Anita Corbin (born 1958) [1] is a British photographer. Her collections and exhibitions include Visible Girls (1981) and First Women UK (2018). [2] [3] [4]
The National Portrait Gallery holds eight of her works. [1]
Julia Margaret Cameron was a British photographer who is considered one of the most important portraitists of the 19th century. She is known for her soft-focus close-ups of famous Victorian men and for illustrative images depicting characters from mythology, Christianity, and literature. She also produced sensitive portraits of women and children.
Berenice Alice Abbott was an American photographer best known for her portraits of between-the-wars 20th century cultural figures, New York City photographs of architecture and urban design of the 1930s, and science interpretation in the 1940s to 1960s.
Grace Robertson was a British photographer who worked as a photojournalist, and published in Picture Post and Life. Her photographic series, including "Mother's Day Off" (1954) and "Childbirth" (1955), mainly recorded ordinary women in postwar Britain.
Rineke Dijkstra HonFRPS is a Dutch photographer. She lives and works in Amsterdam. Dijkstra has been awarded an Honorary Fellowship of the Royal Photographic Society, the 1999 Citibank Private Bank Photography Prize and the 2017 Hasselblad Award.
Carol Jerrems was an Australian photographer/filmmaker whose work emerged just as her medium was beginning to regain the acceptance as an art form that it had in the Pictorial era, and in which she newly synthesizes complicity performed, documentary and autobiographical image-making of the human subject, as exemplified in her Vale Street.
Alice Boughton was an early 20th-century American photographer known for her photographs of many literary and theatrical figures of her time. She was a Fellow of Alfred Stieglitz's Photo-Secession, a circle of photographers whose artistic efforts succeeded in raising photography to a fine art form.
Janette Beckman is a British documentary photographer who currently lives in New York City. Beckman describes herself as a documentary photographer. While she produces a lot of work on location, she is also a studio portrait photographer. Her work has appeared on records for the major labels, and in magazines including Esquire,Rolling Stone,Glamour,Italian Vogue,The Times,Newsweek,Jalouse,Mojo and others.
Olive Cotton was a pioneering Australian modernist female photographer of the 1930s and 1940s working in Sydney. Cotton became a national "name" with a retrospective and touring exhibition 50 years later in 1985. A book of her life and work, published by the National Library of Australia, came out in 1995. Cotton captured her childhood friend Max Dupain from the sidelines at photoshoots, e.g. "Fashion shot, Cronulla Sandhills, circa 1937" and made several portraits of him. Dupain was Cotton's first husband.
Christina Broom was a Scottish photographer, credited as "the UK's first female press photographer".
Walter Ernest Stoneman was an English portrait photographer who took many photographs for the National Portrait Gallery (NPG) in London.
Maud Sulter was a Scottish contemporary fine artist, photographer, writer, educator, and curator of Ghanaian heritage. She first worked as a writer and poet, later turning the visual arts. Sulter was known for her collaborations with other Black feminist scholars and activists, capturing the lives of Black peoples in Europe.
Dr. Chila Kumari Burman is a British artist. A significant figure in the Black British Art movement of the 1980s, Burman was one of the first British Asian female artists to have a monograph written about her work: Lynda Nead’s Chila Kumari Burman: Beyond Two Cultures (1995), and a second monograph by Nead was published in 2012.
Rory Lewis is a British photographer known for his celebrity portrait photography. Lewis's inspirations include the works of the artists Hans Holbein the younger, Caravaggio, Titian and Thomas Lawrence and the German Expressionist movement of the 1920s.
Format was an agency set up in 1983 to represent women photographers, with the aim of documenting the world from a different perspective. The agency operated for two decades, and its end, in 2003, was marked by an exhibition. In 2010, the National Portrait Gallery, London, showed a range of work by Format photographers.
Hellen van Meene is a Dutch photographer known especially for her portraits.
Ruth Miriam Hollick was an Australian portrait and fashion photographer who was one of Melbourne's leading Pictorialist photographers during the 1920s.
Helen Margaret Muspratt was a British photographer.
Margareta "Rita" Weir Martin (1875–1958) was an English photographer, considered "one of the best British photographers of her time". Martin took portraits of many suffragists and was a suffragist herself.
Lallie Charles (1869–1919), was an Irish photographer. Along with her sister Rita Martin, was the most commercially successful women portraitists of the early 20th century.
Liz Ham is an English-born Australian photographer based in Sydney, Australia. Ham has photographed urban life, fashion, music and politics for twenty years and in 2017 published a photography book called Punk Girls. Some of Ham's photographs have been purchased and archived by Australia National Libraries as representations of the culture of Australia.