Anna Tummers

Last updated
Anna Tummers
Born1974 (age 49–50)
NationalityDutch
Alma mater University of Amsterdam
Occupation(s)professor, researcher, curator, art historian

Anna Tummers is a Dutch art historian, curator, and researcher, known for her work on Dutch Golden Age painting and Flemish painting, particularly those of the seventeenth century. [1] She is a professor in Early Modern Art at Ghent University. [2]

Contents

Biography

Anna Tummers began her career as a research assistant at the Print Room, Windsor in Windsor Castle, England (1999–2000). She then served as an assistant curator at the National Gallery of Art in Washington D.C. (2000–2003). From 2003 to 2008, she was a lecturer and research associate at the University of Amsterdam. [3] [4]

On 1 November 2008, Tummers became the curator of old masters at the Frans Hals Museum in Haarlem, succeeding Pieter Biesboer. [5] She held this position until 2021. [6]

Tummers has contributed to several exhibitions, including "Aelbert Cuyp" (2001–02), "Five centuries of trompe-l'oeil painting" (2002–03), "Rembrandt's late religious portraits" (2004–05), and "Gerard ter Borch" (2005). [7]

Tummers is noted for her work in developing new methodologies in art authentication, combining traditional connoisseurship with modern scientific techniques. [8] She has received significant grants, including a European Research Council grant to explore new methods of identifying art forgeries. [9]

Publications

Selected articles

Research and grants

Tummers heads and co-heads several research projects funded by the Netherlands Organization for Scientific Research. These include:

Exhibitions

During her tenure at the Frans Hals Museum, Tummers curated several exhibitions, including:

Related Research Articles

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Frans Hals the Elder was a Dutch Golden Age painter. He lived and worked in Haarlem, a city in which the local authority of the day frowned on religious painting in places of worship but citizens liked to decorate their homes with works of art. Hals was highly sought after by wealthy burgher commissioners of individual, married-couple, family, and institutional-group portraits. He also painted tronies for the general market.

<span class="mw-page-title-main">Frans Hals Museum</span> Art museum in Haarlem, Netherlands

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<i>Laughing Cavalier</i> Painting by Frans Hals

The Laughing Cavalier (1624) is a portrait by the Dutch Golden Age painter Frans Hals in the Wallace Collection in London. It was described by art historian Seymour Slive as "one of the most brilliant of all Baroque portraits". The title is an invention of the Victorian public and press, dating from its exhibition in the opening display at the Bethnal Green Museum in 1872–1875, just after its arrival in England, after which it was regularly reproduced as a print, and became one of the best known old master paintings in Britain. The unknown subject is in fact not laughing, but can be said to have an enigmatic smile, much amplified by his upturned moustache.

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<i>Last Supper</i> (Rubens) Painting by Peter Paul Rubens

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Joseph Coymans, was a Dutch businessman in Haarlem, known best today for his portrait painted by Frans Hals, and its pendant, Portrait of Dorothea Berck. The former resides at the Wadsworth Atheneum in Hartford, the latter at the Baltimore Museum of Art. A portrait of the couple's son Willem is held by the National Gallery of Art in Washington, D.C.

<i>Jasper Schade van Westrum</i>

Jasper Schade (1623–1692), was a Dutch representative to the States-General who is best known today for his portrait by Frans Hals.

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Gijsbert Claesz van Campen, was a Dutch cloth merchant of Haarlem who is most famous today for his family portrait painted by Frans Hals. The sitters in this painting have been identified by Pieter Biesboer as the family of Gijsbert Claesz. van Campen and is today split into three parts; the left half is in the collection of the Toledo Museum of Art, with an extra baby lower left added by Salomon de Bray in 1628, the center half is in the collection of the Royal Museums of Fine Arts of Belgium, Brussels, and a third fragment on the far right from a European private collection make up the three known surviving pieces of the original portrait. These three segments were reunited at the Toledo Museum of Art for an exhibition October 18, 2018 – January 6, 2019. The exhibition traveled to the RMFAB in Brussels from February 2 – April 28, 2019 and the Collection Frits Lugt in Paris, from June 8 – August 25, 2019.

<i>The Three Crosses</i> 1653 etching and drypoint by Rembrandt

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<i>Claes Duyst van Voorhout</i> Painting by Frans Hals

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<i>St Mark</i> (Hals) Painting by Frans Hals

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<i>Serenade</i> (Leyster) 1629 painting by Judith Leyster

The Serenade is a 1629 oil painting by Judith Leyster in the collection of the Rijksmuseum. It was attributed for centuries to Frans Hals until Wilhelm von Bode saw it in the Six collection in 1883. He noticed the prominent "J" in the signature, and attributed it to Jan Hals. This is one of seven paintings first properly attributed to Leyster by Hofstede de Groot ten years later in 1893.

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<i>Portrait of Stephan Geraedts, Husband of Isabella Coymans</i> Painting by Frans Hals

Portrait of Stephan Geraedts, Husband of Isabella Coymans is a late oil on canvas painting by the Dutch Golden Age painter Frans Hals, made when the artist was about 70. The painting is one of a pendant pair of wedding portraits, now separated. Hals probably painted the present portrait, Stephanus Geraerdts', an alderman of Haarlem, which was designed to be on the left, and the accompanying portrait of his wife Isabella Coymans around 1650–1652, six or seven years after their marriage in 1644. Isabella's portrait is now in a private collection in Paris.

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References

  1. ↑ Fabrikant, Geraldine (November 22, 2011). "In Haarlem, Treasures of the Dutch Golden Age". The New York Times.
  2. ↑ "Anna Tummers". Ghent University Research Portal. Retrieved 2024-07-28.
  3. ↑ "Anna Tummers". CODART. Retrieved 2024-07-27.
  4. ↑ Tummers, Anna (2005). "Aelbert Cuyp's Innovative Use of Spatial Devices". In van den Doel, Marieke; van Eck, Natasja; Korevaar, Gerbrand; Tummers, Anna; Weststeijn, Thijs (eds.). The Learned Eye: Regarding Art, Theory, and the Artist's Reputation. Amsterdam: Amsterdam University Press. pp. 86–98. ISBN   9789053567128.
  5. ↑ "Anna Tummers to Succeed Pieter Biesboer as Curator of Old Masters at the Frans Hals Museum, Haarlem". CODART. 3 July 2008. Retrieved 2024-07-27.
  6. ↑ "Ann Demeester leaving the Frans Hals Museum in Haarlem". Frans Hals Museum. Retrieved 2024-07-28.
  7. ↑ "Anna Tummers". Frans Hals Museum. Retrieved 2024-07-27.
  8. ↑ Reyburn, Scott (February 23, 2024). "What's in a Name? For This Rembrandt, a Steep and Rapid Rise in Price". The New York Times.
  9. ↑ "Is it a fake or not? Time for a new kind of connoisseurship". Universiteit Leiden. 30 June 2023. Retrieved 2024-07-27.
  10. ↑ Tummers, Anna (2011). The Eye of the Connoisseur: Authenticating Paintings by Rembrandt and His Contemporaries. Los Angeles: Getty Publications. ISBN   9781606060841.
  11. ↑ Tummers, Anna; Atkins, Chris (2013). Frans Hals: Eye to Eye with Rembrandt, Rubens, and Titian. Haarlem: Frans Hals Museum. ISBN   9789462080539.
  12. ↑ Tummers, Anna (2018). The Art of Laughter: Humour in the Dutch Golden Age. Haarlem: Frans Hals Museum. ISBN   9789462621701.
  13. ↑ Tummers, Anna; Jonckheere, Koenraad (2008). Art Market and Connoisseurship. A Closer Look at Paintings by Rembrandt, Rubens and Their Contemporaries. Amsterdam: Amsterdam University Press. ISBN   9789089640321.
  14. ↑ Tummers, Anna (2008). First Woman to Become a Master Painter. Amsterdam: Amsterdam University Press. ISBN   9789089640314.
  15. ↑ Tummers, Anna; Erdmann, Robert (2024). Frans Hals or not Frans Hals. Connoisseurship, Technical Analyses and Digital Tools. Open Access. ISBN   9783031594885.
  16. ↑ Tummers, Anna (2019). "Supplementing the Eye: The Technical Analysis of Frans Hals's Paintings – I". Burlington Magazine. 161. et al.: 934–941.
  17. ↑ "Frans Hals/Not Frans Hals". NWO. Retrieved 2024-07-27.
  18. ↑ "21st Century Connoisseurship". NWO. Retrieved 2024-07-27.
  19. ↑ "ArtDetect: A New Connoisseurship - Smart Ways to Detect Forgeries". Ghent University Research. Retrieved 2024-07-27.
  20. ↑ Siegal, Nina (October 21, 2017). "Need a Good Laugh? Check Out Some 17th-Century Dutch Art". The New York Times.
  21. ↑ "Frans Hals: Eye to Eye with Rembrandt, Rubens, and Titian". Frans Hals Museum. 29 November 2012. Retrieved 2024-07-27.
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