Radio Éireann broadcast Kirkwood's Symphony, op. 8, composed in 1953.[2] This "very notable achievement", said one unidentified reviewer, established that Kirkwood "can write a memorable tune in a definite key and can hold the listener’s interest for a considerable time".[4] From 1957 until 1961, Kirkwood was the founder and conductor of the St Columba's Orchestra, associated with St Columba's Church, Pont Street.
Kirkwood composed orchestral concert works, theatre music and two ballet scores, as well as instrumental and chamber pieces (including a cello sonata and the Rapsodie for harp) and many songs. Marie Fitzpatrick identifies a development in her style from the three folksong based orchestral Fantasies (1958–61), through the six Intermezzos for piano of 1959, showing the influence of Bartok, and also including more technically demanding explorations, such as the Soliloquy for guitar (1985).[6] Her publishers are Curlew & Andresier and Bardic Edition. Selected works include:
In 1961, at St Columba's, Kirkwood married the writer Richard Phibbs (1911-1986), the author of Buried in the Country (1947).[13][14] Her marriage, three children and caring for her mother and husband through their terminal illnesses, led to a complete cessation in her composition activity between 1961 and the late 1980s.[1] During that period they were living at 56 Sutherland Street, London SW1.[15]
On her husband's death in 1986 she raised money to re-publish two of his books (Cockle Button, Cockle Ben, for children, and Harmony Hill, four short stories), as well as resuming her own career as a composer.[16] She died on 28 January 2014, aged 84.[17]
References
1 2 Halstead, Jill (June 1997). The woman composer: creativity and the gendered politics of music composition. Scolar Pr. p.300. ISBN1-85928-183-4. ISBN978-1-85928-183-3
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