Annette van Dyck-Hemming (born in 1965) is a German musicologist. [1] [2]
Possibly born in Wesel, from 1984 to 1993, Dyck-Hemming studied musicology, catholic church history and old German studies at the University of Bochum. [1] She completed this study with a master's degree. [1] From 1996 to 1998, Dyck-Hemming completed further training as CBT software developer. [1] [3] Von 1999 bis 2002 promovierte sie an der University of Bonn and finished the dissertation with Diskurse zur Musik Elliott Carters. [1]
From 1998 to 2000, Dyck-Hemming worked as a freelance lecturer in the field of IT and multimedia. [1] From 2002 to 2012 she worked as project coordinator, editor and author in the context of updating the Riemann Musiklexikon . [1] Since 2014, Dyck-Hemming has been a research assistant at the Max-Planck-Institut für empirische Ästhetik in Frankfurt. [1]
Dyck-Hemming's main research interests include the history of musicology, music historiography, music sociology and music aesthetics. [1] She participates in the MPI project "Geschichte der deutschsprachigen Musikwissenschaft". [1]
Herbert Eimert was a German music theorist, musicologist, journalist, music critic, editor, radio producer, and composer.
Nicolaus A. Huber is a German composer.
Since the 18th century Berlin has been an influential musical center in Germany and Europe. First as an important trading city in the Hanseatic League, then as the capital of the electorate of Brandenburg and the Prussian Kingdom, later on as one of the biggest cities in Germany it fostered an influential music culture that remains vital until today. Berlin can be regarded as the breeding ground for the powerful choir movement that played such an important role in the broad socialization of music in Germany during the 19th century.
Stefan Schaub is a German music teacher and scholar.
Ingolf Ulrich Dalferth is a philosopher of religion and theologian. His work is regarded as being on the methodological borderlines between analytic philosophy, hermeneutics and phenomenology, and he is a recognized expert in issues of contemporary philosophy, philosophy of religion, and philosophy of orientation.
Karl Friedrich Eusebius Trahndorff was a German philosopher and theologian.
Martin Eybl is an Austrian musicologist.
Werner F. Korte (1906–1982) was a German musicologist who in 1932 was appointed head of the Seminar of Musicology at the University of Münster. His books include Die Harmonik des frühen XV. Jahrhunderts in ihrem Zusammenhang mit der Formtechnik (1929), Studie zur Geschichte der Musik in Italien im ersten Viertel des 15. Jahrhunderts (1933), Robert Schumann (1937), and Bruckner und Brahms (1963), among others.
Christoph-Hellmut Mahling was a German musicologist and lecturer at various universities.
Egon Voss is a German musicologist, who is particularly known for his contributions to Richard Wagner research.
Ursula Kramer is a German musicologist. She has taught at the University of Mainz since 2001, and as a professor from 2007. She has been president of the Christoph-Graupner-Gesellschaft from 2007.
Matthias Schmidt is a German musicologist.
Susanne Fontaine is a German musicologist and university teacher.
Hans Joachim Marx is a German music historian. He has been professor of European music history at the University of Hamburg.
Arno Forchert was a German musicologist.
Peter Wicke is a German musicologist, who is particularly interested in popular music; he teaches as a university professor at Humboldt-Universität zu Berlin.
Tiburtius Tibor Kneif was a German-Hungarian lawyer and musicologist.
Harry Goldschmidt was a Swiss musicologist.
Friedrich Gustav Schilling was a German musicologist, editor and lexicographer.
Peter Sühring is a German musicologist, publicist and music critic.