on Devon Island, Nunavut, Canada, which is owned and operated by the Mars Society. The station is a member of the European Union-INTERACT circumarctic network of currently 89 terrestrial field bases located in northern Europe, Russia, US, Canada, Greenland, Iceland, the Faroe Islands, and Scotland as well as stations in northern alpine areas.
The MARS-500 mission was a psychosocial isolation experiment conducted between 2007 and 2011 by Russia, the European Space Agency, and China, in preparation for an unspecified future crewed spaceflight to the planet Mars. The experiment's facility was located at the Russian Academy of Sciences' Institute of Biomedical Problems (IBMP) in Moscow, Russia.
The following outline is provided as an overview of and topical guide to space exploration.
The Micro-Ecological Life Support System Alternative (MELiSSA) is a European Space Agency (ESA) initiative with the aim to develop the technology for a future regenerative life support system for long-term human space missions. Initiated in 1989, the design is inspired by a terrestrial ecosystem. As of 2023, MELiSSA is a consortium made up of 30 organisations across Europe.
An electrostatic analyzer or ESA is an instrument used in ion optics that employs an electric field to allow the passage of only those ions or electrons that have a given specific energy. It usually also focuses these particles into a smaller area. ESAs are typically used as components of space instrumentation, to limit the scanning (sensing) energy range and, thereby also, the range of particles targeted for detection and scientific measurement. The closest analogue in photon optics is a filter.
Sarah Jane Pell is an Australian artist, researcher and occupational diver. Her works combine the traditions of Performance art and human factors with Underwater habitat and Occupational diving technologies. She is best known for pioneering "aquabatics" that is performed underwater or shown in museums as films and artefacts. She designs civilian space-analogues and produces speculative fiction, live art, and novel experiments.
Space trade, i.e., interplanetary or interstellar trade have been pondered upon Futurists and pundits since the 1960s, though science fiction writers have been envisioning such trade much earlier.
Vladimir Pletser is Director of Space Training Operations at Blue Abyss since 2018, where he is in charge of developing astronaut training programs. From 2016 to early 2018, he was a Visiting Professor and Scientific Adviser at the Technology and Engineering Centre for Space Utilization (CSU) of the Chinese Academy of Sciences in Beijing, China. He supported the preparation of scientific experiments in microgravity for the Chinese Tiangong space station and for aircraft parabolic flights. He worked previously from 1985 till early 2016 as a senior Physicist Engineer at the European Space Research and Technology Centre (ESTEC) of ESA.
Terrestrial analogue sites are places on Earth with assumed past or present geological, environmental or biological conditions of a celestial body such as the Moon or Mars. Analogue sites are used in the frame of space exploration to either study geological or biological processes observed on other planets, or to prepare astronauts for surface extra-vehicular activity.
Yajaira Sierra-Sastre is a Puerto Rican materials scientist, educator, and aspiring astronaut. She was part of a six-person crew, and the only Hispanic, selected to participate in a four-month-long, Mars analog mission funded by NASA. Sierra-Sastre aspires to become the first Puerto Rican woman to travel to outer space.
The Hawaii Space Exploration Analog and Simulation (HI-SEAS) is an analog habitat for human spaceflight to Mars currently operated by the International MoonBase Alliance. HI-SEAS is located in an isolated position on the slopes of the Mauna Loa volcano on the island of Hawaii. The area has Mars-like features and an elevation of approximately 8,200 feet (2,500 m) above sea level. The first HI-SEAS study was in 2013 and NASA's Human Research Program continues to fund and sponsor follow-up studies. The missions are of extended duration from four months to a year. Its missions place HI-SEAS in the company of a small group of analogs that are capable of operating very long duration missions in isolated and confined environments, such as Mars500, Concordia, and the International Space Station.
A Mars analog habitat is one of several historical, existing or proposed research stations designed to simulate the physical and psychological environment of a Martian exploration mission. These habitats are used to study the equipment and techniques that will be used to analyze the surface of Mars during a future crewed mission, and the simulated isolation of the volunteer inhabitants allows scientists to study the medical and psychosocial effects of long-term space missions. They are often constructed in support of extensive Mars analogs. However, sometimes existing natural places are also valued as Mars analogs. Crewed Mars habitats are featured in most human Mars missions; an alternative may be terraforming or telepresence.
Sian Hayley "Leo" Proctor is an American commercial astronaut, geology professor, artist, author, and science communicator. She became the first female commercial spaceship pilot on the all-civilian Inspiration4 orbital spaceflight, 15 September 2021. As pilot of the Inspiration4's SpaceX Crew Dragon space capsule, Proctor became the first African-American woman to pilot a spacecraft. She was also the education outreach officer for the first Hawaii Space Exploration Analog and Simulation (HI-SEAS) Mission. In 2024, Proctor was selected to be a U.S. Science Envoy for the United States Department of State.
The International Lunar Exploration Working Group(ILEWG) is a public forum sponsored by the world's space agencies to support "international cooperation towards a world strategy for the exploration and utilization of the Moon - our natural satellite" (International Lunar Workshop, Beatenberg (CH), June 1994).