Lauritz Melchior was a Danish-American opera singer. He was the preeminent Wagnerian heldentenor of the 1920s, 1930s, and 1940s and has come to be considered the quintessence of his voice type. Late in his career, Melchior appeared in movie musicals and on radio and television. He also made numerous recordings.
Richard Tauber was an Austrian lyric Tenor and film actor. He sang the tenor role in number of operas, including Don Giovanni by Mozart and Da Ponte.
Seattle Opera is an opera company based in Seattle, Washington. It was founded in 1963 by Glynn Ross, who served as its first general director until 1983. The company's season runs from August through late May, comprising five or six operas of eight to ten performances each, often featuring double casts in major roles to allow for successive evening presentations.
Jess Thomas was an American operatic tenor, best known for singing Wagner compositions.
William Johns is an American tenor who sang leading roles in the opera houses of Europe and the United States in a career spanning more than 25 years. Several of his live performances in Germany and Italy during the 1970s have been preserved on CD, including the title roles in Alfano's Cyrano de Bergerac and Mercadante's Il bravo.
Jacques Urlus, was a Dutch dramatic tenor. He sang to great critical acclaim at major opera houses on both sides of the Atlantic, and his recordings of the music of Richard Wagner are considered to be among the finest ever made.
Richard Cassilly was an American operatic tenor who had a major international opera career between 1954–90. Cassilly "was a mainstay in the heldentenor repertory in opera houses around the world for 30 years", and particularly excelled in Wagnerian roles like Tristan, Siegmund and Tannhäuser, and in dramatic parts that required both stamina and vocal weight, such as Giuseppe Verdi's Otello and Camille Saint-Saëns's Samson.
Heinrich Knote was an outstanding German dramatic tenor with an international reputation.
Orville Harrold was an American operatic tenor and musical theatre actor. He began his career in 1906 as a performer in operettas in New York City, and was also seen during his early career in cabaret, musical theatre, and vaudeville performances. With the aid of Oscar Hammerstein I, he branched out into opera in 1910 as a leading tenor with Hammerstein's opera houses in New York City and Philadelphia. While his career from this point on primarily consisted of opera performances, he periodically returned to operetta and musical theatre throughout his career. He notably created the role of Captain Dick Warrington in the world premiere of Victor Herbert's operetta Naughty Marietta in November 1910.
Charles Dalmorès was a French dramatic tenor. He enjoyed an international operatic career, singing to public and critical acclaim on both sides of the Atlantic during the first two decades of the 20th century.
Jonas Kaufmann is a German-Austrian tenor opera singer. He is best known for the versatility of his repertoire, performing a variety of opera roles in multiple languages in recital and concert each season. Some of his standout roles include Don José in Carmen, Cavaradossi in Tosca, Maurizio in Adriana Lecouvreur, Don Alvaro in La forza del destino, Siegmund in Die Walküre, and the title roles in Parsifal, Werther, Don Carlos, and Lohengrin. In 2014 The New York Times described Kaufmann as "a box-office draw, and... the most important, versatile tenor of his generation."
Giuseppe Cremonini was an Italian operatic tenor who had a prominent opera career in Europe and the United States during the last decade of the nineteenth century.
Paul Shearer Althouse was an American opera singer. He began his career as a lyric tenor with a robust Italianate sound, in roles including Cavaradossi in Tosca, Pinkerton in Madama Butterfly, and Turiddu in Cavalleria rusticana. He later branched out into the dramatic tenor repertoire, finding success in portraying Wagnerian heroes. He sang with the Metropolitan Opera in New York City for 30 years.
Albert Reiss also Albert Reiß was a German operatic tenor who had a prolific career in Europe and the United States. He spent much of his career performing at the Metropolitan Opera where he sang in more than 1,000 performances, including several premieres, between 1901 and 1919. Excelling in the tenor buffo repertoire, Reiss was particularly associated with the roles of David in Wagner's Die Meistersinger von Nürnberg and Mime in Der Ring des Nibelungen, two roles he sang in numerous houses internationally.
Norman Kelley was an American operatic tenor who had an active international career during the 1940s through the 1970s. He was notably a regular performer at the Metropolitan Opera between 1957 and 1961, and he sang in several world premieres with the New York City Opera. He also notably translated Engelbert Humperdinck's Hänsel und Gretel into English, a version first performed in 1967 and used by opera companies to this present day.
Ernest McChesney was an American tenor who had an active singing career in operas, musicals, and concerts during the late 1920s through the early 1960s. He was notably a principal tenor with the New York City Opera from 1954 to 1960.
Karel Burian was a Czech operatic tenor who had an active international career spanning the 1890s to the 1920s. A Heldentenor, Burian earned acclaim in Europe and America for his powerful performances of the heaviest Wagnerian roles. His voice is preserved on numerous recordings made for Pathé Records, the Gramophone Company, the Gramophone & Typewriter Company and the Victor Recording Company.
William Cochran was an American Heldentenor who achieved an international career.
Johannes Sembach began his musical career in German operetta and achieved international fame as a leading tenor in German opera, especially the works of Richard Wagner.
Walter Hyde was a British tenor, actor and teacher of voice whose career spanned genres from musical theatre to grand opera. In 1901 he sang Borrachio in the premiere of Stanford's Much Ado About Nothing and soon appeared in London's West End in light opera and Edwardian musical comedy. He appeared regularly at the Royal Opera House in Covent Garden between 1908 and 1924, becoming known for roles in Wagner operas, among others, both in Britain and America. He was also in demand as a concert artist. In his later years he was Professor of Voice at the Guildhall School of Music where his students included Geraint Evans and Owen Brannigan.
