Ann Sumner | |
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Alma mater | |
Occupation | Museum / Gallery Director |
Known for | Art curation |
Ann Sumner is an art historian, exhibition curator, author and former museum director. She is currently Visiting Professor at Manchester Metropolitan University [1] and Chair of the Methodist Modern Art Collection. [2]
She was the Head of Public Engagement at the University of Leeds, where she led the Public Art Programme (2015–2017). [3] [4]
She was Historic Collections Adviser at Harewood House Trust, where she led the Chippendale 300 celebrations (2015–2018). [5] In 2018 she was made a Fellow of Aberystwyth University in 2018 [6]
She was the executive director of the Brontë Society, [7] [8] a director of the Barber Institute of Fine Arts at the University of Birmingham, England [9] (2007–2012), [10] and the first director of the Birmingham Museums Trust, comprising the merged Birmingham Museum and Art Gallery and Thinktank, from 2012 [10] until 2013. [7]
Sumner studied History of Art at the Courtauld Institute, University of London, [10] and obtained a PhD in History from Newnham College, University of Cambridge. [10]
She started her career at the National Portrait Gallery and has held curatorial positions at the Whitworth Art Gallery, Dulwich Picture Gallery, Harewood House, and the Holburne Museum. [10] Before her directorship at the Barber Institute, University of Birmingham, she was Head of Fine Art at National Museum Wales, for seven years (2000–2007). [10] In 2007 she became Barber Professor of Fine Art and Curatorial Practice. [11] [12]
Her specialist areas of interest are 17th-century British portraiture and miniature painting, French 19th-century painting, the art of Wales, and Public Art; she has long had an interest in art inspired by the game of lawn tennis. [9] She contributed a chapter on International Tennis Art to the Routledge Handbook of Tennis in 2019 [13] Her current research interests include public art by the American sculptor Mitzi Cunliffe in the 1950s and her book on Cunliffe in Manchester will be published by Manchester Metropolitan University Press in autumn 2020.
She was a founding member of the Steering Group for Pre 1900 European Paintings Specialist Subject Network, is the current Chair of the Methodist Art Collection of Modern Art, a Trustee of Leeds Art Fund, Trustee of the Museum of Bath at Work and was a member of the panel from the Leverhulme Art History Prize 2010/11, [9] She sits on the Curatorial Advisory Group for the Ironbridge Gorge Museums and is a member of the Advisory Committee for the School of Art Gallery & Museum, Aberystwyth University. [9] At the University of Leeds she led the Yorkshire Year of the Textile public engagement programme inspired by the rich textile heritage of the county. [14]
Jean-Paul Riopelle, was a Canadian painter and sculptor from Quebec. He had one of the longest and most important international careers of the sixteen signatories of the Refus Global, the 1948 manifesto that announced the Quebecois artistic community's refusal of clericalism and provincialism. He is best known for his abstract painting style, in particular his "mosaic" works of the 1950s when he famously abandoned the paintbrush, using only a palette knife to apply paint to canvas, giving his works a distinctive sculptural quality. He became the first Canadian painter since James Wilson Morrice to attain widespread international recognition and high praise, both during his career and after his death. He was a leading artist of French Lyrical Abstraction.
The Barber Institute of Fine Arts is an art gallery and concert hall in Birmingham, England. It is situated in purpose-built premises on the campus of the University of Birmingham.
Dame Sonia Dawn Boyce is a British Afro-Caribbean artist and educator who lives and works in London. She is a Professor of Black Art and Design at University of the Arts London. Boyce's research interests explore art as a social practice and the critical and contextual debates that arise from this area of study. Boyce has been closely collaborating with other artists since 1990 with a focus on collaborative work, frequently involving improvisation and unplanned performative actions on the part of her collaborators. Boyce's work involves a variety of media, such as drawing, print, photography, video, and sound. Her art explores "the relationship between sound and memory, the dynamics of space, and incorporating the spectator". To date, Boyce has taught Fine Art studio practice for more than 30 years in several art colleges across the UK.
Fanny Cornforth was an English artist's model, and the mistress and muse of the Pre-Raphaelite painter Dante Gabriel Rossetti. Cornforth performed the duties of housekeeper for Rossetti. In Rossetti's paintings, the figures modelled by Fanny Cornforth are generally rather voluptuous, differing from those of other models such as Alexa Wilding, Jane Morris and Elizabeth Siddal.
June Claire Wayne was an American painter, printmaker, tapestry innovator, educator, and activist. She founded Tamarind Lithography Workshop (1960–1970), a then California-based nonprofit print shop dedicated to lithography.
Professor Thomas Patrick Bodkin was an Irish barrister and art collector who became an art historian and curator.
Anne Wilson is a Chicago-based visual artist. Wilson creates sculpture, drawings, Internet projects, photography, performance, and DVD stop motion animations employing table linens, bed sheets, human hair, lace, thread and wire. Her work extends the traditional processes of fiber art to other media. Wilson is a professor in the Department of Fiber and Material Studies at The School of the Art Institute of Chicago.
Elizabeth Fritsch CBE is a British studio potter and ceramic artist born into a Welsh family in Whitchurch on the Shropshire border. Her innovative hand built and painted pots are often influenced by ideas from music, painting, literature, landscape and architecture.
Michael James Audain, is a Canadian home builder, philanthropist and art collector. He is the Chairman and major shareholder of the privately held Polygon Homes Ltd., one of the largest multi-family builders in British Columbia.
Birmingham Museums Trust is the largest independent charitable trust of museums in the United Kingdom. It runs nine museum sites across the city of Birmingham, including Birmingham Museum and Art Gallery (BMAG) and Thinktank, Birmingham Science Museum, with a total of more than 1.1 million visits per year.
Still Life with Teapot is a still-life oil painting dating between 1902 and 1906, by the French artist Paul Cézanne. The subject of the painting is a table draped loosely with a patterned cloth on which lie fruit, crockery and a knife. The painting was acquired by the National Museum Wales in 1952 and is on display at the National Museum Cardiff.
Brad Buckley is an Australian artist, activist, urbanist and is a Professorial Fellow at Victorian College of the Arts, Faculty of Fine Arts and Music, the University of Melbourne. He is also a foundation research fellow at the Centre of Visual Art (CoVA) at the University of Melbourne. Buckley was previously, Professor of Contemporary Art and Culture at Sydney College of the Arts, University of Sydney. He has exhibited widely, with exhibitions across Australia, and globally in the United States, Germany, Canada, Poland, Japan, New Zealand, Israel and Norway. He has also written widely on contemporary art, art schools, curating and the neo-liberal influence on society. Buckley's writings have been published by Pluto Press Australia, NSCAD Press and Wiley-Blackwell.
Florence Mellowes Montgomery was an American museologist, art historian, and curator, specializing in textiles. She authored two influential books and worked as a curator at Winterthur Museum, Garden and Library. She was married to Charles F. Montgomery, a fellow curator and art historian who was Winterthur Museum's first director.
Bruce W. Pepich is an expert in American and international craft, and executive director and curator of collections at the Racine Art Museum (RAM) and Charles A. Wustum Museum of Fine Arts (Wustum) in Racine, Wisconsin. In Pepich's time at RAM, the contemporary craft collection has increased in size from 253 pieces to almost 10,000 pieces in 2018, one of the largest collections in the United States. Pepich is an Honorary Fellow of the American Craft Council (ACC), in recognition of his contributions to the field of contemporary American crafts.
St. Jerome in the Desert is an egg tempera painting on wood by the Italian Renaissance artist Giovanni Bellini, dating from around 1450. It is housed in the Barber Institute of Fine Arts in Birmingham, England.
Elizabeth Ann Macgregor is a curator and art historian who was director of the Museum of Contemporary Art (MCA) in Sydney, Australia from 1999 until October 2021.
Joan Schulze is an American artist, lecturer, and poet. Schulze's career spans over five decades: she is best known for her work of contemporary quilts, fiberarts, and collage. Schulze has been named a “pioneer of the art quilt movement,” and her influence has been compared to that of Robert Rauschenberg’s. Her work is in galleries and private collections worldwide including the Renwick Gallery/Smithsonian Institution in Washington DC, the Museum of Arts and Design in New York, & the Oakland Museum of California.
Evelyn Ann Silber is an English art historian and an acknowledged specialist on 20th century British sculpture. She is an honorary Professorial Research Fellow at the University of Glasgow and is researching the marketing of modernist art in early 20th century London and the role played by dealers. Having moved to Glasgow in 2001 to assume the role of Director of the Hunterian Museum and Art Gallery, Silber continues to be based there and is an advocate for Glasgow’s cultural heritage, the conservation of the city, and its tourist industry. She is currently the Chair of the Scottish Archaeological Finds Allocation Panel.
Edgar "Pete" Peters Bowron is an American art historian and curator. Bowron served a director of both the North Carolina Museum of Art and the Harvard Art Museums. He is a scholar of seventeenth- and eighteenth-century Italian art, especially on the artist Pompeo Batoni.
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