Ann Gale (born 1966) is an American figurative painter based in Seattle, Washington. She is known
for her portrait paintings, which consist of an accumulation of small color patches expressing the changing light and the shifting position of her models over time. Some of her main influences are Lucian Freud, Alberto Giacometti, and Antonio López García.[1]
Gale works from live models and her process is lengthy. Once she begins to paint, she works for three-hour sessions,[2] and takes from four months to two years to complete a painting.[3] Her pieces possess a strong psychological component due to the amount of time she spends with her models. Gale's portraits are not always entirely accurate to the subject they are based upon, rather, according to Gale herself, are based upon Gale's current perception of the subject. The picture she paints may change midway through the painting process if Gale notices a change in the subject's posing.[4]
Ann Gale, Rachel, 2007, oil on canvas
Gale received her BFA from the Rhode Island College in 1988 and her MFA from Yale University in 1991. She has been the recipient of several awards including: Western States Art Federation/National Endowment for the Arts Fellowship (1996), Elizabeth Greenshields Foundation Grant (1997), Trust Grant/GAP Award (2003) and a John Simon Guggenheim Fellowship (2007).[3] The artist's work has been shown in galleries and museums across the United States including solo exhibitions at the Portland Art Museum, Portland, Oregon (2007) and the Weatherspoon Art Museum at The University of North Carolina at Greensboro (2008). Gale is a professor of painting at the University of Washington School of Art. She is married to the classical guitarist and composer Michael Nicolella.[citation needed]
Gilbert Stuart was an American painter born in the Rhode Island Colony who is widely considered one of America's foremost portraitists. His best-known work is an unfinished portrait of George Washington, begun in 1796, which is usually referred to as the Athenaeum Portrait. Stuart retained the original and used it to paint scores of copies that were commissioned by patrons in America and abroad. The image of George Washington featured in the painting has appeared on the United States one-dollar bill for more than a century and on various postage stamps of the 19th century and early 20th century.
Hung Liu (劉虹) was a Chinese-born American contemporary artist. She was predominantly a painter, but also worked with mixed-media and site-specific installation and was also one of the first artists from China to establish a career in the United States.
Mickalene Thomas is a contemporary African-American visual artist best known as a painter of complex works using rhinestones, acrylic, and enamel. Thomas's collage work is inspired from popular art histories and movements, including Impressionism, Cubism, Dada, the Harlem Renaissance, and selected works by the Afro-British painter Chris Ofili. Her work draws from Western art history, pop art, and visual culture to examine ideas around femininity, beauty, race, sexuality, and gender.
Lynette Yiadom-Boakye is a British painter and writer, of Ghanaian heritage. She is best known for her portraits of imaginary subjects, or ones derived from found objects, which are painted in muted colours. Her work has contributed to the renaissance in painting the Black figure. Her paintings often are presented in solo exhibitions.
Sylvia Sleigh was a Welsh-born naturalised American realist painter who lived and worked in New York City. She is known for her role in the feminist art movement and especially for reversing traditional gender roles in her paintings of nude men, often using conventional female poses from historical paintings by male artists like Diego Vélazquez, Titian, and Jean-Auguste-Dominique Ingres. Her most well-known subjects were art critics, feminist artists, and her husband, Lawrence Alloway.
Eleanore Mikus was an American artist who began painting in the late 1950s in the Abstract Expressionist mode. By the early 1960s, she was creating monochromatic paintings with geometric patterns that according to Luis Camnitzer, “could be seen as conforming to the Minimalist aesthetic of the era while emphatically contradicting that style’s emotional distance and coldness.” In 1969, she began painting simple, cartoon-like images in bold, colorful strokes that anticipated Neo-Expressionism of the early 1980s. In the mid-1980s, Mikus resumed creating her abstract works. Since 1961, she has also been creating works of folded paper in which the “folds” make lines or textures that become integral to the material itself.
Julie Rrap is an Australian contemporary artist who was raised on the Gold Coast in Queensland. She was born Julie Parr, and reversed her name to express her sense of opposition. Since the mid-1970's she has worked in photography, painting, sculpture, video and performance. Julie's work expresses her interest in images of the body, especially the female body.
Beth Cavener, also known as Beth Cavener Stichter, is an American artist based out of Montana. A classically trained sculptor, her process involves building complex metal armatures to support massive amounts of clay. Cavener is best known for her fantastical animal figures, which embody the complexity of human emotion and behavior.
Sherrie Wolf is an American photo-realistic painter and printmaker based in Portland, Oregon who has won multiple awards for her work. She has been described as "one of Portland's most prominent artists."
Phyllis Yes is an Oregon-based artist and playwright. Her artistic media range from works on painted canvas to furniture, clothing, and jewelry. She is known for her works that “feminize” objects usually associated with a stereotypically male domain, such as machine guns, hard hats, and hammers. Among her best-known artworks are “Paint Can with Brush,” which appears in Tools as Art, a book about the Hechinger Collection, published in 1996 and her epaulette jewelry, which applies “feminine” lace details to the epaulette, a shoulder adornment that traditionally symbolizes military prowess. In 1984 she produced her controversial and widely noted “Por She,” a silver 1967 Porsche 911-S, whose body she painstakingly painted in highly tactile pink and flesh-toned lace rosettes. She exhibited it at the Bernice Steinbaum Gallery in New York in 1984 and drove it across the United States as a traveling exhibition in 1985. In 2016, she wrote her first play, Good Morning Miss America, which began its first theatrical run at CoHo Theatre in Portland, Oregon in March 2018.
Aleah Chapin is an American painter whose direct portrayals of the human form have expanded the conversation around western culture’s representations of the body in art. Described by Eric Fischl as “the best and most disturbing painter of flesh alive today,” Chapin’s work has explored aging, gender and beauty, influenced in part by the community within which she was raised on an island in the Pacific Northwest. More recently, Chapin's work has taken a radically inward shift, expanding her visual language in order to better express the turbulent times we are living in. Consistent throughout her career, Chapin’s work asks the question: What does it mean to exist within a body today?
Mequitta Ahuja is a contemporary American feminist painter of African American and South Asian descent who lives in Baltimore, Maryland. Ahuja creates works of self-portraiture that combine themes of myth and legend with personal identity.
Ann Stewart Anderson was an American artist from Louisville, Kentucky whose paintings "focused on the rituals of being a woman." Anderson is known for her part in creating the collective work, the "Hot Flash Fan," a fabric art work about menopause funded by the National Endowment for the Arts. She was the executive director of the Kentucky Foundation for Women. Anderson died on March 4, 2019, one day after his 84th birthday.
JoAnn Verburg is an American photographer. Verburg is married to poet Jim Moore, who is frequently portrayed as reading the newspaper or napping in her photographs. She lives and works in St. Paul, Minnesota and Spoleto, Italy.
Edda Renouf is an American painter and printmaker. Renouf creates minimalist abstract paintings and drawings developed from her close attention to subtle properties of materials, such as the woven threads in linen canvas and the flax and cotton fibers of paper. Renouf often alters these supports by removing threads from the weave of a canvas, or in her drawings, creating lines by incising the paper.
Leslie Wayne is a visual artist who lives and works in New York. Wayne is best known for her "highly dimensional paintings".
Michele Martin Taylor, is an American fine art painter. She is best known for her Post-Impressionist works in oil, watercolor and intaglio. Her subjects are often gardens, water and verdure, but also portraits, figural studies and interiors.
Ann Pibal is an American painter who makes geometric compositions using acrylic paint on aluminum panel. The geometric intensity is one of the key characteristics that defines her paintings.
Lilian Garcia-Roig is a Cuban-born, American painter based in Florida. She is mostly known for her large-scale painting installations of densely forested landscapes.
Helen O'Toole is an Irish-born painter based in the United States, who is known for abstract paintings suggestive of landscape. She has exhibited throughout Ireland and the United States, in Singapore, and at venues including the San Francisco Museum of Modern Art, Portland Art Museum, Chicago Cultural Center, Tacoma Art Museum, and Institute of Contemporary Arts Singapore. Her work has been featured in the journals Artforum, Arts Magazine, New Art Examiner, and Zyzzyva, as well as the Chicago Tribune,The Irish Times, Seattle Post-Intelligencer, and National Public Radio. Art writers frequently discuss the interplay in her work between abstraction, the evocation of otherworldly light, land and space, and a commitment to investigating meaning through a painting process akin to the processes of cultivation and excavation. Artforum critic James Yood wrote, "echoing the often inchoate quality of nature, her paint surges toward mystery and hints at a kind of chiaroscuro of the spirit"; curator Bonnie Laing-Malcomson suggests her "richly colored monumental paintings evoke the moody landscape of her rural Irish homeland, summoning the force of J. M. W. Turner and Mark Rothko." She has been recognized with a Guggenheim Fellowship in Fine Arts, a Contemporary Northwest Art Award, and a Pollock-Krasner Foundation Award (2013), among other awards. O'Toole lives in Seattle, Washington and is Professor of Art and Chair of the Painting and Drawing Program at the University of Washington.
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