External links
- Resources at the National Library of Australia
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Anmanari Brown | |
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| Born | c. 1930s Purnpurna, Northern Territory, Australia |
| Nationality | Australian |
| Occupation | Painter |
| Years active | 2000 – present |
| Style | Western Desert art |
| Spouse | Nyakul Dawson |
Anmanari Brown is an Australian Aboriginal artist. She was one of the pioneers of the art movement across the Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara lands, which began in 2000. [1] Since then, her paintings have gained much success. Her work is held in the National Gallery of Victoria, [2] the Art Gallery of Western Australia, the Queensland Art Gallery, [3] and the National Gallery of Australia. [4]
Brown was born roughly some time during the 1930s. [5] She was born at Purpurna, [6] a waterhole that is sacred to the Pitjantjatjara. She grew up living a traditional, nomadic way of life in the bush with her family, before any contact with Euro-Australian society. In the 1950s, her family was moved out of the bush to live at Warburton, with many other Aboriginal families. Warburton was a Christian mission at the time, and Brown was taught at school here by missionaries. When she was older, Brown moved to Irrunytju and married Nyakul Dawson. [7] [8]
Brown began work as an artist in 2000. The women of Irrunytju had opened an art centre as a community-owned economic program. [1] Anmanari and other senior women in the community began painting for Irrunytju Arts on linen canvases. Their first exhibition was held in 2001, in Perth. [7] The art mixed modern painting techniques with ancient designs and cultural law. [1]
From the beginning of her career, Brown often painted with her friend Tjayanka Woods. When Brown's husband died in 2007, she and Woods left Irrunytju and went to live at Papulankutja, on Ngaanyatjarra lands. Here, they paint for Papulankutja Artists. [1] In April 2010, the two women held their first solo exhibition together at the Vivien Anderson Gallery in Melbourne. [3]
Brown mostly paints the Kungkarrakalpa Tjukurpa (Seven Sisters Dreaming). Her connection to this Dreaming comes from her mother, whose homeland is Kuru Ala, a sacred place for women. [9] The paintings in her solo show depicted stories from this Dreaming. [1]
Brown's paintings are not figurative. She does not explicitly depict figures or features of the landscape, but she does use iconographic symbols to represent them. She uses patterned lines to represent tracks in a journey, or seven small shapes or lines to represent the sisters. She also sometimes uses colour symbolically. [9] While Brown mainly paints directly on canvas, several of her works are made from screen-printing methods. [4]
Nyakul Dawson was an Australian Aboriginal tribal elder and artist. He was one of the earliest Ngaanyatjarra artists to achieve success using Western-style painting techniques. Examples of his work are held in the National Gallery of Victoria, and the Art Gallery of New South Wales.
Susie Bootja Bootja Napaltjarri was an Indigenous artist from Australia's Western Desert region. Born south-west of Balgo, Western Australia, in the 1950s Susie Bootja Bootja married artist Mick Gill Tjakamarra, with whom she had a son, Matthew Gill Tjupurrula.
Tjunkiya Napaltjarri was a Pintupi-speaking Indigenous artist from Australia's Western Desert region. She is the sister of artist Wintjiya Napaltjarri.
Wintjiya Napaltjarri, and also known as Wintjia Napaltjarri No. 1, is a Pintupi-speaking Indigenous artist from Australia's Western Desert region. She is the sister of artist Tjunkiya Napaltjarri; both were wives of Toba Tjakamarra, with whom Wintjiya had five children.
Peggy Rockman Napaljarri is a Warlpiri-speaking Indigenous artist from Australia's Western Desert region. Born on what is now Tanami Downs pastoral station in the Northern Territory, she learned English when working as a child with a white mining family; Peggy Rockman and her family were subsequently relocated by government authorities to Lajamanu, a new community west of Tennant Creek. Peggy Rockman is one of the traditional owners of Tanami Downs.
Linda Yunkata Syddick Napaltjarri is a Pintupi- and Pitjantjatjara- speaking Indigenous artist from Australia's Western Desert region. Her father was killed when she was young; her mother later married Shorty Lungkarta Tjungarrayi, an artist whose work was a significant influence on Linda Syddick's painting.
Sheila Brown Napaljarri was a Warlpiri-speaking Indigenous artist from Australia's Western Desert region. A contributor to major collaborative paintings by Indigenous communities, her works are also held by the Art Gallery of New South Wales and the South Australian Museum.
Josepha Petrick Kemarre is an Anmatyerre-speaking Indigenous Australian artist from Central Australia. Since first taking up painting around 1990, her works of contemporary Indigenous Australian art have been acquired by several major collections including Artbank and the National Gallery of Victoria. Her paintings portray bush plum "dreaming" and women’s ceremonies. One of her paintings sold at a charity auction for A$22,800. Josepha Petrick's works are strongly coloured and formalist in composition and regularly appear at commercial art auctions in Australia. Her art appears to have survived the huge contraction of the primary art market in Australia since 2008. There is no existing Catalogue raisonné of Josepha Petrick's artworks, to date, no fakes have been cited.
Jimmy Donegan is an Aboriginal Australian artist. His painting Papa Tjukurpa munu Pukara won the National Aboriginal & Torres Strait Islander Art Award in 2010. He speaks Pitjantjatjara and Ngaanyatjarra. His work is held in several major private galleries in Australia and Europe; the only major public gallery to hold one of his works is the National Gallery of Victoria.
Tjayanka Woods is an Australian Aboriginal artist. She was one of the pioneers of the art movement across the Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara lands, which began in 2000. She is best known for her paintings, but also a craftswoman who makes baskets and other woven artworks. Her paintings are held in the Art Gallery of Western Australia, National Gallery of Victoria, and the National Gallery of Australia.
Hector Tjupuru Burton was an Australian Aboriginal artist. He is a leading artist from Amaṯa, in north-western South Australia. His work has been shown in exhibitions since 2003, in several cities in Australia and other countries. His first solo exhibition was held in 2004 in Melbourne. Examples of his paintings are held in the National Gallery of Victoria, the Art Gallery of South Australia, the Art Gallery of New South Wales, and Flinders University.
Eileen Yaritja Stevens was an Aboriginal artist from central Australia. Although she had brief career of less than four years, she quickly became one of the most successful artists of her generation to paint in the style of the Western Desert. Her work is now held in several major public art collections across Australia.
Pulpurru Davies is an Aboriginal artist from central Australia. Most of her early life was spent living nomadically in the desert, until she and her family were settled at Warburton in the late 1960s. Part of her life in the bush was featured in the documentary People of the Australian Western Desert (1966). She has since become one of the earliest and most successful Ngaanyatjarra artists.
Tjungkara Ken is a Pitjantjatjara artist from Amata, South Australia, in the APY lands. She began painting in 1997, when Minymaku Arts was opened by the women of Amaṯa. She started painting professionally in 2008. By that time, the artists' co-operative had been renamed Tjala Arts.
Maringka Baker is an Aboriginal artist from central Australia. She lives in the Pitjantjatjara community of Kaṉpi, South Australia, and paints for Tjungu Palya, based in nearby Nyapaṟi.Maringka is known for her paintings. Maringka paints sacred stories from her family's Dreaming (spirituality). As well as the important cultural meanings they carry, her paintings are known for being rich in colour and contrast. She often paints the desert landscape in bright green colours, and contrasts it against reds and ochres to depict landforms. She also uses layers of contrasting colours to show the detail of the desert in full bloom.
Wawiriya Burton is an Australian Aboriginal artist. She is known for her acrylic paintings. Her paintings are representations of sacred stories from the Dreamtime. Like other Aboriginal artists, the representations are blurred for cultural reasons. The full meaning of her artworks can only be understood or deciphered by people who have been initiated. Burton is a ngangkaṟi, so she has more knowledge about sacred traditions than most in her community.
Harry Tjutjuna is an Aboriginal artist from central Australia. He belongs to the Pitjantjatjara people. Tjutjuna began painting in 2005. He held his first solo exhibition in 2007, in Darwin. His work is now held in several major public galleries in Australia, including the Art Gallery of New South Wales, the National Gallery of Victoria, and the National Gallery of Australia. His painting Ninuku Tjukurpa was a finalist for the Togard Contemporary Art Award in 2009. In 2010 and 2011, another of Tjutjuna's paintings, Wati Nyiru munu Wati Wanka, was chosen as a finalist in both the Western Australian Indigenous Art Awards, and the National Aboriginal & Torres Strait Islander Art Award (NATSIAA).
The Ngaatjatjarra are an Indigenous Australian people of Western Australia, with communities located in the north eastern part of the Goldfields-Esperance region.
Tjapartji Kanytjuri Bates (c.1933–2015), also spelt Taparti, was an Australian Aboriginal artist based in Warakurna, Wanarn, and Warburton communities in the Gibson Desert. She was of the Ngaanyatjarra people. Known to be active from 1991, her work incorporates media of paint, canvas, glass and felt, and is particularly centred around interpretations of Tjukurrpa from her mother and father.
Tuppy Ngintja Goodwin is an Aboriginal Australian artist from South Australia. She is a painter, and director of Mimili Maku Arts.
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