Anne Marsh is Professorial Research Fellow at the Victorian College of the Arts. Originally trained as a sculptor in the 1970s, she first was involved with sculpture performances [1] often identified with the emerging feminist art movement in Australia. She also belonged to the group of women artists who worked upon the Lip magazine. Marsh is well known as a feminist art theorist and has published many essays, journal articles, exhibition catalogues and reviews in Australia and internationally. Monograph publications include a survey of performance art in Australia Body and Self: Performance Art in Australia, 1969–1992 [2] and photography and modernism from the nineteenth century onwards – The Darkroom: Photography and the Theatre of Desire [3] [4] She has also received Australian Research Council (ARC) Discovery grants as sole researcher and as part of a team around the areas of photography, video and performance. [4]
Performance art is an artwork or art exhibition created through actions executed by the artist or other participants. It may be witnessed live or through documentation, spontaneously developed or written, and is traditionally presented to a public in a fine art context in an interdisciplinary mode. Also known as artistic action, it has been developed through the years as a genre of its own in which art is presented live. It had an important and fundamental role in 20th century avant-garde art.
Angela Olive Pearce, who published under the name Angela Carter, was an English novelist, short story writer, poet, and journalist, known for her feminist, magical realism, and picaresque works. She is best known for her book The Bloody Chamber, which was published in 1979. In 2008, The Times ranked Carter tenth in their list of "The 50 greatest British writers since 1945". In 2012, Nights at the Circus was selected as the best ever winner of the James Tait Black Memorial Prize.
Valie Export is an avant-garde Austrian artist. She is best known for provocative public performances and expanded cinema work. Her artistic work also includes video installations, computer animations, photography, sculpture and publications covering contemporary art.
Jo Spence was a British photographer, a writer, cultural worker, and a photo therapist. She began her career in the field of commercial photography but soon started her own agency which specialised in family portraits, and wedding photos. In the 1970s, she refocused her work towards documentary photography, adopting a politicized approach to her art form, with socialist and feminist themes revisited throughout her career. Self-portraits about her own fight with breast cancer, depicting various stages of her breast cancer to subvert the notion of an idealized female form, inspired projects in 'photo therapy', a means of using the medium to work on psychological health.
Hannah Wilke was an American painter, sculptor, photographer, video artist and performance artist. Wilke's work is known for exploring issues of feminism, sexuality and femininity.
Allucquére Rosanne "Sandy" Stone is an American academic theorist, media theorist, author, and performance artist. She is currently Associate Professor and Founding Director of the Advanced Communication Technologies Laboratory (ACTLab) and the New Media Initiative in the department of Radio-TV-Film at the University of Texas at Austin. Concurrently she is Wolfgang Kohler Professor of Media and Performance at the European Graduate School EGS, senior artist at the Banff Centre, and Humanities Research Institute Fellow at the University of California, Irvine. Stone has worked in and written about film, music, experimental neurology, writing, engineering, and computer programming. Stone is transgender and is considered a founder of the academic discipline of transgender studies. She has been profiled in ArtForum, Wired, Mondo 2000, and other publications, and been interviewed for documentaries like Traceroute.
Gillian Rose FBA is a British geographer and geographic author. She is a professor of human geography in the School of Geography and the Environment at the University of Oxford. Previously, she taught and served as Associate Dean at The Open University. She is best known for her 1993 book, Feminism & Geography: The Limits of Geographical Knowledge.
Tee A. Corinne was an American photographer, author, and editor notable for the portrayal of sexuality in her artwork. According to Completely Queer: The Gay and Lesbian Encyclopedia, "Corinne is one of the most visible and accessible lesbian artists in the world."
Bracha Lichtenberg Ettinger is an Israeli artist, painter and writer, visual analyst, psychoanalyst and philosopher, living and working in Paris and Tel Aviv. She is regarded as a major French feminist theorist and international artist, that invented the concept matrixial (matricial) space.,,,,,. Ettinger is a professor at European Graduate School in Saas-Fee, Switzerland and at GCAS, Dublin.
Coco Fusco is a Cuban-American interdisciplinary artist, writer, and curator whose work has been exhibited and published internationally. Fusco's work explores gender, identity, race, and power through performance, video, interactive installations, and critical writing.
Linda Williams is an American professor of film studies in the departments of Film Studies and Rhetoric at University of California, Berkeley.
Australian feminist art timeline lists exhibitions, artists, artworks and milestones that have contributed to discussion and development of feminist art in Australia. The timeline focuses on the impact of feminism on Australian contemporary art. It was initiated by Daine Singer for The View From Here: 19 Perspectives on Feminism, an exhibition and publishing project held at West Space as part of the 2010 Next Wave Festival.
Jill Orr is a contemporary artist based in Melbourne, Australia. Orr is best known for her works in performance, photography, video and installation works that often explore the body, and its positioning within social, political and environmental contexts. While Orr's works are predominantly site-specific, the recording of her works are regarded as equally significant aspects of her working practice.
Polixeni Papapetrou was an Australian photographer noted for her themed photo series about people's identities. Photo series she has made include Elvis Presley fans, Marilyn Monroe impersonators, drag queens, wrestlers and bodybuilders and the recreation of photographs by Lewis Carroll, using her daughter as a model.
Petra Kuppers is a community performance artist and a disability culture activist. She is a Professor of English, Women's and Gender Studies, Theater and Dance, and Art and Design, teaching mainly in Performance Studies and Disability Studies, at the University of Michigan, Ann Arbor, and she serves on the faculty of Goddard College's MFA program in Interdisciplinary Arts. Her book Gut Botany was named one of New York Public Library's "Best Books of 2020."
Susanne Helene Ford was an Australian feminist photographer who started her arts practice in the 1960s. She was the first Australian photographer to have a solo exhibition at the National Gallery of Victoria in 1974 with Time Series. A book of her portraits of women 'A Sixtieth of a Second' was published in 1987. Her photographs and eclectic practice was displayed in an exhibition at the National Gallery of Victoria in 2014.
Destiny Deacon is an Indigenous Australian photographer and media artist. She has exhibited photographs and films across Australia and also internationally, focusing on politics and exposing the disparagement around Indigenous Australian cultures. She is credited with introducing the term "Blak" to refer to Indigenous Australians' contemporary art, culture and history.
Dr Bonita Ely is an Australian multidisciplinary artist who lives in Sydney. Ely established her reputation as an environmental artist in the early 1970s through her works concerning the Murray Darling river system. She has a diverse practice across various media and has often addressed feminist, environmental and socio-political issues.
Ponch Hawkes is an Australian photographic artist, whose works have been featured in the Australian National Gallery and have hung in the National Gallery of Victoria and the State Library Victoria and written about in The Sydney Morning Herald. Hawkes is considered an influential part of the Australian feminist art movement, which was centred predominately in Melbourne during the mid 1970s. Hawkes' work is broad in its scope, including artists, feminists, sportspeople, public figures and candid street-photographs. She is especially noted for her 1976 photo essay Our Mums and Us, which featured her female friends and their mothers, among them the writer Helen Garner.
The George Paton Gallery, formerly the Ewing and George Paton Gallery, was founded in Melbourne in the mid 1970s at the University of Melbourne Student Union.