Paolo Caliari, known as Paolo Veronese, was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as The Wedding at Cana (1563) and The Feast in the House of Levi (1573). Included with Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the "great trio that dominated Venetian painting of the cinquecento" and the Late Renaissance in the 16th century. Known as a supreme colorist, and after an early period with Mannerism, Paolo Veronese developed a naturalist style of painting, influenced by Titian.
The Basilica dei Santi Giovanni e Paolo, known in Venetian as San Zanipolo, is a church in the Castello sestiere of Venice, Italy.
The Gallerie dell'Accademia is a museum gallery of pre-19th-century art in Venice, northern Italy. It is housed in the Scuola della Carità on the south bank of the Grand Canal, within the sestiere of Dorsoduro. It was originally the gallery of the Accademia di Belle Arti di Venezia, the art academy of Venice, from which it became independent in 1879, and for which the Ponte dell'Accademia and the Accademia boat landing station for the vaporetto water bus are named. The two institutions remained in the same building until 2004, when the art school moved to the Ospedale degli Incurabili.
Jacopo da Empoli was an Italian Florentine Reformist painter.
Villa Godi is a patrician villa in Lugo di Vicenza, Veneto, northern Italy. It was one of the first projects by Italian Renaissance architect Andrea Palladio, as attested in his monograph I quattro libri dell'architettura. The work was commissioned by the brothers Girolamo, Pietro and Marcantonio Godi, started in 1537 and concluded in 1542, with later modifications to the rear entry and gardens.
The Chiesa dell'Angelo Raffaele is a church in Venice, northern Italy, located in the Dorsoduro sestiere. San Raffaele Arcangelo church is one of the only two churches in Venice that are possible to walk all around. It is located in Dorsoduro neighbourhood, close to San Basilio water bus stop.
Sant'Ambrogio is a Roman Catholic church in Florence, region of Tuscany, Italy. It is named in honour of St Ambrose.
Antonio Badile was an Italian painter from Verona.
Domenico Riccio was an Italian painter in a Mannerist style from Verona, best known for frescos.
Villa Pojana or Poiana, is a patrician villa in Pojana Maggiore, a town of the Province of Vicenza in the Veneto region of Italy. It was designed by the Italian Renaissance architect Andrea Palladio. It is conserved as part of the UNESCO World Heritage Site "City of Vicenza and the Palladian Villas of the Veneto".
Giovanni Battista Zelotti was an Italian painter of the late Renaissance, active in Venice and her mainland territories.
Giovanni Antonio Fasolo (1530–1572) was a late Renaissance Italian painter of the Venetian school, active in Vicenza and surroundings.
Villa Caldogno is a villa in the Veneto region of Italy, which is attributed to Italian Renaissance architect Andrea Palladio. It was built for the aristocratic Caldogno family on their estate in the village of Caldogno near Vicenza. It is also known as the "Villa Nordera" after Dr. Ettore Nordera who owned the property through a large part of the 20th century.
The Holy Allegory is a painting by the Italian Renaissance master Giovanni Bellini, dating from c. 1490 to 1500. It is in the Uffizi gallery in Florence, Italy.
The Palazzo or Ca' Cappello Layard is a palace situated in the sestiere of San Polo of Venice, Italy, overlooking the Grand Canal at the confluence between this and the smaller Rio di San Polo and Rio delle Erbe. On the Grand canal, it is located between Palazzo Barbarigo della Terrazza and Palazzo Grimani Marcello. It is particularly noteworthy for having been the residence of Austen Henry Layard, discoverer of Nineveh.
Crucifixion is a painting of the Crucifixion of Christ, usually attributed to Perugino, with or without assistance from Luca Signorelli. The work's dating and attribution are both uncertain - Venturi and Schmarsow attribute it to a pupil of Perugino, whilst other art historians attribute it to Perugino alone or with assistance from Signorelli. The deep chiaroscuro is comparable to Signorelli's style elsewhere or to the early style of Perugino whilst he was still heavily influenced by Verrochio. The landscape background is typical of Perugino, with mountains and hills in deep perspective.
Saint Anthony Preaching to the Fish is a 1580–1585 oil on canvas painting of Anthony of Padua by Paolo Veronese, now in the Galleria Borghese in Rome. Its original location is unknown, though its medium dimensions of 104 centimetres (41 in) by 150 centimetres (59 in) mean it may have been painted for the side wall of a chapel or as part of a cycle of paintings for a small school (scuola) somewhere in Veneto. It entered the collection of Cardinal Scipione Borghese as a 1607 gift from Francesco Barbaro.
Minerva between Geometry and Arithmetic is a 1550 fresco fragment, usually attributed to Paolo Veronese but by some art historians to Anselmo Canera or Giambattista Zelotti. It was painted for the Palazzo de Soranzi in Castelfranco Veneto but now in the Palazzo Balbi in Venice.
Madonna and Child with Saint Catherine of Alexandria is a c.1550 oil on panel painting by the studio of Titian, now in the Galleria degli Uffizi. It was restored around the end of the 18th century, when the present carved and gilded frame was probably added.
Saint John the Baptist Preaching is a 1562 oil on canvas painting of John the Baptist by Paolo Veronese, now in the Galleria Borghese in Rome. It entered the collection of Cardinal Scipione Borghese as a 1607 gift from Francesco Barbaro. In the painting John the Baptist acts primarily and quite literally as a messenger for the coming of Jesus.
