Anna Johanne Schytte, also known as Anna Jutta Schytte (20 November 1877 - 16 March 1953) was a Danish composer, pianist, and teacher [1] [2] who performed throughout Europe [3] and recorded for Welte Mignon reproducing pianos. [4]
Schytte was born in Copenhagen. Her father and first music teacher was the composer Ludwig Schytte. [5] Later, she studied music with Ove Christensen, Franz Neruda and Julius Rontgen [6] in the Netherlands, and with Alfred Reisenauer [7] and Ignaz Friedman in Germany. [3]
Schytte gave piano performances in Amsterdam, Denmark (as the soloist in her father’s piano concerto), Germany (at the Leipzig Gewandhaus under conductor Arthur Nikisch), [8] London, Paris (at the Salle Pleyel) [9] and Stockholm. She performed with the Brussels Quartet and the Bohemian String Quartet, and taught in Copenhagen. [3] She recorded her father’s Berceuse op. 26, Nr. 7, for Welte Mignon. [4]
Schytte composed at least one piece for piano, Capriccietto, A Study in Staccato. [3] Both her father and Ignaz Friedman dedicated compositions to her: Four Preludes, Opus 61 by Friedmann, [10] and Petit Preludes, Opus 65 by Ludwig Schytte. [11]
Johann Nepomuk Hummel was an Austrian composer and virtuoso pianist. His music reflects the transition from the Classical to the Romantic musical era. He was a pupil of Mozart, Salieri and Haydn. Hummel significantly influenced later piano music of the 19th century, particularly in the works of Chopin, Liszt and Mendelssohn.
Theodor Leschetizky (sometimes spelled Leschetitzky; Polish: Teodor Leszetycki; 22 June 1830 – 14 November 1915 was an Austrian-Polish pianist, professor, and composer born in Landshut in the Kingdom of Galicia and Lodomeria, then a crown land of Austria-Hungary.
Carl Heinrich Carsten Reinecke was a German composer, conductor, and pianist in the mid-Romantic era.
Claude Antoine Jean Georges Napoléon Coste was a French classical guitarist and composer.
Ludvig Schytte was a Danish composer, pianist, and teacher.
M. Welte & Sons, Freiburg and New York was a manufacturer of orchestrions, organs and reproducing pianos, established in Vöhrenbach by Michael Welte (1807–1880) in 1832.
Woldemar Bargiel was a German composer and conductor of the Romantic period.
François de Fossa was a French classical guitarist and composer.
Lubka Oleksandrivna Kolessa was a classical pianist and professor of piano.
Johannes Frederik Fröhlich, a Danish violinist, conductor and composer, was a precursor of Niels Gade and J.P.E. Hartmann, and a central figure in Danish musical circles during the Romantic era.
Alfred Reisenauer was a German pianist, composer, and music educator.
Joseph Küffner (Kueffner) was a German musician and composer who, among other achievements, contributed significantly to the guitar repertory, including chamber music.
Sigrid Ingeborg Henriette Wienecke née Stadfeldt was a Norwegian-Danish composer. She produced over 140 psalms and musical pieces.
Filippo Gragnani was an Italian guitarist and composer.
Josef Pembaur was an Austrian pianist and composer.
Léonie Antoinette Tonel was a French pianist and composer.
Albertha Wilhelmina Tideman-Wijers was a Dutch composer who lived in Indonesia for almost two decades and incorporated Indonesian elements into her compositions. She published her music under the name Bertha Tideman-Wijers.
Marie Charlotte Elisabeth d'Arpentigny de Malleville Tardieu was a French composer, concert pianist, and teacher who organized chamber recitals throughout Europe. She composed and performed under the names Charlotte de Malleville or Charlotte Tardieu.
Bertha Johanne Feiring Maass Tapper was a Norwegian composer, pianist, and teacher, best known for editing the piano works of Edvard Grieg for publication in America. She published under the name Bertha Feiring Tapper.
Jeanne Louise Hillemacher Servier (1807-1858) was a French composer who published most of her work under the name Mme.H. Servier. Her best known work was Methode Elementaire et Progressive de Chant a l’Usage de Toutes les Voix.
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