Victor Andrew de Bier Everleigh McLaglen was a British boxer-turned-Hollywood actor. He was known as a character actor, particularly in Westerns, and made seven films with John Ford and John Wayne. McLaglen won the Academy Award for Best Actor in 1935 for his role in The Informer.
The Black Watch is a 1929 American Pre-Code adventure epic film directed by John Ford and starring Victor McLaglen, Myrna Loy, and David Torrence. Written by James Kevin McGuinness based on the 1916 novel King of the Khyber Rifles by Talbot Mundy, the film is about a captain in the British Army's Black Watch regiment assigned to a secret mission in India just as his company is called to France at the outbreak of war. His covert assignment results in his being considered a coward by his fellows, a suspicion confirmed when he becomes involved in a drunken brawl in India that results in the apparent death of another officer. The film features an uncredited 21-year-old John Wayne working as an extra; he also worked in the arts and costume department for the film. This was director John Ford's first sound film.
Jeanette Anna MacDonald was an American singer and actress best remembered for her musical films of the 1930s with Maurice Chevalier and Nelson Eddy. During the 1930s and 1940s she starred in 29 feature films, four nominated for Best Picture Oscars, and recorded extensively, earning three gold records. She later appeared in opera, concerts, radio, and television. MacDonald was one of the most influential sopranos of the 20th century, introducing opera to film-going audiences and inspiring a generation of singers.
Nelson Ackerman Eddy was an American actor and baritone singer who appeared in 19 musical films during the 1930s and 1940s, as well as in opera and on the concert stage, radio, television, and in nightclubs. A classically trained baritone, he is best remembered for the eight films in which he costarred with soprano Jeanette MacDonald. He was one of the first "crossover" stars, a superstar appealing both to shrieking bobby soxers and opera purists, and in his heyday, he was the highest paid singer in the world.
Roland Young was an English-born actor. He began his acting career on the London stage, but later found success in America and received an Academy Award nomination for his role in the film Topper (1937).
Sally Blane was an American actress who appeared in more than 100 movies.
Gene Raymond was an American film, television, and stage actor of the 1930s and 1940s. In addition to acting, Raymond was also a singer, composer, screenwriter, director, producer, and decorated military pilot.
Maytime is a 1937 American musical and romantic-drama film produced by MGM. It was directed by Robert Z. Leonard, and stars Jeanette MacDonald and Nelson Eddy. The screenplay was rewritten from the book for Sigmund Romberg's 1917 operetta Maytime by Rida Johnson Young, Romberg's librettist; however, only one musical number by Romberg was retained.
The Lost Patrol is a 1934 American pre-Code war film by RKO, directed and produced by John Ford, with Merian C. Cooper as executive producer and Cliff Reid as associate producer from a screenplay by Dudley Nichols from the 1927 novel Patrol by Philip MacDonald. Max Steiner provided the Oscar-nominated score. The film, a remake of a 1929 British silent film, starred Victor McLaglen, Boris Karloff, Wallace Ford, Reginald Denny, J. M. Kerrigan and Alan Hale.
The Sun Comes Up is a 1949 Metro-Goldwyn-Mayer Technicolor picture with Lassie. Jeanette MacDonald had been off the screen for five years until her return in Three Daring Daughters (1948), but The Sun Comes Up was to be her last. In it, she had to share the screen not with an up-and-coming younger actress but with a very popular animal star. Although her retreat from a film career can be blamed largely on an increasingly debilitating heart ailment, MacDonald continued to make concert and TV appearances after this. Her last radio performance was a broadcast version of this same story on The Screen Guild Theater in March 1950.
Sweethearts is a 1938 American Technicolor musical romance film directed by W.S. Van Dyke and starring Jeanette MacDonald and Nelson Eddy. The screenplay, by Dorothy Parker and Alan Campbell, uses the “play within a play” device: a Broadway production of the 1913 Victor Herbert operetta is the setting for another pair of sweethearts, the stars of the show. It was the first color film for Nelson or Jeanette. It was their first film together without uniforms or period costumes.
The Cat and the Fiddle is a 1934 American pre-Code romantic musical film directed by William K. Howard based on the hit 1931 Broadway musical of the same name by Jerome Kern and Otto A. Harbach, about a romance between a struggling composer and an American singer. The film stars Ramon Novarro and Jeanette MacDonald in her MGM debut.
Wee Willie Winkie is a 1937 American adventure drama film directed by John Ford and starring Shirley Temple, Victor McLaglen, and Cesar Romero. The screenplay by Julien Josephson and Ernest Pascal was based on a story by Rudyard Kipling. The film's story concerns the British presence in 19th-century India. The production was filmed largely at the Iverson Movie Ranch in Chatsworth, California, where a number of elaborate sets were built for the film. This film was the first of three in which Shirley Temple and Cesar Romero appeared together, second was Ali Baba Goes to Town (1937) and The Little Princess (1939).
The Fighting Heart is a 1925 American silent drama film directed by John Ford.
The Girl of the Golden West is a 1938 American musical Western film adapted from the 1905 play of the same name by David Belasco, better known for providing the plot of the opera La fanciulla del West by Giacomo Puccini. A frontier woman falls in love with an outlaw.
"Theme from San Francisco," also known as "San Francisco," is a song from the 1936 American film San Francisco. It was written by Bronislaw Kaper and Walter Jurmann, with lyrics by Gus Kahn. It is sung by Jeanette MacDonald six times in the film, and becomes an anthem for the survivors of the 1906 earthquake.
Patrol is a 1927 war novel by the British writer Philip MacDonald. It is set in Mesopotamia during the First World War, focusing on the psychological strain on a patrol of British soldiers when they become lost in the desert and surrounded by the enemy. It sometimes known as Lost Patrol.
"Beyond the Blue Horizon" is a 1930 song composed by Leo Robin, Richard A. Whiting, and W. Franke Harling, and was first performed by Jeanette MacDonald in the 1930 film Monte Carlo. It was released that November as a single on a 78 rpm disc along with the song "Always, in All Ways" on Victor Records. Four takes were recorded on August 4 at the Hollywood Recording Studio, conducted by LeRoy Shield, with MacDonald and the vocal group The Rounders; the second take was chosen for release.
Don't Bet on Women is a 1931 American pre-Code romantic comedy film directed by William K. Howard and starring Edmund Lowe, Jeanette MacDonald and Roland Young.
The following features lists of the film, television and stage performances of actress and singer Jeanette MacDonald. She is best remembered for her musical films of the 1930s with Maurice Chevalier and Nelson Eddy, but she starred in 29 feature films between 1929 and 1950, from operas to dramas to romantic comedies.
