| Annunciation Triptych | |
|---|---|
 | |
| Artist | Lorenzo Monaco |
| Year | c. 1410–1415 |
| Medium | Tempera on panel |
| Dimensions | 130 cm× 230 cm(51 in× 91 in) |
| Location | Gallerie dell'Accademia, Florence |
The Annunciation Triptych is a tempera on panel painting by the Italian late Gothic artist Lorenzo Monaco, now housed in the Gallerie dell'Accademia in Florence, Italy.
The triptych was commissioned for the church of San Procolo of Florence, where Renaissance art historian Giorgio Vasari saw it, but attributed it to Giotto. It was recognized as a work by Lorenzo Monaco by Giovanni Battista Cavalcaselle in 1864. It has been variously dated from 1408 to 1418.
The work had originally different cusps (perhaps with heads of prophets) and a predella, which is now lost.
The painting includes compartments divided into two panels surmounted by cusps, each sharing a golden background. The central painting depicts the Virgin, on a throne barely under her dress visible, on the right, and a hovering Angel of the Annunciation on the left. Behind her are parts of a house, including a double mullioned window, while next to her head is the Holy Ghost dove.
The drapes feature intricate arabesques, perhaps influenced by the International Gothic style introduced by Gherardo Starnina and Lorenzo Ghiberti.
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Andrea di Giusto, rarely also known as Andrea Manzini or Andrea di Giusto Manzini was a Florentine painter of the late Gothic to early Renaissance style in Florence and its surrounding countryside. Andrea was heavily influenced by masters Lorenzo Monaco, Bicci di Lorenzo, Masaccio, and Fra Angelico, and tended to mix and match the motifs and techniques of these artists in his own work. Andrea was an eclectic painter and is considered a minor master of Florentine early Renaissance art. Andrea trained under Bicci di Lorenzo as a Garzone. He painted his most significant works, three altarpieces, in the Florentine contado, or countryside; these altarpieces were created for Sant’Andrea a Ripalta in Figline, Santa Margarita in Cortona, and the Badia degli Olivetani di San Bartolomeo alle Sacce near Prato. Aside from his major altarpieces, Andrea painted several Frescoes over the course of his career. He, along with other minor masters, are also known to have provided several different types of art, including triptychs and frescoes, for Romanesque pievi, or rural churches with baptistries. Moreover, he was well known for several types of smaller craft objects, such as small tabernacles. He is said to have worked between 1420 and 1424 under Bicci di Lorenzo on paintings for Santa Maria Nuova. He is said to have worked with Masaccio in painting the Life of San Giuliano for the Polyptych of Pisa, including the painting of the Madonna and Child, in 1426. He also appears to have collaborated in 1445 with Paolo Uccello in the Capella dell'Assunta in the Prato Cathedral. In 1428, he is listed as a member of the Arte dei Medici e Speziali guild in Florence as "Andrea di Giusto di Giovanni Bugli". His son, Giusto d'Andrea, was also a painter and worked with Neri di Bicci and Benozzo Gozzoli. Andrea died in Florence in 1450.